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Author Topic:   C6 six string variations
Scott Houston
Member

From: Oakland, CA

posted 19 September 2003 10:37 AM     profile   send email     edit
The recent post on the Leavitt tuning had me trying it out again. It's an incredible tuning, but I still find myself going back to the C6. Maybe it's just for plain old comfort. Maybe I'm lazy. But straight C6 is an undeniably great, flexible tuning for six string.

Anyway, there have been many posts on quick and easy alterations of dobro open G and D tunings, but I haven't seen any posts like this for C6. I'm sure they're out there, though, so I thought I'd ask what folks here have tried. Here's a couple variations I've had luck with without changing my usual C6 string gauges. All are spelled low to high.

CEGBDE
These intervals are the same as what many use on the bottom of a C6 8-string tuning (with an F on the bottom). I really like this one, and you only need to retune two strings. Not so many extended chords like the Leavitt, but straight bar gives two different major triads (without moving the bar), a minor, a major 7, a minor 7, a 6th on top, and some nice sounding dominant 7 fragments. Plus an easy string pull behind the bar on the top string to make a full dominant 7.

CEGACF
Yields some similar chords to the above but with different inversions, plus a churchy sounding sus4. Nice 7th on the forward slant on the top 3 strings.

CEGAC#G
A "reverse" Jerry Byrd with the high C raised instead of the low. Really the same chord options as the regular JB, but it keeps the strings grouped in two pairs of 1,3,5. A forward slant makes a major chord across all six strings.

BbEGACE
An abbreviated Jr. Brown? I don't care for this one on the 6, it works much better on the 8.

I left out traditional JB C6/A7 and the Leavitt, but those sure do work well also without buying new strings.

Other ideas for simple but interesting C6 retunings?

C Dixon
Member

From: Duluth, GA USA

posted 19 September 2003 11:17 AM     profile   send email     edit
If I had to choose ONLY one tuning for a 6 string steel guitar, it would have to be JB's C6/A7 tuning IMO.

carl

Rick Schmidt
Member

From: Carlsbad, CA. USA

posted 19 September 2003 11:22 AM     profile   send email     edit
I use the C6 tuning from the lower A (Amin7) on my 6 string lap. Low to high: ACEGAC

I find it's better for the kind of stuff I'm more interested in...jazz & blues. But it is also good for C&W and swing using slants.
I like having the lower range, so I chose to sacrifice the high 3rd(E). I sometimes raise the lower strings up a half step for some variations: A#CEGAC or AC#EGAC or ACFGAC.
I recently played a bluegrass gig using this tuning on a resonator guitar, and nobody was any wiser.

As a pedal steeler primarily, I'm more interested in the single note voice of this non pedal axe...ala Toots Thielmans, Stephan Grappelli etc. , but there are alot chord fragments to be had. Having this tuning is also a great practice instrument for the inside 6("home row")of my C6 PSG. Someday soon I really do wanna get an 8 string though.

Scott Houston
Member

From: Oakland, CA

posted 21 September 2003 01:08 PM     profile   send email     edit
Very cool, Rick.

I was sure some of you experienced folks might have some other interesting tuning tales that wouldn't involve changing the C6 string gauges, though. For entertainment purposes only.

So, you guys got any?

Bill Hatcher
Member

From: Atlanta Ga. USA

posted 21 September 2003 04:46 PM     profile   send email     edit
A behind the bar string pull on the top string gives a very nice 6 chord using the Leavitt tuning. So far, the Leavitt tuning tops them all for playing modern jazz chords. The 6th tuning just throws you out on the trail behind the chuck wagon too fast for my taste.
Mike Ihde
Member

From: Boston, MA

posted 21 September 2003 09:11 PM     profile   send email     edit
It's so nice the see people saying good things about Bill's tuning (Leavitt). He would be happy and proud to see his work being used and enjoyed by so many.
In some of the arrangements I've created I've used first, second and even fifth string pulls behind the bar to get that nice pre-bend resolution. It's a wonderful tuning for Jazz chord solos but even I go back to C6/A7 for most everything else. Luckily, it only takes retuning 2 stings to get from C6/A7 to Leavitt. 3rd string A up to Bb and first string E down to D.

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