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  Stomp Box Delay Pedals

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Author Topic:   Stomp Box Delay Pedals
Pat Dawson
Member

From: Chesapeake Beach, Maryland, USA

posted 13 December 2005 06:59 AM     profile     
I want to buy a stomp box type delay for my steel. I see 3 that interest me. The Boss DD6, Ibanez DE 7, and the Line 6 Echo Park.

Some folks say analog, some say digital. The Ibanez supposedly has both, but I know the Boss stuff sells well.

What do you like or recommend? Thanks in advance.

------------------
1970 Emmons D10
1987 Emmons D10
Nashville 1000
Fender Super 60

Roger Francis
Member

From: Indiana, USA

posted 13 December 2005 07:12 AM     profile     
I don't know much about the echo park, but i have the verbzila by line 6 and it sounds great, and around the the same price range as boss. Chech them both out at mucisians friend. 149.00. the echo park is my next purchase

[This message was edited by Roger Francis on 13 December 2005 at 07:12 AM.]

[This message was edited by Roger Francis on 13 December 2005 at 07:14 AM.]

Lee Baucum
Member

From: McAllen, Texas (Extreme South) - The Final Frontier

posted 13 December 2005 08:38 AM     profile     
I've been using an itty bitty Micro Delay for quite a few years now. It is a very small digital delay unit, that takes up very little room in the pac-a-seat.

Click Here

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Lee, from South Texas
Down On The Rio Grande

Mullen U-12, Evans FET-500, Fender Steel King

Brad Sarno
Member

From: St. Louis, MO USA

posted 13 December 2005 08:59 AM     profile     
SIB Mr. Echo.

Brad

Jerry Van Hoose
Member

From:

posted 13 December 2005 09:09 AM     profile     
Maxon AD9, an analog delay with warm repeats.
Jon Jaffe
Member

From: Austin, Texas

posted 13 December 2005 09:18 AM     profile     
I have to agree with Lee. I have had a Mr Echo, and various stomp and rack units. The Guyatone MicroDelay eats batteries, that are as well, a bit tedious to put in. Thus it needs wall wart.

It's sound is cleaner than a cat's behind. and the bypass is just that, nothing changed.

Steinar Gregertsen
Member

From: Arendal, Norway

posted 13 December 2005 09:38 AM     profile     
My vote goes to the DLS Echo Tap,- warm analog tone (can be adjusted), and switchable between one set echo time and one tapped.

Steinar

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www.gregertsen.com


[This message was edited by Steinar Gregertsen on 13 December 2005 at 09:40 AM.]

Tyler Hall
Member

From: Alabama, USA

posted 13 December 2005 10:46 AM     profile     
I use a Digitech, which is basically a cheaper version of the Boss pedal. It works great. I have no complaints with mine.

D-10 Fessenden, Nashville 112, Session 500, Goodrich LDR

Michael Garnett
Member

From: Fort Worth, TX

posted 13 December 2005 02:26 PM     profile     
I just picked up a Line6 DL-4 Delay Modeler. It has a bunch of cool settings, tube and tape echos based on the Maestro EP line, analog echos based on the Boss DM-2 and MemoryMan units, digital delays with and without chorus, and many more, including the ability to record and playback loops.

I'm just trying to work through the manual trying each of them out. Right now I've got it set on analog echo (Boss DM-2) and it sounds great.

-MG

Frank Parish
Member

From: Nashville,Tn. USA

posted 13 December 2005 03:31 PM     profile     
The Boss products don't change the tone of your guitar. I use the DD-5. The DD-6 might be the same thing and probably is. The DD-5 has a tap delay pedal that plugs into the DD-5 and you can control the speed of the delay with four taps of your foot. It's really great on those shuffles and of course is on the slow tunes. It's the only delay I ever used on a fast tune.
Steve Dodson
Member

From: Sparta, Tennessee, USA

posted 13 December 2005 05:20 PM     profile     
If you are going for an Ibanez go for the New AD-9 they have come back out with.
And you will forever be happy!

[This message was edited by Steve Dodson on 13 December 2005 at 05:20 PM.]

Pat Dawson
Member

From: Chesapeake Beach, Maryland, USA

posted 14 December 2005 10:14 AM     profile     
Obviously there is no one clear answer and choice is a good thing. I appreciate the input and insights.

------------------
1970 Emmons D10
1987 Emmons D10
Nashville 1000
Fender Super 60

James Quackenbush
Member

From: Pomona, New York, USA

posted 14 December 2005 10:29 AM     profile     
Pat ,
A lot has to do with how much you want to spend....The DE-7 is very inexpensive and work's ok....The reissue AD9 is a good pedal, and if you have the $$, the DLS that Steinar mentions, is a really sweet setup !...There are ton's more pedals out there that would just confuse the issue...These are just a few ....Jim
Chris LeDrew
Member

From: Newfoundland, Canada

posted 14 December 2005 11:11 PM     profile     
I agree with the endorsments for the tap tempo option. It's nice to have the delay right in time with the tune. I used the Line 6 delay modeler for a while, and that was its best feature.
Lee Baucum
Member

From: McAllen, Texas (Extreme South) - The Final Frontier

posted 15 December 2005 06:26 AM     profile     
I've got mixed emotions about the tap function on delay units. I have used that function on my Lexicon unit, but rarely. To me, I want to hear just a little bit of natural sounding delay, like you would hear in a large room or hall. How often are these reflected notes right in time with the music?

------------------
Lee, from South Texas
Down On The Rio Grande

Mullen U-12, Evans FET-500, Fender Steel King

ajm
Member

From: Los Angeles

posted 15 December 2005 06:48 PM     profile     
There is a review in a recent issue of Guitar Player magazine of several different units.

If you are not real critical on sound and are only using it on stage where there is a lot of background noise anyway, chances are you'll be happy with any of these.

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Artie McEwan

Steinar Gregertsen
Member

From: Arendal, Norway

posted 15 December 2005 07:02 PM     profile     
Lee, for me the tap function is crucial for anything else than short slap-back echos. It's no problem as long as it's a very fast echo, but as soon as I want it to be more than that I have to have it. I've almost had drumsticks thrown at me because of the delay being out of time......

Steinar

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www.gregertsen.com


Lee Baucum
Member

From: McAllen, Texas (Extreme South) - The Final Frontier

posted 15 December 2005 08:13 PM     profile     
When I use delay, it is one very subtle repeat right at the end of the reverb tail. It's so subtle that you don't really notice it unless you turn it off. It just augments the reverb a little. On a few slow tunes, I do like to have the delay up in the mix, and then it really does sound nice to have it timed with the tempo of the song.

Lee

Jim Sliff
Member

From: Hermosa Beach California, USA

posted 15 December 2005 08:55 PM     profile     
Find a used Ibanez EM-5 Echomachine if you can. It's the best stompbox delay around bar none. They are discontinued and getting expensive, but well worth it if you canf ind one.
Len Amaral
Member

From: Rehoboth,MA 02769

posted 15 December 2005 09:13 PM     profile     
AJM is correct as GP Magazine did a shootout on various echo pedals. Believe it or not, the $60.00 Rocktron pedal "shortimer" got an editors pick award for being an excellent buy and for emulating a tape delay. It is a simple pedal and not fancy. Sometimes simple is good.

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