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Topic: 'Boo-wah' button
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Lucky Oceans Member From: Fremantle, W Australia, Australia
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posted 01 December 2000 09:43 PM
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Anyone remember the location of the fellow who was selling electronic buttons to plug into lap steels to make a boo-wah effect? Anyone buy and try?thanks, Lucky |
Herb Steiner Member From: Cedar Valley, Travis County TX
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posted 01 December 2000 11:09 PM
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Lucky Send me an e-mail, I have lost yours. Herb------------------ Herb's Steel Guitar Pages
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Doug Beaumier Member From: Northampton, MA
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posted 01 December 2000 11:53 PM
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I'd like to know more about this device too.------------------ www.dougbsteel.com
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Tim Rowley Member From: Pinconning, MI, USA
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posted 02 December 2000 12:09 AM
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Hey Lucky! Good to see you on here. That was the notorious Al Petty invented those buttons back in the early 1950's I believe. Magnatone (if I remember right) bought the rights to the idea and installed the buttons on their steels for a few years.I played one of these steels at Elderly Instruments a number of years ago. It was a console model. The trick was to hit a ringing chord and then repeatedly punch one or the other of those buttons. On this particular guitar, one of the buttons gave you a Speedy West "booh-wah booh-wah" effect, especially if you slid into the chord halfway up the neck and immediately worked the button. Kind of a "dated" sound but I can see where it would be cool on a good crash-and-burn C6th or E13th instrumental, especially if accompanied by an occasional bar slam, wolf-whistle, or 2nd fret "shivver". The other button was a cut-out button which could be used to "chatter" the chord or note. If you are one of those old-fashioned electronic tinkerers you could easily make up your own set of buttons in a shielded project box with a capacitor to roll off the highs and two push-button switches (one momentary-on, the other momentary-off). The momentary-on button could be used to cut the capacitor into the circuit to make the high frequencies jump out and back into the signal for a "booh-wah" effect. The momentary-off button could be used to cut the entire signal out and back in for the "chatter" effect. A couple of 1/4" female jacks and maybe a couple of broom clips to attach the box to the leg of your steel, and you would be all set. Might take two hours at the most to assemble such a unit. Hope this is helpful to you Lucky. Happy holidays! Tim R. |
Lucky Oceans Member From: Fremantle, W Australia, Australia
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posted 02 December 2000 07:16 AM
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Thanks, Tim,Lucky |
J D Sauser Member From: E-03700-DENIA (Costa Blanca), Spain
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posted 02 December 2000 09:36 AM
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Yeah, I got one of these too. A guy here on the forum offered them. I and others send in the money and never heard again from this gentlemen. "Disapeared", for six months. I then started a quite intensive search and finally got the gentleman at his new address and with a new phone number. He finally agreed to send me his creation: It's a little project box with an input and an output jack (both female) on one side (no way you could just plug it into the guitar and from the other side, go with the cable to the volume pedal, like the ol' LittleIzzy or the FuzzTone). There's a little, red "nail headed" switch on top, like on so many MultiKord guitars (Off/On). Inside, theres (a resistor?) and a cap. That's it... for $30.oo or $40.oo (I don't remember.. as a mater of fact... I don't really want to). I still don't know if the others got their "high tech" creation, as that gentleman promised me after I found him...------------------ The future belongs to culture. .... J-D. |
Herb Steiner Member From: Cedar Valley, Travis County TX
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posted 02 December 2000 11:39 AM
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I sent the $30 and never got one from the "gentleman." I did get a generous line of bullsh!t, though.  Then I lost his address. No big whup... Caveat emptor, I always say. ------------------ Herb's Steel Guitar Pages
[This message was edited by Herb Steiner on 02 December 2000 at 11:42 AM.]
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Pharaoh Member From: Raleigh, NC, USA
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posted 05 December 2000 01:39 PM
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Boo-wha? Anybody have some audio examples of this? If it's something that easy, I'll do a run of them for a few bucks. Let's see: 2 1/4" phone jacks = $4.00 Resistor = $.05 Cap = $.50 Enclosure = $5.00 Clips for leg mounting = $3.00 Labour = $10.00 MAX =$25.00 at the absolute limit. Hmmm... anybody want one? I also make custom fuzz tones, these sound real good with steel... http://surf.to/pharaohamps Please disregard the bits about the custom amps, I don't have time to make any more of those ! Matt Farrow
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Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 05 December 2000 02:12 PM
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I'd want one ... please go ahead !! I really think that there's a market for one.Andy |
Pharaoh Member From: Raleigh, NC, USA
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posted 05 December 2000 02:20 PM
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OK, I can make these in my smaller boxes (2x4x2) and can cover them in either Cheetah, Leopard, Red, Black, or White fun fur for $30.00 + shipping. Shipping should be $3.20 to US, more for Germany (Sorry, Tele :P )I hate to charge even that much, but if I don't cover them, they're sure gonna be ugly!! And covering is my #1 expense (well, that and footswitches, but I don't need them for this.) Who's interested? Also, I NEED the names of songs that use this effect if I'm gonna build it and voice it correctly! Anybody know any tunes with this "Boo-wha" in them? Thanks Matt Farrow http://surf.to/pharaohamps
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Iain Member From: Edinburgh, Scotland
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posted 06 December 2000 02:42 AM
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I'd want one (and I have friends in the US it could be shipped to!) Please e-mail me if/when any are to be made so I can choose a covering (!) Thanks for the offer |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 06 December 2000 04:38 AM
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Count me in , too !! The price tag is acceptable, at least that's what the other guy was asking for simply "nothing"  as afar as sound file go, listen to Speedy West and you'll get the pictureAndy |
Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 05:24 AM
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OK, I'm going to make 2 circuits tonight, one's an RC filter, that's the simpler of the two types to make, the other's an LC filter, should make a deeper "notch," maybe a better boo-wah. I'll post sound files tomorrow and you guys tell me which is better.Incidentally, how would you want to mount this thing? It'll be kinda heavy, less than a pound but still not light... Matt Farrow http://surf.to/pharaohamps
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Dana Duplan Member From: Ramona, CA
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posted 06 December 2000 07:16 AM
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I'd be interested in one as well. I think a floor pedal that is foot activated would be nice. Also concerned that having the pedal might alter the tone--would it be true bypass, or is the circuitry so simple that it will have no affect on the straight through tone? Is it to be two switches--one for boo-wah, and the other for the chatter (machine gun) effect? Thanks, DD[This message was edited by Dana Duplan on 06 December 2000 at 07:19 AM.] |
Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 08:01 AM
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OK, floor pedals are REAL easy for me here. If you want floor pedals I can do that better, no hassles about mounting the thing or any of that. You guys thing the Pedal Steel guys would be interested?Floor pedals don't add anything to the cost of this, but the pedal size will be increased to 4x4x2 so you can get yer foot on there. Left pedal does boo-wah, right does machine-gun. No active circuitry means no noise or hiss, and the design of the circuit is such that with no pedals epressed your signal sees no more resistance or capacitance than a piece of wire. I will post mp3s tonight of what it sounds like to anybody that's interested. Matt Farrow http://surf.to/pharaohamps I'm going to start a new thread...
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Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 03:46 PM
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OK, first prototype is done. The real problem here is I can hardly play! Certainly not well enough to win any awards, but here you guys go: http://www.skybolt6.com/audio/bwdemo.mp3 Some crude sound samples of what you can do with this simple device. The proto used a big ol footswitch like the kind GM used to use for floor dimmers (remember those?) and that "click" you hear in there is from the mic picking that up. Recording setup: 1962 No-name gold hammertone lap steel --> "Boo-Wah" button --> Vox Pathfinder amp (new solid state) with replacement 10" MojoTone speaker --> Sony V2M mic --> Creative SBLive! MP3+ No FX or EQ were harmed in the making of this sound clip! Thanks to all on the forum for their support. Matt Farrow http://surf.to/pharaohamps |
Jon Light Member From: Brooklyn, NY
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posted 06 December 2000 04:00 PM
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I can't tell--I think I'm being distracted by the clicking--is the signal being interrupted by the switching? Is there a momentary cut-off as the circuit switches in and out? |
Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 04:12 PM
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Sorry, had to re-encode the mp3 to get rid of the nasty encode errors... The high frequencies are rolled off when you hit the button. I'm gonna go get my C6 steel and try to do some Speedy West licks later, ha, ha. I have to learn how to use it, really, before I'm a good demonstrator.Matt
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Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 06 December 2000 04:44 PM
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hard to tell from that clip...maybe you could make one where you strum a whole chord, slide up one fret releasing the button..guess that would be a better demonstration !Andy |
Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 08:12 PM
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OK, my best "Hawaiian" style. I really can't play worth a d@mn, but hope this is a better demo. http://www.skybolt6.com/audio/bwdemo2.mp3 Matt |
Chris Bauer Member From: Nashville, TN USA
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posted 06 December 2000 09:04 PM
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Cool coverings on the floor units as well??  I'm trying to recall what those old switches are like and seem to recall them being pretty stiff. Any way to make the switch pretty fast? That'll be important in being able to use it easily. I'm a total mechanical moron so I can't really think how to say what I'm thinking here. The closest I can come is to say that I'd like it to feel more like a button than a switch. (Does that make any sense???) If it is easy to use and gets a good wide sweep, I'll certainly put in my order. Thanks for all your time in working on this! |
Pharaoh Member From: Raleigh, NC, USA
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posted 06 December 2000 09:15 PM
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All kinds of cool coverings. I'm working on tweed and two-tone leatherette for you vintage guys out there, too (Tele...)How's the new sound sample sound? Very easy switch action, BTW. Matt |
Dana Duplan Member From: Ramona, CA
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posted 06 December 2000 10:21 PM
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My opinion is that the sweep isn't quite right. I think it should go from full bass to the unaffected sound as if playing straight through. Like an emulation of the Fender Stringmaster tone control--very quick taper from full bass to treble--more boo-wah! DD |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 07 December 2000 12:45 AM
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I think Dana is right, from full-bass (muddy, muffled) to the unaffected sound. Plus it have to be a button only, definately not a switch! And add that machine gun button.. If you got it right, I think there'll be a "big" market for that device. I'd take one for sure.Andy |
Pharaoh Member From: Raleigh, NC, USA
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posted 07 December 2000 05:37 AM
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OK, one more time. This is what prototyping is all about, so let me know what you think. I've gfound a way to mostly eliminate the clicking, but due to the nature of the circuit, it will never go away completely. http://www.skybolt6.com/audio/bwdemo3.mp3 This version is VERY muddy, then clean. All along I thought you guys wanted something in the midrange! If I'd known you wanted full bass, then I could have been done hours ago! Cheers Matt |
Bill Crook Member From: Goodlettsville, TN , Spending my kid's inheritance
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posted 07 December 2000 07:21 AM
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After listing to this device (all 3 files) I don't think it does what it is suppose to emulate.....A sudden change of tone with a obivious click and a 10ms dead sound isn't a do-waa sound. This device did exactly what I thought it would do. There ain't NO way this thing can be used in a fill or even a turnaround. The change has got to be a analog change, not a sharp cut of one freq to another. A true do-waa pedal (or what-ever) will have to be a POT type device. A well noted example is Buddy Emmon's number "Witches Brew" There ain't NO way that sound could have been done with this device. |
Jim Smith Member From: Plano, TX, USA
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posted 07 December 2000 08:36 AM
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Buddy Emmons recorded Witches Brew with a wah-wah pedal on the Black Album. On live shows and on the ISGC live album he used an envelope filter. They are both completely different sounds than the "Boo-wah".Weren't the original "Boo-wah" switches doorbell switches? They are "non-clicking". |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 07 December 2000 11:59 AM
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http://members.aol.com/Altec639/wave1.mp3 http://members.aol.com/Altec639/wave2.mp3 okay here are two sound files, I think these clarify what we are talking about...I suppose you all know the steeler  Andy [This message was edited by Tele on 07 December 2000 at 12:01 PM.]
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Pharaoh Member From: Raleigh, NC, USA
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posted 07 December 2000 02:51 PM
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Well, from the Speedy West samples Tele provided, I hear either bar slaps or "machine gun" / "chatter" output switching. I don't actually hear any "boo-wah," maybe I'm going deaf? Anyway, I did a search in the archives for the guy who made the previous device, and it's advertised as being like the buttons on Fender steels that do the "chatter." So what do you guys want?Matt Farrow http://surf.to/pharaohamps
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Jon Light Member From: Brooklyn, NY
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posted 07 December 2000 03:07 PM
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I'm with you, Matt--confused. I remember the guy and his project and it was just a momentary contact button to break the circuit. When I think of BooWah or whatever, I think of a finger on the tone control or a swivel pedal. What threw me in this discussion was the mention of the capacitor in the circuit--I figured this was a whole nother thing. Just so you don't throw up your hands and walk away, I dig what you are trying to offer and I hope you get some better communication going with the folks who know what they want (or think they do ). I think you would come up with some stuff that would make some people happy once everyone's on the same page.[This message was edited by Jon Light on 07 December 2000 at 03:12 PM.] |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 07 December 2000 03:34 PM
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okay, here's what I thought it would be: - a tone roll like the volume pot or the old Bigsby pedal ( but like said before I think it needs to be done with a pot) - something to cut a short into the circuit to make that chattersorry for any confusion, I thought I'd hear some boo-wah effects on the Speedy West sound-files Matt, the effect you already have is nice but I think what I'd prefer would be smoother change from mudddy to clean. If you eliminate the click, put both functions in the unit - here's your customer ! Andy |
Dana Duplan Member From: Ramona, CA
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posted 07 December 2000 06:15 PM
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You might check with Herb Remington. I think he used to offer a boo-wah button on his Steelmasters? Don't know if he would give up the secret, or how well they worked. DD |
Johnne Member From: Rochester, MN
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posted 10 December 2000 08:40 AM
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Hey Guys,Its been years since I played a steel, but... Why would anyone want the sound your looking for? Johnne |
Billy Jones Member From: Medicine Hat, Alberta, Canada
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posted 10 December 2000 10:29 PM
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There's no secret to this. I've used one back in the fifties. The biggest problem was that everyone who tried it used a simple cutoff button and all they got was ststic. You have to use a micro switch. You can tie it in with your tone control or use it separately with a good capacitor. I used a .05 mf. You must also realize that there is a difference in capacitors (wafer, mylar etc.) I like the old style paper types because they load better. I think I still have mine laying around here somewhere. They give a real good brassey sound at the end of a slide in western swing. .. Billy |
Pharaoh Member From: Raleigh, NC, USA
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posted 11 December 2000 05:47 AM
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Right! I worked on this all weekend and I have found some heavy-duty switches that actuate quickly and easily enough to suit me. After listening to several Speedy West tunes, I have come to the conclusion that Ol Speedy may have been using the tone knob / little finger trick. So here's your choices - 1. Simple box with "chatter" and "boo-wah" footswitches, amount of "boo-wah" is adjustable, signal is not affected when switches are not pressed. $30.00 plus shipping 2. Complicated box with voltage-controlled bandpass filter, adjustable "Q" (bandwidth) on filter, filter is swept down when switch is depressed, then sweeps back up automatically when switch is released. Adjustable sweep time for "wah-wah" effects. True bypass footswitch. $105 plus shipping. I will post mp3s of the simple box tonight, and mp3s of the complicated box by Wednesday. Thanks, everyone for your input. Matt Farrow http://surf.to/pharaohamps
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Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 11 December 2000 02:08 PM
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Great !!can't wait to hear your results.... Andy |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 12 December 2000 02:30 PM
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any sound files yet? |
Gene Jones Member From: Oklahoma City, OK USA
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posted 13 December 2000 05:32 AM
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Matt.......I think you are correct that Speedy used his little finger on the tone knob for that sound. Back around the time that he was recording with Tennessee Ernie, Kay Starr, etc, he used that a lot on his unique fast "rides", and I was able to duplicate it with the "little finger on the knob"....of course the knob has to be in the right place...I was playing a Fender.As a matter of fact, I knew a pedal steel player by the name of Lou Houston who didn't use a foot volume control, and he played by picking a string with the tone control off and twisting the knob with his little finger to (gut) the notes. |
Adam Member From: Seattle,WA
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posted 15 December 2000 08:20 PM
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I don't think Speedy used his little finger on the knob.I've seen him in videos slapping a switch on the right end of his steel.I've seen Lee Jeffries and Jeremy Wakefield do it right in front of my eyes on their Bigsbys.Speedy used a Bigsby pedal to get doo wahs and the capicitor button on the end of his steel to get the chatter.End of story.What are you all debating about?This Bigsby button has already been discussed at technical length on the Forum by folks who have actually used them. |
Michael Johnstone Member From: Sylmar,Ca. USA
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posted 15 December 2000 11:16 PM
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The easiest,cleanest and most ergonomic way to do this trick is to get a Yamaha push-push pot/switch like what guys use for coil tap switching on standard electric guitars(any guitar tech can get you one).It's like a push-pull pot/switch except you push it once and it stays down-you push it again and it unlatches and comes back up.I took one apart and removed the latching hook - so when you push it down,it doesn't stay down-it just springs back up when you take your hand off of it.Since it's also a pot,I replaced the tone pot in my Stringmaster with it.I just wired up the switch section to cut the output of the guitar when the tone knob is held down or tapped stacatto style w/the heel of your picking hand....AND - just wrap your finger around it,give it a spin and you've got the so-called boo-wah effect. It couldn't be easier to reach while playing,no holes to drill,no defacing a classic guitar,no box hanging on the side of the guitar,no extra footpedals and cables and only one part to buy.It's the only way to fly. BTW,I also don't believe the boo-wah effect can be done with a button-you'd lose the "wah" in boo-wah.It needs to be a pot sweeping thru the tone spectrum.But if someone wanted to try it w/a button,you could put a second push/push rig in the volume knob position and use it as a momentary capacitor insert.A lot of work for a rather annoying effect...ain't it? -MJ- |