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Author Topic:   Lap steel and Hipshot Trilogy
James Quackenbush
Member

From: Pomona, New York, USA

posted 11 December 2002 07:43 AM     profile   send email     edit
I would like to build my own lap steel..I'm interested in using the Hipshot Trilogy bridge, and see that it comes with no saddles..Since I also want to incorporate midi into the picture, this will be a 6 string lap.. I was wondering what people are using on the bridge end for saddles/bar ???...Also does anybody see any problem with me using and LSR roller nut for the other end ??....Thanks in advance for your help....
seldomfed
Member

From: Colorado

posted 11 December 2002 11:51 AM     profile     edit
James,
I had an 8 string Trilogy bridge made before they changed their design to eliminate saddles.
See my web for pics of mine - www.berkleyguitars.com

I'd first ask them to build one with saddles and see if they will. Else, I suspect you could use a 6 string 'Tune-o-matic' style saddle option from Warmoth or All Parts that would work. I was bummed to see the saddles gone on the hipshot, because NOBODY MAKES 8 STRING PARTS! But I'm sure there's a workaround, I just haven't looked too hard yet. http://www.warmoth.com/

Btw, the Trilogy is a very cool option to have on a single neck steel! I've only nailed down two tunings that I use most of the time, but love having the option to experiment. If anyone else uses a Trilogy bridge chime in. I'm planning to go to Hawaii for the HSGA show in April and will take mine with me to play on stage.

Related note: would anyone be interested in a 'kit guitar' for 8 string? All the parts provided, you just do your own custom finish and assemble?

------------------
Chris Kennison
Ft. Collins, Colorado
"There is no spoon"
www.seldomfed.com

John Kavanagh
Member

From: Kentville, Nova Scotia, Canada

posted 11 December 2002 12:20 PM     profile   send email     edit
I have a 1940's Framus D-8 (it's a nice guitar! really!) with tuning bridges on both necks. The system is similar to the tripshot, but the parts are larger and a little clunkier - sometimes you can't set up a semitone shift, depending on the string guages.

After far too much time spent experimenting, I've set it up with the two necks voiced differently. One neck is strung for "narrow" tunings, where all the intervals are small and the outside strings aren't more than a tenth apart: a D13 like b0b uses, a couple of diatonic D tunings, and an E13. The other neck has wider tunings where the outside strings are two octaves or more apart - C6, G6, and a couple of E7ths and pronounceable modal tunings (Dadegade?).

I'd say this gives me more options than I need - the big drawback is that I spend more time making charts and experimenting and dicking around with the bridges than I do playing the thing. But I think I'm starting to settle down. My ideal guitar might be a 7/8, with a Hipshot on the 8 only.

Something that might work if 8-string parts were hard to get would be to use a 6-string Hipshot on the middle six.

[This message was edited by John Kavanagh on 11 December 2002 at 12:21 PM.]

James Quackenbush
Member

From: Pomona, New York, USA

posted 11 December 2002 01:59 PM     profile   send email     edit
Chris,
I would be interested in an 8 string kit with the Trilogy setup .. I'm glad you joined the thread as I was looking for your lap steel wanting to setup a Stringmaster clone...
How close are Jason's pickups to the originals and how did he come to the final pickup strength ??...( maybe I should be asking him??? )...
Terry Farmer
Member

From: Albuquerque, New Mexico, USA

posted 11 December 2002 05:08 PM     profile   send email     edit
James, I am currently building an 8-string lap steel. When I'm finished I"ll post some pictures. AutoCad drawings will also be available for anyone who wants them. Here's a few teasers; Bookmatched Koa top and bottom, 1/4" thick aluminum layer, 40-1 gearless tuners, inlayed frets......... Hopefully will be done in 2-3 months. It is an evening and week end project.
mikey
Member

From: Hawaii, Big Island

posted 12 December 2002 12:01 AM     profile   send email     edit
my teacher had a 6 string Bowden (I believe) w/ a hipshot...went from C6 to B11 and E13, I think...just a steel bar bridge like a Stringmaster,,,worked fine.
Mike
seldomfed
Member

From: Colorado

posted 12 December 2002 03:37 PM     profile     edit
hi James,
Jason's pickups are great. He studies original designs and works from there. I've gotten a bunch of pickup sets from him and all are consistently good. He's got the best Stringmaster pickups - I think. I tried the Seymore Duncan Antiquity pickups and they were too bright - not pleasing to me.

Well I don't have any kits (yet) - I was just checkin' the pulse of the group. Seems like after all this running around finding parts, programming CNC machines, finding vendors, and building parts I thought perhaps there would be some value in providing kits as well as prebuilt guitars.

I have a daydream fantasy, or sense that the lap steel will get more popular and there could be a huge renaissance someday soon. I think others sense it too. But I've felt this way for 10 years. Perhaps if there were parts avail., builders would flourish, hence guitars would become more ubiquitous, kids could afford them, and the steel community would benefit? Yeah, and monkeys might fly out of my butt.

I'm learning that if someone likes 8 strings and multi neck lap steels etc. they likely already have one or more fine playable guitars or collector guitars, and probably aren't going to get their wife to let them buy another one! Plus, the biggie - there ain't no money in building custom instruments unless there is a demand. I can fantasize a demand because I love steel - but as we all know and rehash numerous times in this forum - the demand is 'graying'. Kids don't have lots of money, and steel ain't cool in the multi-national-global-hiphopping-electricguitar-beatdriven-digital-wannabe entertainment economy (yet).

I think I started building these in part because I went sorta nuts for steel. Perhaps that's part of the disease. You catch the 'bug', then as the mania progresses you have to build a guitar and convert every other musician you know. Kinda like Jedi's have to build their own light sabre to fight the dark side of the force.

One thing I learned - my experience makes me realize how amazing Leo Fender and other early makers were at designing this equipment, especially so early in the electric history of the instrument. Was Leo a genius or just lucky? The best guitars and the best players seemed to come into existence all in a relatively short time frame, early in the lifecycle - it's quite amazing! So here 50+ years later, people are still trying to sell you something that looks like a Tele! or a Strat! And we will be trying to improve on the Frypan, the Ricky Bakelite guitars and the Stringmaster for years to come. How and why does this happen?

Is it just seredipitous? That because all this (steels) happened as it did, sounded the way it sounded, at that certain period in time when it was new and unique and people were willing to focus their time and the technology of the age on it, that it all came together perfectly? - or at least the way we think it should be?

But I digest... (my food).

email me if you have questions about parts.
Cheers, Chris

------------------
Chris Kennison
Ft. Collins, Colorado
"There is no spoon" www.seldomfed.com

[This message was edited by seldomfed on 12 December 2002 at 04:36 PM.]

[This message was edited by seldomfed on 12 December 2002 at 04:37 PM.]

Stephen O'Brien
Member

From: Cortlandt Manor, NY, USA

posted 13 December 2002 08:52 AM     profile   send email     edit
Jim, you are too much! Good luck on this project.
Jesse Pearson
Member

From: San Diego , CA

posted 13 December 2002 10:31 AM     profile   send email     edit
Hi Chris, being the modest life style musician that I am, I would definitely buy an 8 string Kit and build the body myself. I am a recent convert to lap steel, I started by playing C13, bottle neck style on a 7 string electric. Tripped more than a few guitarists out. I stumbled onto a nice playing dickerson and the rest is history. I'm making a pickup winder and learning a ton of stuff off the .net and from the most popular studies I can purchase. Is steel gonna become more popular? well, there are allot more musicians who know more and have access to allot more information than ever before. This forum has incredible smart players sharing what they know. Jr Brown got me going, and like thousands of good guitar players out there, we are all getting the bug! The Hawaiian connection to all music runs deep, from theory to the fact a Hawaiian steel player designed the body of my beloved Fender Strats (Freddie Travares). I lived in Hawaii in the early 70's and never saw anyone play steel in any of the clubs. The more musicians who learn steel in it's many styles and creatively find those paying gigs will turn the tide. Its a matter of exposure that will make more players and their audiences drawn to the light...
Jesse Pearson
Member

From: San Diego , CA

posted 13 December 2002 10:39 AM     profile   send email     edit
Mikey, the E13 tuning that your teacher went to from C6, it wasn't the one alot of western swing players use was it? The tension on the strings would be a big distance between the two tunings. Can you remember what that E13 tuning was? Thanks
Brad Bechtel
Moderator

From: San Francisco, CA

posted 13 December 2002 12:33 PM     profile   send email     edit
quote:
I have a daydream fantasy, or sense that the lap steel will get more popular and there could be a huge renaissance someday soon. I think others sense it too.

I think it's here already. You can buy lap steels in various configurations from a wide variety of sources.

------------------
Brad's Page of Steel
A web site devoted to acoustic & electric lap steel guitars

seldomfed
Member

From: Colorado

posted 13 December 2002 03:08 PM     profile     edit
Hi Brad,
No, I don't think so yet. I know you can buy from many sources (you do list many - thanks btw!), but compared to guitar makers - lap steel and resonator mfg. appears to be less than 10% of the population of mfg. companies. I'm sure, based on unit volume, the percentage is fractional. For example - you list approx. 75 makers (acoustic and elec.) on your page, probably not all in the world, Harmony-Central has about 764 guitar makers, not all either - so that's the <10% metric. Google turns up 331k ref. to lap steel compared to 10.6m guitar references on the web! So about 3%. Not really an apples:apples comparison. Not perfect data, but..... Not yet a significant metric for my "huge renaissance" vision.

It's rare in my experience to walk into a guitar store and see a lap steel anywhere. Resonators more now - Although I did see a Chandler in a Guitar Center once way back in a corner.

Since I started building mine - the number of mfg. has grown - so there is a 'flow' going here. There is a + trend. (esp. in acoustic resonators - what's that? blues or bluegrass?). I think we (steel lovers) suffer from a provincial perspective perhaps common to any small population. The rest of the world still say's "what"? Your web site, and this forum (the experienced, pasionate, talented people that contribute) are quite amazing in facilitating visibility and sharing info. - but it's basically invisible to the mass market. I've only been a steel player for 10 years (guitar for 40) so I'm still learning -just my perceptions.

chris

------------------
Chris Kennison
Ft. Collins, Colorado
"There is no spoon"
www.seldomfed.com

Craig Prior
Member

From: National City, California, USA

posted 15 December 2004 06:42 PM     profile   send email     edit
I notice from the photo of the TM-4 (http://www.hipshotproducts.com/images/davepic/tmb4.jpg) that the Trilogy needs to mounted behind a bridge.

Any ready-made lap steels that permit enough wood behind the bridge for mounting the Trilogy?

Any lap steel brands to avoid?

Anything available on the 'Bay that would suffice?

Thanks in advance.

Craig

Jerry Hayes
Member

From: Virginia Beach, Va.

posted 16 December 2004 04:33 AM     profile   send email     edit
Hey James, I use a HipShot Trilogy on one of my Telecasters and really love the thing. In building a Lap Steel, if the one with the bridge pieces wasn't available you could buy a unit made for the Tele which has the bridges on it and just cut off the part which extends forward with the angled pickup ring. Or you could even incorporate that and use an angled Tele type pickup. They make a lot of pups that fit in the Tele slot which sound good for any type of music. I don't see anything wrong with incorporating a roller nut as all pedals steels have 'em.....JH

------------------
Livin' in the Past and Future with a 12 string Mooney Universal tuning.

[This message was edited by Jerry Hayes on 16 December 2004 at 04:36 AM.]

Erv Niehaus
Member

From: Litchfield, MN, USA

posted 16 December 2004 07:48 AM     profile   send email     edit
I put a hipshot on a Strat along with their roller nut and Loni Specter's "red neck".
It made for quite a machine! I really need to get some pictures taken.
Erv
Mark Vinbury
Member

From: N. Kingstown, Rhode Island, USA

posted 16 December 2004 05:02 PM     profile   send email     edit
I've been building 6 and 8 string lap steel kits and selling them on eBay for about a year.I've definitely seen a surge of interest in steel.I think many guitar players are looking for a new challenge or sound and become interested in "lap"steel while checking out pedal steel.
Currently I am building a D-8 kit for a customer who is planning to install "EZ Bender" string benders on a bar behind the bridge.Has any one had experience with this device on a steel or otherwise.I am curious if others feel this would be a desireable option on a lap steel.

[This message was edited by Mark Vinbury on 16 December 2004 at 05:15 PM.]

[This message was edited by Mark Vinbury on 16 December 2004 at 07:54 PM.]

David Morgan
Member

From: Encinitas,CA,USA

posted 18 December 2004 07:11 PM     profile   send email     edit
I built a six string square neck (with a friend who is a machinist) with milled aluminum neck and brass roller style bridge and nut. I use a six string trilogy and have it set for several tunings. It works well. One note: even as "overbuilt" as this instrument is, I still must temper the tunings for the change in string tension. For example: a cent or so flat for chords where several strings are pulled tighter and a bit sharp when several strings are loosened. That is: you have to match the string/strings which are not pulled by the changer. Pedal steel players call it "cabinet drop."

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