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This topic is 3 pages long: 1 2 3 This topic was originally posted in this forum: Pedal Steel |
Author | Topic: Most collectable or sought after Emmons |
Tele Member Posts: 965 |
![]() ![]() quote: never??? I have two guys in my band doing it all the times Andy |
Frank Parish Member Posts: 2327 |
![]() ![]() I think that's the first time the phrase "air steel" has been used on this forum! Cal are you sure that's a 74 you've got there? Yours is a flatback and I thought they quit making them before 74 but I may be mistaken. What is your serial number? I thought it was 70 thru 72. Who's out there that really knows the answer? |
Jeff Lampert Member Posts: 2636 |
![]() ![]() quote: You can if you want. And everyone on the Forum can do it. But the fact is, once you get outside of the Forum, and use that word "collectible", it will have a different meaning to many people. And, in my opinion, do in no small part to the Ebay phenomenon, the Antique Road Show, and the auction climate that innundates our culture, the word "collectible" has assumed a meaning beyond what the Webster's dictionary says. It means items, generally old and rare, that have assumed a value far in excess of the intrinsic value because of a high demand and desirability from the general public. This is how I see it and I certainly may be off base. It's also true that alot of the reason why items like old guitars become so collectible is that so many kids couldn't buy them, had them and ruined or lost them, often wanted many of them when they were younger, and these associations are indelibly imprinted in their minds, and now that they are older, and can afford them, they want the original items they coveted as a kid. This explains a great deal of the collecting mindset, whether it's guitars, dolls, or whatever. And once the huge interest is there, and prices start going up, the the condition and originality becomes paramount to the collectors who pay the most. Since so few people in the general public wanted a pedal steel when they were young, there isn't the same kind of interest. [This message was edited by Jeff Lampert on 23 February 2002 at 03:45 PM.] |
Cal Sharp Member Posts: 731 |
![]() ![]() Frank - The serial # is 1867. Mike said it was maybe a 72 or 73 that sat around the factory awhile before it was sold, but according to a list someone once posted on the forum it's a 74. Seems like Mike should know. I think I bought it in 74. C# |
Bobby Lee Sysop Posts: 14849 |
![]() ![]() Lat week's TV Guide was "collectable" - it said so right on the cover! ![]() |
BobbeSeymour Member Posts: 5664 |
![]() ![]() May not be collectable, but as some of you know, I have one that $20.000.00 won't buy! And I'm not kidding. Skizzelfritsch J. Humphammer |
BobbeSeymour Member Posts: 5664 |
![]() ![]() Just another opinion. R.K. [This message was edited by BobbeSeymour on 24 February 2002 at 09:13 AM.] |
Nick Reed Member Posts: 2713 |
![]() ![]() I'd love to have a new Carter. |
Jim Phelps Member Posts: 2936 |
![]() ![]() Jeff, quote "But the fact is, once you get outside of the Forum, and use that word "collectible", it will have a different meaning to many people." endquote Of course it does! Isn't that true of just about everything? From "what's Country Music?" to "what's Traditional Country Music?" to anything. That's why we TALK, to find out if we're thinking the same thing about whatever subject! Since it has become to mean something different than the Webster's definition to a large number of people, you then think its' most accurate or correct definition should be whatever the largest majority of people think it means? That may seem logical but by that logic, Country music would be defined by Shania Twain and Garth Brooks, not Hank Thompson or Marty Robbins. Nuclear would be spelled Nucular, Ham Radio would be called C.B.s and all steels pedal or nonpedal would be called keyboards. I don't believe in bowing to the notions, definitions nor anything else of the pop-culture no matter how many of them agree a sow's ear is a silk purse. If a person wants to make a decision on what makes a collectible or anything else, he can make a guess and take his chances, or do a little research into the subject, which by the way these days is really REALLY EASY on the internet, and learn a bit about the subject of P/P's, stamps, trains or whatever he's interested in. Then he'll KNOW how much he should or should not pay for it, what the average other guy'd pay for it when he wants to sell it, how much he might expect it to appreciate...and when you know your subject it doesn't matter how many definitions or different ideas the multitudes may have about what any word means. There just isn't anything you nor I can do about that. [This message was edited by Jim Phelps on 23 February 2002 at 11:32 PM.] |
Frank Parish Member Posts: 2327 |
![]() ![]() Cal, According to the chart I've got for dating these guitars it is in fact a 74. So I guess the flatbacks go farther than I thought. I can't get over how we seem to be trying to define the definition of "is" here. There seems to be more effort trying to split hairs on the definiton of collectable and not the subject. OK Bobbe tell us about this $20,000 plus Emmons guitar you have. I love all my stuff but it can be bought for the right price except for the cat. |
Cal Sharp Member Posts: 731 |
![]() ![]() "Jeff, quote "But the fact is, once you get outside of the Forum, and use that word "collectible", it will have a different meaning to many people." endquote" "Collar" and "finger" and "push pull" would also have entirely different meanings outside the Forum too, huh? Especially "push pull". ;-)> C# |
Danny Bates Member Posts: 167 |
![]() ![]() I play in a band with James Holley, son of the late Joe Holley who was the left handed fiddle player with Bob Wills. James told me that his Father's fiddle was given to him by Bob Wills and was a world class old violin many centuries old. The desireability of his makeis just below the Stradivarious. It was broken and was taken to an expert Luthier who specialized in repairing old violins. With his bare hands he would actually break the neck right out of the body of the violin to reset it. When repairs are handled by a well qualified craftsman the value will hold up well but never like an untouched original instrument in perfect condition. Many centuries from now there may be a pedal steel guitarist who really changes the entire world of music with his/her steel guitar. The steel guitar is still in it's infancy. If the instrument became super popular in the future, every steel in existance right now could become collectable. Unfortunately we won't be there to find out. All I know is that ever since I first heard Buddy Emmons play the Blade on recordings, (and every other push-pull I've heard since), they have a fabulous "nasaly" sound like no other steel.... Maybe a modern Stradivarious? |
HowardR Member Posts: 5735 |
![]() ![]() I'm printing out this thread...it's collectable. |
Frank Parish Member Posts: 2327 |
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Bobby Boggs Member Posts: 3623 |
![]() ![]() I'm with Frank.Bobbe is your $20,000 guitar a Bigsby or an Emmons??Since we're talking about Emmons I have to assume that's what you're talking about??Not a fame.Just curious. --Crazy B |
BobbeSeymour Member Posts: 5664 |
![]() ![]() Jim Phelps, you've done it again, I agree, I think you have put it in perspective. Bobby Boggs, How long have you been with Frank? You are right though, he is cute! I didn't say the guitar I have is worth $20.000.00, I said I wouldn't take that for it! And I wont! Yet, I'm not through with it yet. I can hear the difference between it and an all pull guitar.(Some people can't hear that well). To me there is $20.000.00 worth of difference, (if I have to play it!) |
BobbeSeymour Member Posts: 5664 |
![]() ![]() Danny Bates, you are so VERY correct!I don't want and won't have (to collect) a restored guitar. I have restored many guitars and made them better than new, TO PLAY!To collect, I want one built by the factory , not some guy in his house that thinks he may have the knowledge to "restore". Restored is not original. A guitar is only original once, It can be restored a hundred times, but it will never be original again. Nick Reed, I think you should have a Carter, I think you deserve one! Your buddy, |
Frank Parish Member Posts: 2327 |
![]() ![]() He ain't with me. He's too short. [This message was edited by Frank Parish on 24 February 2002 at 10:17 AM.] |
Fred Murphy Member Posts: 669 |
![]() ![]() I know where there is a black mica 65 that has been home rebuilt and now has four knee levers. How well rebuilt I don't know, because I haven't played it and have only seen pictures of it. It looks good. Is it worth $3000,00? |
Fred Murphy Member Posts: 669 |
![]() ![]() I know where there is a black mica 65 that has been home rebuilt and now has four knee levers. How well rebuilt I don't know, because I haven't played it and have only seen pictures of it. It looks good. Is it worth $3000,00? He also says it doesn't have a serial number because it was made before they started using serial numbers. I know the guitar was purchased new here at a music store in 1965. Is this true about the serial # or just a story? Thanks |
Dennis Manuel Member Posts: 409 |
![]() ![]() "Emmo" is the most sought after Rosewood P/P guitar and I own her. I wouldn't sell her for a million, so there Bobbe. LOL. |
Joey Ace Sysop Posts: 7232 |
![]() ![]() George Grun(SP) wrote some nice article on collectables in some older Guitar Player Mags. He talked about "intrensic value". That's the cost-point where you could reproduce the original. All the extra $ is just due to public demand. Public demand is fickle, sort of "flavor of the month". I suspect there's not enough public demand for steels. They don't make good wall hangings. Reminds me of the story about a boy selling a $50,000 puppy. He got his asking price, actually a trade for two $25,000 kittens. |
Mike Weirauch Member Posts: 3528 |
![]() ![]() quote: Well, you must love to contradict yourself coming and going because no one does it better than you do! I guess my push/pull is worthless now after you restored it? If memory serves me correct, and it does, you were singing a different tune then! Oh well!
quote: Then what you are saying is if a knee lever is added or "SCREWS" are put through the endplates to hold the guitar more steady, then it isn't original? That must mean that your push/pull isn't original either. Can you explain this Bobbe?
quote: Neither one of you deserve that good of a guitar! |
Jeff Lampert Member Posts: 2636 |
![]() ![]() quote: I keep answering points on this topic because I feel, as a collector of old toy trains for the past 20 years who knows many collectors in my field and other fields as well, I am qualified to provide some perspective on this subject. I just don't feel the above quoted statement is correct. When it comes to true collectibles, that is, old rare items in demand by the general public that command far in excess of their intrinsic value, with rare exception (cabbage patch dolls??), the public does NOT tend to be fickle. Most collectibles like old toys, comics, stamps, baseball cards, guitars, etc. etc. have been popular collectibles for many decades. They have been proven to be one of the best hedges against recessions and inflation, and with exceptions here and there, generally increase in value over time along with the public's interest. While any one person may only have a short-lived interest, those people are replaced with others. And the collectibles tend to have a core group of people who are true experts in their respective fields who, along with specialty auction houses and publications, keep the interest going for decades. If you are not a person who collects collectibles, it is hard to imagine the mindset, the obsessiveness, the fury with which people collect. And another point, when it comes to determining value, it is irrelevant how much you would not take for a steel guitar. All that is relevant from the point of view of value is how much the general public would be willing to pay you for it. That is what determines the value, for insurance purposes, trading purposes, or whatever. [This message was edited by Jeff Lampert on 24 February 2002 at 03:55 PM.] |
Joey Ace Sysop Posts: 7232 |
![]() ![]() If Eric Clapton was to start using a 60s Harmony Rocket guitar, the value of these instruments would skyrocket. That's what I mean by "flavor of the month". Fender Jags were not desirable a few years ago, then some hot bands (Red Hot Chili Peppers?) used one. Their value more than doubled. Sorry for straying off-topic. |
Jerry Roller Member Posts: 3906 |
![]() ![]() I like "Emmo" ![]() [This message was edited by Jerry Roller on 24 February 2002 at 05:13 PM.] |
BobbeSeymour Member Posts: 5664 |
![]() ![]() Miky -poo W., Restoring it does not make it worthless, as a matter of fact, it can enhance the value tremendously, BUT, finding one in the same condition that has never been restored is even better! And yes, Finding a new two knee lever guitar and putting another two knees one it will definatly hurt the "collector" value in years to come. To play, no, to collect, yes! As you know mike, the guitar I restored for you is much better than new, just like the cars in Harrah's musium in Reno NV, but, had your guitar never ever been out of the case, it may even be worth more, EVEN at this early stage of the Emmons collecting game. I know you already know all this but I am saying all this on this forum for others that are out there destroying guitars then wondering why I won't give them what they paid for it. As far as you guitar goes Mike, I still would like to have it as it is the most incredible looking, sounding, playing Emmons I have ever been around "BAR" none! Your guitar has appreciated in value nicly since you bought it. If you have the technolegy to do so, I would like for you to post a picture of this great guitar on the forum for all to see.( then sell it to me!). I don't believe that only the oldest Emmons guitars are collectable, I feel very soon ALL Emmons P-P guitars will be highly sought after, and I really like the later ones better, to play anyway. Bobbe (Mike, you big dummy!) |
Jerry Roller Member Posts: 3906 |
![]() ![]() Dennis, I have actually sent emails to "Emmo" so to me "Emmo" ranks pretty high. I have never sent an email to any other guitar of any kind. I have a very high regard for Ole "Emmo" and I have had some pretty nice email conversations with Emmo. Of Course we included Skip. ![]() Jerry |
BobbeSeymour Member Posts: 5664 |
![]() ![]() I also would like to say that there is a lot of intelligent thought on this post, and I agree with 99% of it! (can you believe that?) I feel we all need to be thinking about the future values of all older steel guitars,not just Emmons. There are are some VERY valuable Sho-Buds,Bigsby,Wright Customs,ETC., It doesn't matter who played them in 50 years either,the player will be forgotten while the steel will be rememberd. Anyone remember the great Slim Ahdeho? Great Great player,most folks don't remember him but I know where his triple neck Rickenbacher is.(and how great he was). There are some guitars that will NEVER be worth anything. Sort of like collecting Pontiac station wagons, who cares? But some steel guitars are already going thru the roof.
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BobbeSeymour Member Posts: 5664 |
![]() ![]() Dennis, you got me!I guess yours is worth more than mine!(to you) Mike wierach, you are a big dummy! (But I still love ya!) |
Bob Knight Member Posts: 3117 |
![]() ![]() Here's Mike's P/P ![]() Click image to view larger version [This message was edited by Bob Knight on 24 February 2002 at 05:20 PM.] |
BobbeSeymour Member Posts: 5664 |
![]() ![]() Show the top of it! Show the gold keys, this guitar is great! I wish he'd clean the finger prints off it! Looks like it's in a funeral home! [This message was edited by BobbeSeymour on 24 February 2002 at 05:22 PM.] [This message was edited by BobbeSeymour on 25 February 2002 at 03:11 PM.] |
Mike Weirauch Member Posts: 3528 |
![]() ![]() ......Only for you Bobbe will I take more pictures of it AND wipe the finger prints off before I do but you'll still just have to eat your heart out cause I'm not parting with it! Would you? Well, you did once! ![]() Thanks Bob, I didn't have a picture of it here at home. |
Cal Sharp Member Posts: 731 |
![]() ![]() I'm going to be really daring and post a before and after of the naked underbelly of the P/P that ace mechanic Mike Cass helped me restore. All original, except for a few new collars and springs and new flocking. http://calsharp.home.mindspring.com/Steel.htm C# [This message was edited by Cal Sharp on 25 February 2002 at 08:44 AM.] |
Dave Robbins Member Posts: 718 |
![]() ![]() "Collectibility" could be summed-up easily with another old addage "beauty is in the eye of the beholder." What might be worth a million bucks to one person might not be worth a plug nickel to someone else. You have to throw "supply and demand" in there too! Lets face it, they just aren't manufacturing pushpulls anymore and that is what will control a market. The more people want one and the harder they are to find the higher the price goes, with "condition" being the comparison from one to another. Want something that isn't made anymore? What is it worth to you once you find it? Cal, Dave |
Jeff Lampert Member Posts: 2636 |
![]() ![]() quote: Well then, I wouldn't call it a collectible. But that's how I see it, and everyone sees it differenly. In collectibles, it doesn't matter what the person who owns it thinks it's worth ($1,000,000 bucks or whatever), but only what the general public will pay for it (a plugged nickel). |
Jeff Lampert Member Posts: 2636 |
![]() ![]() If you want to get an idea of how collectible P/P's are, someone should offer a mint D-10 in a perfect original case, unused. Such an item would be truly rare. Let's say that a restored one of the same vintage would bring $ 2500. If the mint one brings $ 5000, then I would say it is not seriously collectible (double value for mint over restored isn't enough). If the mint one brings $ 10,000, then it's sort of collectible. If it mint one brings $ 20,000, now we're talking some serious s***. |
Gary Morrison Member Posts: 88 |
![]() ![]() Frank P: Is this the guitar you were referring to when you started this thread? ![]() I was surprised at the interest in this Emmons when I posted it back in early January. Although it does not get played a lot anymore, it has meant a lot to me and my dad, and for that reason, it was 'collectible'. Since Ron Lashley made sure my dad got it for me, and since it was Buddy's guitar prior to that, it has always meant a great deal to my dad. I currently play a Sho-Bud Pro III. I also have a Sho-Bud Pro II, but I still occasionally play this one. We could never place a dollar value on this guitar, as it has been with me since about 1966. So it's definitely "COLLECTIBLE" to me! ![]() |
Frank Parish Member Posts: 2327 |
![]() ![]() Gary, I would call that guitar collectable since it's an old one and a rare one at that. Wish it were mine. I was kind of hoping for more pictures from the folks here. What do you think Jeff, will this one pass muster for collectable? |
Geoff Cole Member Posts: 340 |
![]() ![]() Yeah Frank, at Sanford and Sons. ![]() |
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