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Author Topic:   Flat Wound Strings
Kris Oka
Member

From: San Francisco, CA, USA

posted 05 October 2006 02:39 PM     profile   send email     edit
Does anyone use flat wound strings on their lap steel? I purchase a used Rick last year and it came with these strings and I couldn't figure out why it was so easy to play. How do you buy these strings?
Patrick Newbery
Member

From: San Francisco, California, USA

posted 05 October 2006 03:21 PM     profile   send email     edit
I just bought a set to try out. I had noticed that the regular round strings were chewing up my black rajah bar, and that my other bars tended to wear the windings flat on one side...so the obvious conclusion was to try flat wounds. You can get them at most regular guitar stores (I got mine at Starving Musician in berkeley).
James Mayer
Member

From: Oregon, USA

posted 05 October 2006 03:44 PM     profile   send email     edit
I remember talking to a steel player after a show and he said that flat-wounds had much less sustain than round-wounds. So, I've never tried them.
Mike Ruffin
Member

From: El Paso, Texas, USA

posted 05 October 2006 04:19 PM     profile   send email     edit
I believe there was a discussion about this recently. SIT makes semi-flat strings that are pretty quiet and sound good.
Ron Whitfield
Member

From: Kaaawa, Hawaii, USA

posted 05 October 2006 05:05 PM     profile   send email     edit
I have flats on every Hawaiian/Spanish guitar I own and love the tone/sound and am wary of trying semi flats/ground wounds, even tho most players I know use them and sound great.
Only a couple of stores on Oahu carry them now days.

Can't imagine using wounds on steel.

Good luck, Kris!

[This message was edited by Ron Whitfield on 05 October 2006 at 05:05 PM.]

Brad Bechtel
Moderator

From: San Francisco, CA

posted 05 October 2006 05:06 PM     profile   send email     edit
I've used flat wound strings before, but I don't care for them. They certainly do cut down on the amount of extraneous string noise, but the tradeoff is a "duller" tone than you'd get from regular strings.

------------------
Brad's Page of Steel
A web site devoted to acoustic & electric lap steel guitars

Darryl Hattenhauer
Member

From: Phoenix, Arizona, USA

posted 05 October 2006 06:46 PM     profile   send email     edit
Never played them on a lap, but I love flats on a starchtop for jazz, and you can get some weird effects on solid bodies.

The best place I've found for buying strings is juststrings.com. Widest selection and lowest prices.

------------------
"And if we obey God, we must disobey ourselves." --Father Mapple

Kris Oka
Member

From: San Francisco, CA, USA

posted 05 October 2006 09:18 PM     profile   send email     edit
Thanks all for your help. I guess you can buy flat wound strings in the same gauges for C6 tuning.
Don Kona Woods
Member

From: Vancouver, Washington, USA

posted 05 October 2006 10:24 PM     profile   send email     edit
For Hawaiian music flat wound is the only way to go. IMHO

Flat wounds may give you a more subdued sound than the wound strings, but you need it for smoothness and eliminating "gritty" string sound.

Sustain is dependent on the steel as well as the strings. On my D-8 Excel, there is plenty of sustain with the flat wound strings.

Aloha,
Don

Rick Aiello
Member

From: Berryville, VA USA

posted 06 October 2006 05:30 AM     profile   send email     edit
I use flatwounds on all my steels .. acoustic or electric.

Always have ...

I like D'Addario Electric Chromes ...

They are available in just about any gauge ... as single strings ... at www.juststrings.com

------------------

Dustpans LTD.
The Casteels
HSGA


Gerald Ross
Member

From: Ann Arbor, Michigan, USA

posted 06 October 2006 05:49 AM     profile   send email     edit
I used SIT flat wounds for about five years until this past spring when I tried D'Addario Electric Chromes at Rick Aiello's Steel Guitar Summit.

The D'Addario's are all I use now. You have to assemble the sets individually at JustStrings.com and each set costs about $7 but what-the-hell, steel guitar strings last forever and the $2 or more a set really doesn't matter over time.

------------------
Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'



CEO, CIO, CFO - UkeTone Records
Gerald's Fingerstyle Guitar Website
Board of Directors Hawaiian Steel Guitar Association

James Mayer
Member

From: Oregon, USA

posted 06 October 2006 07:23 AM     profile   send email     edit
I went to juststrings.com and I don't can't find any individual D'Addario Electric Chromes. Looks like they are already assembled as sets for $7.95
James Mayer
Member

From: Oregon, USA

posted 06 October 2006 07:28 AM     profile   send email     edit
Nevermind, I found them.
Keith Cordell
Member

From: Atlanta

posted 06 October 2006 07:37 AM     profile   send email     edit
http://www.juststrings.com/electricchromesdaddarioguitarsinglestrings.html
Gerald Ross
Member

From: Ann Arbor, Michigan, USA

posted 06 October 2006 07:37 AM     profile   send email     edit
I stand corrected. To assemble this set (C6 Electric) of D'Addario Chromes will be about $12. Still worth it in my book.

.16 (plain, any generic plain metal string)
.18 (plain, any generic plain metal string)
.24 Chromes
.26 Chromes
.30 Chromes
.35 Chromes

------------------
Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'



CEO, CIO, CFO - UkeTone Records
Gerald's Fingerstyle Guitar Website
Board of Directors Hawaiian Steel Guitar Association

[This message was edited by Gerald Ross on 06 October 2006 at 07:38 AM.]

Gerald Ross
Member

From: Ann Arbor, Michigan, USA

posted 06 October 2006 07:41 AM     profile   send email     edit
These are interesting and a bit cheaper, and you are supporting a Michigan based company.
http://www.juststrings.com/precisionflatwoundghsguitarsinglestrings.html
http://www.juststrings.com/briteflatsghsguitarsinglestrings.html

------------------
Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'



CEO, CIO, CFO - UkeTone Records
Gerald's Fingerstyle Guitar Website
Board of Directors Hawaiian Steel Guitar Association

Rick Aiello
Member

From: Berryville, VA USA

posted 06 October 2006 07:54 AM     profile   send email     edit
They tend to backorder them on me ... cause I buy 5 of each gauge at a time (I gotta lotta steels) ... no biggie

But I'm a six string player ... and use plains up thru the 4th ... so cost isn't an issue ...

Since I use ... what I call the "Half Montee" ... ... buying "sets" isn't even considered ...

Short Scale

0.017 E
0.018 C
0.020 A
0.022 G
0.032 E (Chromes)
0.038 C# (Chromes)

Long Scale (25.5")

0.016 E
0.017 C
0.018 A
0.020 G
0.030 E (Chromes)
0.036 C# (Chromes)

I change them Chromes ... once a year .... whether they need it or not.

------------------

Dustpans LTD.
The Casteels
HSGA


[This message was edited by Rick Aiello on 06 October 2006 at 07:59 AM.]

Mike Neer
Member

From: NJ

posted 06 October 2006 07:57 AM     profile   send email     edit
On my electric steels (or should I say steel?), I use SIT Power Flats: http://www.juststrings.com/powerflatsitguitarsinglestrings.html

On my electric guitars, I most often use D'Addario Chromes and have for about 10 years.

------------------
www.mikeneer.com

Mike Neer on MySpace

Kris Oka
Member

From: San Francisco, CA, USA

posted 06 October 2006 08:12 PM     profile   send email     edit
Opps, I jumped the gun and ordered D'Aquisto Stainless Steel Flats from juststrings.com. Now I'll have to go back and put a set of D'Addario Chromes together. Is there a material difference between Stainless Steel and Chrome strings? Huh?
basilh
Member

From: United Kingdom

posted 07 October 2006 02:02 AM     profile   send email     edit
I find this thread most interesting
Whilst I was in Ireland It was like living in a wilderness that had only a handful of music shops, strings were at a premium and mail order from the 'States' was not really a runner, so we had to make do with whatever WAS available locally.
I say locally jokingly because most of the music shops that stocked gauged strings like Ernie Ball nickel round-wound, were 50 or so miles away at the very least.

I've never wanted to change from the 'Normal' and consider the "Extraneous Noise" issue to be down to bad technique.
My heroes in the Hawaiian steel guitar world never had the 'luxury' of semi or flat-wound strings, and yet still sound good to me. Jules, Barney, Billy and those of the late Hawaii Calls era definitely HAD the opportunity to use tape-wound strings but didn't.

Earlier players like Sol, Andy Eddie Bush et al. only had the round-wound, and not even varied gauges, just mainly plec. Gt. sets or sets of given tunings for electric steel.

What did Jerry Byrd use ?
What does Buddy Emmons use ?
I think that their choice (were I beginning again) would be my yardstick.

But pay no attention to me I'm only a Grumpy old fart who'd argue just for the fun of it !

------------------

Rick Aiello
Member

From: Berryville, VA USA

posted 07 October 2006 04:31 AM     profile   send email     edit
quote:
What did Jerry Byrd use ?

Flatwounds ... he's the one who initially recommended them to me.

He described their tone as "haunting" ...

quote:
Earlier players like Sol, Andy Eddie Bush et al. only had the round-wound, and not even varied gauges, just mainly plec. Gt. sets or sets of given tunings for electric steel.

I've read that Andy Iona used piano wire for all his strings ... plain (unwound) piano wire.

quote:
I've never wanted to change from the 'Normal' and consider the "Extraneous Noise" issue to be down to bad technique.

Well, if you enjoy little to no vibrato ... or use a rolling style vibrato ... then there isn't much problem with rounds.

But some of us like the old style vibrato ...

Hal Smith and I talked alot about that very topic at Joliet '04 ... and he said that the bakelite bars are his favorite for that very reason.

I noticed Dirk Vogel also used a plastic bar ... because of his liberal use of vibrato (I loved it).

Many players opted for bakelite/plastic bars to deal with "string scraping" ... ie the Black Rajah ...

I personal use a bar that "pre-dates" those ... new-fangled bullet ones ... and choose flatwounds to help cut down on scraping ... which occurs when I apply my wide vibrato.

quote:
argue just for the fun of it

I hate to argue ... find no amusement in it what so ever.

Strings, bars, etc are tools ... just tools.

I hear that some folks even use tools ... like pedals ... to change tunings during a song.

I hear some folks use "reverb" ...

I hear some people use 8 strings ... even up to 12 sometimes.

For me ... 6 strings, no pedals, no reverb and a flat bar is "just right" ...

But if tools like extra strings, bullet bars, reverb, etc ... works for someone ...

Who am I to judge ... or belittle.

------------------

Dustpans LTD.
The Casteels
HSGA


[This message was edited by Rick Aiello on 07 October 2006 at 05:23 AM.]

Charlie McDonald
Member

From: Lubbock, Texas, USA

posted 07 October 2006 05:32 AM     profile   send email     edit
I have semi-flat SIT's on my lap steel. Like them a lot.
Jesse Pearson
Member

From: San Diego , CA

posted 07 October 2006 07:51 AM     profile   send email     edit
.

[This message was edited by Jesse Pearson on 07 October 2006 at 09:02 AM.]

Bill Creller
Member

From: Saginaw, Michigan, USA

posted 07 October 2006 01:49 PM     profile   send email     edit
I'm with Charlie,I'm using SIT semi-flats. Bobby Ingano put me onto them a couple of years ago, although he uses GHS brand which are available in Honolulu.
Kris Oka
Member

From: San Francisco, CA, USA

posted 07 October 2006 09:00 PM     profile   send email     edit
Does anyone know the difference bwtween stainless steel flat wound and Electric chromes? Chrome, as in chrome plated strings?
Don Kona Woods
Member

From: Vancouver, Washington, USA

posted 07 October 2006 10:21 PM     profile   send email     edit
Just as square-ridged Ping golf clubs eat up golf balls, wound strings eat up plastic steel guitar bars.

This analogy is for steel guitar players who are golfers.

Aloha,
Don

Rick Aiello
Member

From: Berryville, VA USA

posted 08 October 2006 04:48 AM     profile   send email     edit
Kris ...

Chromes description

They do have a more "slippery" feel than the other flats I've tried. ...

The most expensive I've tried were the Thomastik-Infeld ... the least expensive being the Fenders (Just Strings quit carring their singles) ...

I've never tried the D'Aquisto though ...

Personally, I've always gone back to the Chromes ... for whatever thats worth.

------------------

Dustpans LTD.
The Casteels
HSGA


[This message was edited by Rick Aiello on 08 October 2006 at 05:01 AM.]

Jaime Miller
Member

From: Dallas, Texas, USA

posted 08 October 2006 06:41 AM     profile   send email     edit
I was under the impression round-wound strings were not even widely available until 1967 or so. Steel flats were the main strings even on acoustics.

Am I off base on this?

Jaime

Kris Oka
Member

From: San Francisco, CA, USA

posted 08 October 2006 08:27 AM     profile   send email     edit
Thanks, Rick. Chromes are the world's most popular flatwound strings and revered for their warm tone and ultra-smooth feel. Stainless steel underwindings on hex cores build a foundation for the delicate outer ribbon winding. After the winding is applied, each string goes through 3 polishing steps.
Jim Sliff
Member

From: Hermosa Beach California, USA

posted 08 October 2006 08:29 AM     profile   send email     edit
Jaime - you're correct. Flatwounds were widely used until the mid-60's. I think roundwounds were available, but not used much. We used all flats in surf music - I think it was '66 or '67 when I got roundwounds for the first time.

I actually went back to Flats on my Teles a few years ago, varying between Flatwounds and Fender 150 nickel roundwounds. The D'Addario Chromes are great flats - I hate stainless roundwounds, but in flatwunds they pick up a litttle brightness that would otherwise be lost.

But on my Dobro, I use roundwounds, Tried flats once and couldn't get any tone at all. Same with steels - tried flats on my Ric but it just dosn't work. Weird that I liked them on 6-string but not on steels!

Bill Creller
Member

From: Saginaw, Michigan, USA

posted 08 October 2006 10:51 AM     profile   send email     edit
Funny you guys should mention that round wounds were not around until the 60s. When I was a young guy in the 1940s, round wound strings were what we used. The flat wounds in those days seemed dull, with less sustain.
Gil Berry
Member

From: Westminster, CA, USA

posted 08 October 2006 01:48 PM     profile   send email     edit
When I was about 9 or 10...gads, that a LONG time ago....my hawaiian guitar teacher, Mr. Russ Waters in Flint, Michigan, had all his students play with flatwounds. He said the regular wound strings made too much string noise when you slid the bar. So I've never questioned it. Besides, we played with a lead-filled plastic bar in those days - is that the same as the Rajah? - and the regular wound strings would chew them up. Mr. Waters knew his steel guitar. Don't judge by me - he was Terry Bethel's teacher, too.
Mark Tomlinson
Member

From: Seattle, Washington, USA

posted 08 October 2006 05:04 PM     profile   send email     edit
So I just put a pair of SIT C6th strings on my Fender D-8 (.015, .018p, .022p, .024SF, .030SF, .036SF, .042SF, 054SF).

Now I notice a little buzz on the 4th string (.024SF) which is the first of the flat strings. It is visibly lower than the 3rd and 5th strings, so I can understand the contact being weak with the bar.

Is this normal? Do you guys compensate for this on the nut, or bridge, or could I put a pain steel .024p in it's place? or another .022p there to match the 3rd string. Or does my guitar need a little repair/fix-up?

Thanks,

Mark

------------------
--
Mark Tomlinson
mark@careytomlinson.org
www.careytomlinson.org


Don Kona Woods
Member

From: Vancouver, Washington, USA

posted 08 October 2006 05:56 PM     profile   send email     edit
quote:
Do you guys compensate for this on the nut, or bridge, or could I put a plain steel .024p in it's place?

Mark, I use only plain steel up to 5th string, and generally .024 gauge on the 4th string.

Aloha,
Don

Lynn Oliver
Member

From: Redmond, Washington, USA

posted 08 October 2006 11:47 PM     profile   send email     edit
What gauges were you using before you installed the SIT set?
Craig Stenseth
Member

From: Naperville, Illinois, USA

posted 09 October 2006 08:11 PM     profile   send email     edit
I put together a set of flats from juststrings.com, I noticed they have a little more friction than the roundwounds. I guess this is because the flat string has more area contacting the bar, vs. roundwounds. Kind of the opposite of what happens when fretting with fingers (where the flats seems more slippery).
Mitch Druckman
Member

From: Arizona, USA

posted 09 October 2006 10:42 PM     profile   send email     edit
I like the idea of using a full set of unwound plain steel strings. JustStrings sells D'Addario plain steel strings up to size .026, and I think John Pearse makes a tool for putting your own ball ends on string wire, so you could make your own. Of course a solid .042 or larger might not wrap around a ball end very well. Has anyone tried this?
Todd Weger
Member

From: Safety Harbor, FLAUSA

posted 13 October 2006 07:22 AM     profile   send email     edit
quote:
I used SIT flat wounds for about five years until this past spring when I tried D'Addario Electric Chromes at Rick Aiello's Steel Guitar Summit.

The D'Addario's are all I use now. You have to assemble the sets individually at JustStrings.com and each set costs about $7 but what-the-hell, steel guitar strings last forever and the $2 or more a set really doesn't matter over time.


Hmmmmmm... these sound most intriguing! I've been using the SIT semi-flats, and have enjoyed them a lot, but I use the Chrome Flats on my Fender Jazz bass for more of that 'old-school' bass tone, and now I think really need to try these Chromes on my Epiphone lap steel. Gotta feeling I'm going to like 'em.

Thanks for the tip, gents!

------------------
Todd James Weger --
1956 Fender Stringmaster T-8 (C6, A6, B11); 1960 Fender Stringmaster D-8 (C6, B11/A6); Regal resonator (C6); 1938 Epiphone Electar (A6); assorted ukuleles; upright bass


Bill Hatcher
Member

From: Atlanta Ga. USA

posted 13 October 2006 09:15 AM     profile   send email     edit
Mitch. Your idea about large guage unwound wire might just work on a guitar with a keyless headstock. You would not need to try to wrap the string around the machine head post.
Dan Sawyer
Member

From: Studio City, California, USA

posted 14 October 2006 12:54 PM     profile     edit
Someone mentioned surf music, but did you know all the early Beatles records were recorded using flat wound strings? (I believe they were made by a company called Pyramid in England.)

It would be interesting to know when flat wound strings were introduced. I would be surprised if they were available before WW2.

One thing about flat wound strings is they last longer than round wound. This is probably because the flat covering keeps dirt and oils away from the core. Also, stainless steel and chrome are much more durable than nickle.

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