The John and Rudy Dopyera Collection
We are very proud to offer for sale the combined collection of John and Rudy Dopyera. Few instrument makers represent the American Dream quite as completely as these two inventors, innovators, marketers, and all-around creative force behind both the National and Dobro companies.

The Dopyera brothers were born in what is now Slovakia, and came to the U.S. with the wave of Eastern European immigrants around the beginning of the 20th century. (In fact, the word “Dobro” is both a contraction of “DOpyera BROthers” and the word for “good” in their native tongue.) Engineers, tinkerers, businessmen, and accomplished musicians (their family had a history of violin making going back centuries, and Rudy was by many accounts an exceptionally talented and soulful Gypsy-style violinist), the two Dopyera brothers combined their Old World skills and traditions with the booming technology and futuristic tastes in art of pre-WWII America. Who else thought that spun aluminum might be a good material for sound projection? Who else engraved beautiful Art Deco designs on the bodies of their guitars? Only the Dopyeras.

The unusual, experimental, and mostly one-of-a-kind instruments in this collection – John’s unusual (and spectacular sounding!) resophonic violin, Rudy’s balalaika-inspired Lullabyka, the Art Deco-influenced steel body uke and tenor guitar, even the actual workbench on which John perfected the fabled tri-cone resonator system – are uniquely American (and uniquely Dopyera) innovations.

There’s no doubt that many of the great blues and slide guitar players owe their careers to these radical innovations of the Dopyeras; and there’s no question that both country and bluegrass music developed a whole new voice after the introduction of the Dobro. Because of the Dopyera brothers, American instruments – and American music – have never been the same.

Here are some web references: http://www.nationalguitars.com/part1.html http://www.gibson.com/products/oai/dobro/story.html

Rudy Dopyera passed away in 1978 and left his instruments and workshop to brother John, at that time 85 years old. When John passed on in 1988 the combined instruments and contents of the two workshops were packed up and put in storage by the family. Family members have now decided to sell the existing collection, plus the historic workbenches on which the brothers did much of their early work.

Sold as a collection. Serious inquiries email dopyera@elderly.com.

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Brad's Page of Steel
A web site devoted to acoustic & electric lap steel guitars

Too many themes and ideas on one instrument. Curlicues, fake scrolls, harp tailpiece, undersized f-holes, a bridge with feet, a pointed lower bout and the rest of instrument is round?

All this fluff and they go with plain dot inlays on the fingerboard?

Was this an attempt to save the company during the psychedelic years?

Or were they trying for an artist endorsement?

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Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'

CEO, CIO, CFO - UkeTone Records
Gerald's Fingerstyle Guitar Website
Board of Directors Hawaiian Steel Guitar Association

[This message was edited by Gerald Ross on 13 July 2005 at 01:02 PM.]

Is he up to something? Hmmmmmmmmmm...

[This message was edited by Bob Stone on 14 July 2005 at 11:45 AM.]

This however is not one of them, unless of course every member of the forum were to buy a hat from me....

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GFI D8 Non-Pedal, Peavey Delta Blues, Goodrich H10K VP, Modded Vox V-847, Ibanez DD1000 Digital Delay, Dunlop Lap Dawg bar