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The Steel Guitar Forum
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| Author | Topic: Red Rhodes |
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Bob I. Williams Member From: Sun City West, Arizona, USA |
Red Rhodes had a instrumental in the mid to late 60's that got quite a bit of airplay at least in the L.A. area. I played it back then but can't remember the name or any part of the song. any ideas? THANKS BOB |
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Paul Graupp Member From: Macon Ga USA |
Bob: He had an album out that Tom Bradshaw had in his steel guitar record of the month club. He may still have it for sale and he is listed in the links in the Forum headliner. The title of the album was Velvet Hammer in a Country Band. There were a lot of instrumentals on there and yours may well be one of them. Sorry but I wouldn't hazard a guess as to which one it was as I liked them all !! ![]() Regards, Paul |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Star Route? I assume he did it live on the Star Route TV show, and with Gene Davis at the Palomino Club. A recorded version is on Red's 1969 live album with the Detours recorded live at the Pal. |
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Joe Casey Member From: Weeki Wachee .Springs FL (population.9) |
That particular Album was on Happy Tiger label #HT-1003-S and featured ,Jerry Cole,The Cass Brothers with Dennis Hromek and Biff Adams. ------------------ |
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CHIP FOSSA Member From: Monson, MA 01057 U.S.A. |
I think Michael Nesmith [former "Monkey"] produced/engineered Velvet Hammer with Red Rhodes. Could have been Red playing steel on Nesmith's semi-hit "Joanne". |
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Jerry Hayes Member From: Virginia Beach, Va. |
Hey Chip, That was Red on JoAnne and it was a beautiful job for sure. Jason, I think you've got it with Star Route. That tune got some air play on the old KFOX radio station in Long Beach as I remember. I used to play it in bands and I think I still remember how it goes but then again I am getting old. Like they say, "If you remember the sixties, you weren't there" I don't remember much but I remember that song. I think there might have even been a 45rpm record of it. The last time I saw Red was in East Alton, Illinois. Jack Laux had a club and Red was in St. Louis for Scotty's convention and we went to Jack's club to see Red in action that night. It was like an old California reunion for sure. ------------------ [This message was edited by Jerry Hayes on 26 August 2002 at 11:00 AM.] |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Red Rhodes joined Michael Nesmith's First National Band in late 1969, and left the Pal' around that time, (although I reckon he played New Years '69/70 at the club, wouldn't you if you'd started there in 1960) and he played on the group's first three albums with Nez. He later appeared on Nesmith's other albums up to the mid 1970s, and recorded on and off with Nez until Red's passing in 1995. The Countryside Band and label was set up by Nesmith from 1972-1973 and folded due to label restructuring, Nez had no control on that count and that's why Red's Velvet Hammer LP is a little hard to find. Tom Bradshaw and Red reissued it in 1976 with a little reworking of the tracks. |
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ROBERT LEE CRIGGER Member From: JOHNSON CITY, TENNESSEE |
Red also cut some stuff with guitar-great Jimmy Bryant under the names of ''Orville and Ivy'' (their middle names) but I don't remember the song titles...I just remember Red was the bandleader at the Palomino Club in North Hollywood at the time. |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Someone taped me that album, it's got heaps of vocoder or talking steel effects, it's a strange album. Bryant isn't really doing any of his far out picking, while Red is burying his best licks under effects. It's a good album, but if you're looking for a mix of Red's tasteful playing and some hot Bryant, well it's not there. Having said that, I would still buy a CD reissue, but I buy all the Red and Jimmy I can find anyway. |
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Dave Ristrim Member From: Whites Creek, TN |
That "Velvet Hammer" album was released under a diifferent name also. I have an album somewhere in my collection with the same tracks but with a different front and back cover on a different label. Very inventive stuff. Red was a true original. Dave Ristrim |
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Gary Walker Member From: Morro Bay, CA |
I first saw Red at the big Capitol Records bash for Cousin Herb Henson in Bakersfield in '63. Ken Nelson had the country lineup of Capital that read like Who's Who. Capital released a double album of that event and I have regretted not buying that land mark event. Seeing Red playing, I knew he was a real pro and I was impressed by what I saw and heard that night. |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Gary, who was Red working with, most of the acts used the Trading Post Band, but not all of them. (Bob Morris and Buck Owens used the Buckaroos for example). That is a cool album by the way. |
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Jerry Hayes Member From: Virginia Beach, Va. |
The album of Orville and Ivy (which was Red and Jimmy's first names) had one local hit in Los Angeles. I don't know if it hit anywhere else, but it was called "Shinbone". I still play it sometimes but do both parts on lead guitar. I could do it all on steel but I don't have a pull I'd need to do the Jimmy Bryant part. ------------------ |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Hi Jerry, yeah it was a case of the names they didn't use. Red was born Orville J. Rhodes on December 30, 1930 in East Alston, Illinois. While Jimmy was bom John Ivy Bryant, Jr., in Moultrie, Georgia, on March 5, 1925 (his middle name "Ivy" became a friends only nickname apparently. On a side note, did any of you Californians, or ex-Californians keep any of the old Academy of Country Music Awards Shows booklets or newsletters. Just a thought...... |
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Jerry Hayes Member From: Virginia Beach, Va. |
Hey Jason, I played with two of those bands! Billy Mize and the Tennesseans and also the Eddy Drake Band. As far a Jimmy Bryant goes, on some of the tunes he wrote (or claimed to have written) he's listed as IVY J. BRYANT. One of those songs was "The Only Daddy That'll Walk the Line" which was a big hit for Waylon Jennings. That song was originally recorded AND WRITTEN by an LA musician named Jim Alley. On Jim's record he's listed as the writer. J. Bryant got the song as some kind of payment for a recording session is what I'm told. I don't remember for sure but we used Jim Alley on bass a couple of times when I was working with the Johnny McKnight band in Orange country in the sixties and I remember him saying something like that. At one time I had Jim's recording of the song. I think maybe JayDee even played on it so he might remember. J. McKnight reminds me of a situation in Huntington Beach when Red Rhodes showed up one night. It seems that our bass player had borrowed a bass from Red when he was playing with him and ripped it off. Red came down to get it back. As I remember he was pretty hot about it which I can't blame him. Ol' Red had his own thing going on steel and should probably be in the HOF someday. ------------------ |
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Kevin Hatton Member From: Amherst, N.Y. |
Trivia question: What was Red Rhodes preferred or most used rig when he was playing? |
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Jason Odd Member From: Melbourne, Victoria, Australia |
As to Red's rig, he used a Fender through the 1960s, and updated as certain models came out. Jerry, I didn't know you played with Eddie (Eddy) Drake, I recall you mentioning working with Billy Mize and the Foothill with Jerry Cole among others. Jay Dee has mentioned the whole Jim Alley thing, as you mentioned, he confirmed the original single crediting Alley as the songwriter. In regards to Red's gear, I know he tried a ZB and some others over the years, I'm sure there are others who have more details than I do. His style of customising pick-ups is being copied by enthusiasts to this day, especially Clarence White fans as Clarence's famous Stringbender Fender (now owned by Marty Stuart) had the pick-ups rewound by Red. |
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Earnest Bovine Member From: Los Angeles CA USA |
When Red played in the house band at the Palomino Club in 1978 he played a Dekley. Whe he left the band and I took his place, I had to buy his shirt (remember those days?) His shirt had an ample cut in the abdomen area, suitable for maternity wear. |
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Fred Jack Member From: Bay City Texas |
Ivy Jr. Bryant. As a small boy, around 4-5-6-yrs of age his daddy would take him to the tobacco marts and farmers market where he would play his fiddle.When he got tired and slowed down his daddy would switch his hind end and make him play.Jimmy always said he learned by the "switch method".When Jimmy and I moved to Goergia about 75-76 most of the people there called him Jr.. We had a son born in Burbank,Ca in 1962 and we named him Jimmy Bryant. I'm sure glad that I did not know the name Ivy at that time.Now both Jimmy's are gone and I miss them both tremendously! Regards,fred |
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Gary Walker Member From: Morro Bay, CA |
Jason, that night the acts were coming and going so fast, it was a blur. When the group or singer got up with Red playing, I was so focused on him and watching his playing, I totally forgot who the lead was because he was more professional than some of the other steelers. I told you, I should have gotten the double album to keep it fresh in my mind. I simply don't recall who Red was with. |
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Jim Florence Member From: wilburton, Ok. US |
Pardon me for butting in but you guys that worked the west coast might remember my favorite steeler back in those days. Smiley Davis. Don't know if that is his real name or not. But he literally ate a four neck Fender up alive. But it was in the Oakland Bay area mostly. Jim |
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Joe Alterio Member From: Fishers, Indiana |
(ps...if the pic doesn't show initially, click on this link http://www.geocities.com/indy_moose/mp3 ) Here is a pic a friend of mine just sent me. This is Red playing a live show with the First National Band (that's John London on bass). Red is using a Fender (400?) with his trademark stickers on the front apron. Though hard to read, there is "WARNING" under the keys, "X" to the left of the pickup, an oval "Have A Nice Day" sticker and "Erotic Art" right underneath his hand. I have been told the steel he had at his amp shop had pics of breasts and vaginas all over it. That Red Also, you can tell the band is playing "Rose City Chimes"....this was one of the songs he played most frequently live, even throughout the '80s. He mainly used Fender steels in the '60s to mid-70s, followed by a brief stint with Dekleys and another with Sierra. In the '90s, he was seen playing MCI. Joe [This message was edited by Joe Alterio on 13 September 2002 at 07:33 AM.] [This message was edited by Joe Alterio on 13 September 2002 at 07:33 AM.] [This message was edited by Joe Alterio on 13 September 2002 at 07:34 AM.] [This message was edited by Joe Alterio on 13 September 2002 at 07:47 AM.] |
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Jim Smith Member From: Plano, TX, USA |
Red was a cool guy. He worked with us at Dekley in the late 70's, then went to Sierra with Gene Fields, then they were both at MCI/EMCI around '87 when I was doing some work there. Guess that explains when and why he was playing those guitars at that time. |
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Jason Odd Member From: Melbourne, Victoria, Australia |
Thanks for jumping in everyone, I knew that there was going to be heaps of folks who knew more about Red's gear than me. I've been waiting for you to show up Joe Alterio, I've got some more info for you as well, email me when you get the chance. Earnest Bovine, you were in the Pal band, who was that back in'78, Jimmy Snyder's band or perhaps Ira Allen's? |
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Earnest Bovine Member From: Los Angeles CA USA |
Snyder's band. |
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Mark Tomeo Member From: Danville, PA USA |
I don't know from Red's equipment, but one of my favorite steel solos of all time is one Red did on a Richard Thompson song called "Shady Lies" from an Iain Matthews album. The longer I live, the more I appreciate the west coast steelers. I know I should own the Tommy White/Lloyd video, but I'm gonna get the Jay Dee video instead. |
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Jerry Hayes Member From: Virginia Beach, Va. |
Hey Jason, I worked some casual gigs with the Eddy Drake Band in the early 80's before I left California. Also before that we were the house band at a club in Covina called "Next Time Country". We had Eddy on lead guitar, me on steel, Bruce MacLachlan on Drums, and Dennis Coates on Bass. We consumed a very large amount of beverages as they were free along with our wages. Eddy was a great singer and had a sparse and simple but very effective style on lead guitar. He played fewer notes than most players did but they all counted. I really enjoyed his playing. I remember when we took the Covina gig. Eddy called me and said he was going into a house gig and needed a band. He said it didn't pay much ($250 per week) but it would work up into something and it was a nice club. We worked for a while and Dennis the bass player got close with one of the lady bartenders who also paid the band. One night she had the band money and Dennis found out that the band made $1500 a week. So ol' Ed was makin' $750 a week and the other 3 of us were splitting the other $750. Needless to say we all quit and took another gig and the following Tuesday he had an all new band. I thought Sammy Masters was the only one who paid like that! I still liked him though and we did a couple of gigs together after that. ------------------ [This message was edited by Jerry Hayes on 13 September 2002 at 10:53 AM.] |
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Jim Bob Sedgwick Member From: Clinton, Missouri USA |
Just an aside. The last guitar I saw Red play was at the California Country Club in Ontario (Jack Lox's place). He had his strings blocked at the roller nut and had jury rigged minute adjustment on the fingers of his changer. He was a keyless nut, but did not like the looks of a keyless guitar. His guitar was keyless, with a key head. I miss him, he was a great guy and always had a solution for any mechanical problems a person might have with his equipment. |
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