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  What's a Good 8 String Blues Tuning?

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Author Topic:   What's a Good 8 String Blues Tuning?
Bob Kagy
Member

From: Lafayette, CO USA

posted 10 September 2006 01:35 PM     profile   send email     edit
E13th?

Which one?

Steinar Gregertsen
Member

From: Arendal, Norway

posted 10 September 2006 01:41 PM     profile     edit
I used this version:

E
C#
B
G#
E
D
B
E

You got Ray Charles' "What I Say" on the four bottom strings, and easy access to all the blues licks in the world. All IMHO of course...

Steinar

------------------
"Play to express, not to impress"
www.gregertsen.com
Southern Moon Northern Lights

Bob Kagy
Member

From: Lafayette, CO USA

posted 11 September 2006 11:35 AM     profile   send email     edit
That looks pretty good.

The C# 2nd would be essential to me and the low B and E also look like must haves.

Ray Charles, yeah.

Thanks,
bk

Stephan Miller
Member

From: Silver Spring, Maryland, USA

posted 11 September 2006 01:40 PM     profile   send email     edit
A13 is one that's good for blues. That 1-3-5 on top puts you right in the middle of a ton of country blues. The dom7 on the bottom
is an easy retune from A6 and gives you (lo-hi) G-A-C#-E-F#-A-C#-E.

That E13 is very cool for blues, too. I'm tempted to try that one tuned down a full step to D13, just to able to do more slidin' around on that "E fret" for blues in E or A. Of course it's the same old deal-- gain some stuff, lose some other stuff...

--Steve

Keith Cordell
Member

From: Atlanta

posted 11 September 2006 02:42 PM     profile   send email     edit
I use a Sacred Steel tuning for blues; B*E*B*E*G#*B*C#*E. It works out well.
Todd Weger
Member

From: Safety Harbor, FLAUSA

posted 11 September 2006 05:26 PM     profile   send email     edit
I've used A6 with pretty good results. You have to avoid that F# string, except when it's used for other chord tones, but it's pretty easy to get what you need, especially when you're used to any type of "6th" tuning. That fifth on top is VITAL, IMHO...

TJW

------------------
Todd James Weger --
1956 Fender Stringmaster T-8 (C6, A6, B11); 1960 Fender Stringmaster D-8 (C6, B11/A6); Regal resonator (C6); 1938 Epiphone Electar (A6); assorted ukuleles; upright bass


Bobby Lee
Sysop

From: Cloverdale, North California, USA

posted 12 September 2006 01:11 PM     profile   send email     edit
E7:

E
D
B
G#
E
D
B
E

Kevin Ruddell
Member

From: Toledo Ohio USA

posted 13 September 2006 02:47 AM     profile   send email     edit
E7

E B D E G# B E

George Piburn
Member

From: San Diego, California, USA

posted 13 September 2006 06:20 AM     profile   send email     edit
How about ole' reliable C6th ?

low to high ACEGACEG(D)

Mr. Boards

Jesse Pearson
Member

From: San Diego , CA

posted 13 September 2006 11:14 AM     profile   send email     edit
I also find that C6 works great for blues, listen to an audio sample of Jimmie Vaughns "hillbillies from outer-space" on amazon from the album "Family Style". Jimmie has the steel going through a leslie or chorus pedal to sound kinda like a B3 organ. T-Bone Walker stuff works out great on C6, you can throw the horn riffs in there no problem along with the blues soloing. Open G tuning will give you an instant country blues sound bite?

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