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This topic was originally posted in this forum: Wanted To Buy |
Author | Topic: To Buddy Emmons |
bob drawbaugh Member Posts: 636 |
posted 06 March 2000 08:45 AM
BUDDY WHAT ARE YOUR THOUGHTS ON THE U12 GUITAR. SHOULD A NEW PLAYER GO IN THIS DIRECTION IF SO WHAT TUNNING, HOW MANY PEDALS, KNEES. THANKS |
bob drawbaugh Member Posts: 636 |
posted 09 March 2000 05:55 PM
TO THE TOP |
Buddy Emmons Member Posts: 1403 |
posted 10 March 2000 07:43 AM
If I were to start today, the U12 would probably be my choice, but I'm not sure I would go with the universal tuning as we know it, not that I don't think it's a good way to go. When there are great players like Jeff Newman and Maurice Anderson, who have proven the viability of the U12, it would be foolish of me to suggest that it wouldn't be a good choice. But I think I would choose an alternate route that would cover the E9th and offer room to add and not take away from the sound. It's no sin to not play the C6 tuning. Jay Dee told me he knew enough about the C6 tuning to fill a thimble, and I'm sure Lloyd.Green wouldn't hesitate to say as much in a different way. Yet it has never kept Jay Dee or Lloyd from being acknowledged as two of the finest players ever to have played the instrument. So if I were starting out today and career minded, I'd probably go with a 13th tuning that would cover country, western swing, and with a little manipulation, jazz. That and a little musical training should get you through any studio job you'd ever have to tackle. Of course if you had limited musical training, you could flounder around until you're 63 and then start spouting out advice. For pedals and knees, I would have eight on the floor and eight knees. Five of the eight knees (rights, lefts, and one vertical) would be the same as my E9th. They would also change some of the same strings I change on the C6 tuning of my D10. That would leave three remaining knee levers (LL, V, and LR) that would be positioned in the middle of the guitar as they are on my D10 (except there is no middle vertical on my D10). Pedals one through four, and five knees, would work the E13 tuning. Pedals five through eight, and five knees, would be for the E6th. But I'm not starting out today, so the single twelve I have is leaning toward the C6 tuning again. I use two of the pedals for a whole tone raise of the G (5) and a half tone raise for the Es (2 & 6). I've been slipping some E9th style bends on some jazz tunes and it sounds pretty cool. I don't know where it will take me but it's different, which in turn makes me sound a little different, and I could use some of that. When all is said and done though, the money is still in the gliss sound using one to three notes, and mostly on the top of the tuning; and for that, you can get by with eight strings or less and a creative mind. Long live Jerry Byrd! [This message was edited by Buddy Emmons on 10 March 2000 at 07:52 AM.] |
C Dixon Member Posts: 5912 |
posted 10 March 2000 08:01 AM
Several years ago in Stlouis, Jerry Byrd brought tears to my eyes. Now my second idol just did the same thing! What a blessing. Wow! carl |
b0b Sysop Posts: 8084 |
posted 10 March 2000 08:01 AM
Fascinating, but I must close this thread because Bob's invalid email address is starting to flood my mailbox with reply notifications. Any followup questions with have to start a new topic. Bob, use the "profile" command at the top right of the page to update your email address. Great reply, Buddy. Thanks for the insight. ------------------ |
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