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This topic was originally posted in this forum: Wanted To Buy
Author Topic:   Hank Snow
Andy Alford
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Posts: 841
From: Alabama
Registered: MAY 99

posted 26 April 2000 04:57 AM     Click Here to See the Profile for Andy Alford     
What defined the Hank Snow Sound and why do you like it?


C Dixon
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Posts: 5912
From: Duluth, GA USA
Registered:

posted 26 April 2000 05:26 AM     Click Here to See the Profile for C Dixon     
Kayton Roberts was a big part for me. Kayton was a very different kind of steel player. Bent over with his legs outside the legs of his D-8 lap Fender playing it sooooooo sweet and smooth as he embelished Hank's voice.

One can hear shades of JB in Kayton's style. Also a lot of Joe Talbott's playing shows in Kayton's playing. It should. When Hank hired him over 30 yrs ago, he told Kayton to make it sound like Joe had sounded on "Moving On". Hank was a fan of Jerry Byrd too. So Kayton obliged and the rest is that sound that so identified Hank Snow.

Hank also was a unique guitar player. Played it differently than most lead players.

His voice had a Northern type of southern accent that was appealing to many I believe.

Like so many stars of the past, his sound was immediately identifiable. Not so today. Most all of it sounds much the same.

And one thing I always admired. He stood up at the microphone, did not have his mouth on it, trying to eat the thing and he played a guitar without going thru all kinds of antics trying to "act" out something he wasn't. Just simply stood up there played his guitar and sang in his special way.

May Our Precious Lord rest his soul,

carl

[This message was edited by C Dixon on 26 April 2000 at 05:28 AM.]



ed packard
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Posts: 1355
From: Show Low AZ
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posted 26 April 2000 06:12 AM     Click Here to See the Profile for ed packard     
It was Hank Snow in the "Halifax" years that got me started on guitar. His songs on Bluebird records, and his radio shows in Halifax did the job. His style was simple and straight forward, ..the lyrics told stories and pulled emotions.

The first, and maybe best lead picking that I recall by Hank was on "Sweet Texas Bluebonnet Queen".

Simple story telling clearly spoken lyrics coupled with uncluttered backup fitted to the song defined Hank's music.

Al Johnson
Member

Posts: 255
From: Sturgeon Bay, WI USA
Registered: APR 99

posted 26 April 2000 06:26 AM     Click Here to See the Profile for Al Johnson     
Nothing to really do with a steel here, but
I believe Hank always had one in fact played
lap steel himself on his son's first
recordings. Hank said was a early fan of
Karl Farr's guitar picking(Sons of the
Pioneers) and worked at playing like Karl.
I saw Hank in person once in Davenport, Iowa
during a break I got his autograph. I said
I really enjoy your guitar playing, Hank
smiled a big grin and said Thank you, like
he was happy somebody liked his playing.


Fred Murphy
Member

Posts: 669
From: Indianapolis, In. USA
Registered: NOV 99

posted 26 April 2000 07:34 PM     Click Here to See the Profile for Fred Murphy     
I always thought that Hank had one of the best and most distinct sounding flatops that I ever heard, and he knew how to get that sound out of it.


Richard Bass
Member

Posts: 579
From: Hendersonville, Tn
Registered: MAR 99

posted 26 April 2000 07:57 PM     Click Here to See the Profile for Richard Bass     
I was very fortunate to be on several package shows with Hank Snow. His Martin guitar sounded like he put new strings on it every hour. What a great sound. His version of "Tammy" will always be one of my favorites.
Richard


Tim Rowley
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Posts: 957
From: Pinconning, MI, USA
Registered: DEC 99

posted 26 April 2000 08:03 PM     Click Here to See the Profile for Tim Rowley     
For you 6-string pickers out there, I dare you to duplicate Hank's flat-top licks on the "Rhumba Boogie". I double-dare you.


Murray Cullen
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Posts: 292
From: Irvine, CA
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posted 26 April 2000 10:30 PM     Click Here to See the Profile for Murray Cullen     
A few years back, I saw a video of a 50s TV show with Hank doin' "I'm Movin' On". Had to run out and get a steel right then. He had a perfection thing that worked, and the recording quality of his early 50s recordings are tops. His diction (when singing) was clear as a bell. He looked like a train engineer to me, not like Faron, or Carl Smith or Elvis, which I like. When he performed, he made himself look real important, like he was the captain of a big ship. He plucked some neat lead guitar too.


Murray Cullen
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Posts: 292
From: Irvine, CA
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posted 26 April 2000 10:43 PM     Click Here to See the Profile for Murray Cullen     
Oh, by the way, I got this RCA BA6A compressor (50s), huge and full of tubes, and when you pick guitar through it, really sounds like what Hank might have played through (on the early 50s RCA recordings). I have many old tube compressors, but the BA6A gets that same attack and sustain.


Cal Sharp
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Posts: 731
From: Gnashville
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posted 27 April 2000 01:01 AM     Click Here to See the Profile for Cal Sharp     
One of Faron's favorite stories was the time he was playing a package show at a hockey arena in Canada with Hank and several other acts. Poor ol' Hank slipped on a wet spot backstage (they just had plywood walkways covering the ice) and went down on his butt. When Hank saw Faron laughing, he said in that inimitable voice: "That's not very funny, Far-ron. I could have been seriously hurt."

C#

Garryharris
Member

Posts: 156
From: Hendersonville, TN USA
Registered: MAR 2000

posted 27 April 2000 10:35 AM     Click Here to See the Profile for Garryharris     
It was reported that Hank recorded over eight hundred songs. I bought a used Fender Harvard from Hank's music store....still have it.


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