Steel Guitar Strings
Strings & instruction for lap steel, Hawaiian & pedal steel guitars
http://SteelGuitarShopper.com
Ray Price Shuffles
Classic country shuffle styles for Band-in-a-Box, by BIAB guru Jim Baron.
http://steelguitarmusic.com

This Forum is CLOSED.
Go to bb.steelguitarforum.com to read and post new messages.


  The Steel Guitar Forum
  Steel Players
  Hitchcock's Epitaph to Curly Chalker

Post New Topic  
your profile | join | preferences | help | search

next newest topic | next oldest topic
Author Topic:   Hitchcock's Epitaph to Curly Chalker
Fred Shannon
Member

From: Rocking "S" Ranch, Comancheria, Texas

posted 27 January 2004 06:39 PM     profile     
I was finishing up on the photo dealie and ran across Clyde Bloodworth's post about there not being any of Curley in the mess. So in researching every one of the pics, I found I had none, but in the process I found this email from Stan Hitchcock,(who I don't remember) but it's typical Curley. Here is his email to a guy named "Jim" who I don't know either: Quote:

"From: HitPro (hitpro@aol.com)
Subject: Re: Something to talk about


Newsgroups: uk.music.country
Date: 1999/02/16

Hi Jim, this is Stan Hitchcock.

Curly Chalker was my friend, and I thought youmight enjoy this story, since you just got a new cd featuring him.....here it
is:

A couple of weeks ago one of my musician friends called me and told me that one
of my old compadres had died that morning, namely Curly Chalker, the best damn
steel guitar player that ever slid a bar across strings, and would I come and
sing at the funeral. Many years ago, around 1970, I recorded a song called
“The Shadow Of Your Smile” which is an old pop standard and one of the prettiest melodies I have ever heard. The reason I recorded it was so I could feature Curly playing the steel guitar turnaround, no small feat for a country steel guitar player.....but Curly wasn’t just any steel player....he was Curly Chalker, the best. I met Curly in the late sixties when he moved to Nashville from Las Vegas where he had a legendary show band where other musicians would just come to watch in amazement as they played everything from Western Swing tofar-out Jazz and all the in-between. Curly came to Nashville to get intosession work but the producers in power were so intimidated by his talent, and
his no-bullshit attitude, that they froze him out of most of the big sessions.
My bass player, Buck Evans, would go down to Printer’s Alley and play with
Curly, as part of the Curly Chalker Trio when we weren’t on the road. Curly
had put together the Trio which consisted of Curly, Buck and Jimmy Stuart on
drums. I would come by the club and listen and Curly got to asking me to get
up and sit in on vocals.....then one night he wondered if I knew the song “The
Shadow Of Your Smile” and when I said no he asked me to learn the song so we
could do it on stage. Well, I learned the song and the first night we tried it
on stage, and he went into the jazz-swing turnaround and just played his everlovin’ butt off, I was hooked. A couple of years later when I was putting the material together for a new album, I decided to bring in Curly and feature him on the “Shadow”. Tommy Allsup was my producer, a man who understood music
and musicians and who loved Curly’s playing also. Well, we had cut a couple of
good songs and I felt about in the mood, so I sent most of the extra musicians
out of the studio for a break and kept Jimmy Capps on gut-string guitar, Bob
Moore on the acoustic bass, Buddy Harmon using brushes on the snare and a mixed
quartet of background voices and brought Curly in. We dimmed the lights real
low and Curly touched those strings with his magic hands and we started the
song. I sang a verse and a chorus and then very quietly said,”Ladies and Gentlemen, may I present my very good friend, Mr. Curly Chalker.” What followed was a special moment in our country music......Curly played a classic
turnaround that every steel guitar player who has ever heard it still just
shake their heads in wonder. The record came out in an album and the label
pulled the song for the backside of a single......but the song was there and in
the areas where it got play it was a smash.....because of the steel. Well, the
problem with all of it was....none of the other musicians could play it...so I
never got to perform it on the road, except once.............
I was booked for a concert in St. Louis, Missouri in 1970 when “The Shadow”
reached number one on WIL Radio....the top country station in that whole
region. Well, I was sweating it ‘cause I knew folks would be wanting to hear
the song...and we couldn’t play it without Curly. The auditorium was packed
and we had set up on the front part of the stage, in front of the
curtain...because that is how Buck said the promoter wanted it. I was sorta
skeptical about this set-up....shoot, who every heard of setting up in front of
the curtain? We were introduced and came out to a great welcome from the
crowd, launched into our first song and the show was on. We did about three
songs without stop and then we cooled down and I started talking to the crowd,
and they started hollering for the “Shadow”. I was just into the explanationabout how it was impossible to do our number one record......when from behind the curtain came the sweetest sound.....the steel guitar intro to my song. The curtain parted and there Curly sat, behind that old Sho-Bud guitar, grinningfrom ear to ear. We did “Shadow” three times before the crowd would let us
be....it was a great moment. Buck had told Curly about our problem and he had flown in to do the show with us....just ‘cause he wanted to. It is my fond memory of Curly, and one I will always cherish.
At the funeral I stood off to a room at the side, facing the casket, and sang
the “Shadow” to Curly for the last time. I looked out across the crowd of
pickers and we were all taken back to those special times when the music was
all that mattered, we were all young and the fire was still in our
bellies........and Curly Chalker was the best damn steel guitar player that
ever slid a bar........across a string.

Jim, I just wanted to share this with you.

Stan Hitchcock" UnQuote:

Now if that doesn't knock your hat in the creek, you're a dead end kid.

Can some of you spool me up to speed on Hitchcock? I know I'm gonna' feel like a dumba$$ when I learn who he was and what he did. But I'm entitled to that at a near 71 years of age.

edited to show some old people are losing their sanity. I just received two phone calls to let me know who Stan Hitchcock is so don't bother.


------------------
The spirit be with you!
If it aint got a steel, it aint real


[This message was edited by Fred Shannon on 27 January 2004 at 06:57 PM.]

Doug Jones
Member

From: Canby, Oregon USA

posted 27 January 2004 07:08 PM     profile     
Great story, thanks for sharing.
Rex Thomas
Member

From: Thompson's Station, TN

posted 27 January 2004 07:58 PM     profile     
The more informed please chime in:
Stan Hitchcock had one of those 1/2 hr. country music shows on par with Porter, Wilburn Bros., Bill Anderson, Bobby Lord, etc. I'm going to guess it was mid to late '60's though I'm inclined to think earlier than that. I enjoyed Stan's show & would always try to catch it when it was on as I remember being drawn to the slick musicianship of the band. Of all those Nshvl. shows of that era I remember Stan's show ringing best to my wet behind the ears ears.
Oh, & having said that I was one that would watch the show just to hear the band, to me Stan was a very fine singer & I enjoyed him as well.
That's what I remember.
Oops, sorry, just caught your edit, Fred.
By the way, am enjoying the steel player photos. Nice work.

[This message was edited by Rex Thomas on 27 January 2004 at 08:00 PM.]

Gary Walker
Member

From: Morro Bay, CA

posted 27 January 2004 08:57 PM     profile     
Not only do I cherish the album of that song but also the TV shot I have of Stan and Curly doing that with Curly behind that Crossover ShoBud. What a great time in steel guitar history. Curly will always be the top rung of my hero list.
Larry King
Member

From: Watts, Oklahoma, USA

posted 27 January 2004 10:26 PM     profile     
I moved to town in Jan 1967 and Stan was on T V at that time....in addition to Curly, he had Jimmy Colvard on guitar and those two players together got downright scary. The scoop I always heard on Stan is that he was a P. K. from Nixa, Mo....I too have that album he refers to. For anyone who doesn't remember Colvard, he did the guitar work on " Six Days on the Road ".
Clyde Bloodworth
Member

From: Chancellor,AL

posted 27 January 2004 10:55 PM     profile     
Stan was and still is one of the best singers in any field of music. He sings dead on pitch with a warmth that pulls you in. He also has an appreciation for players and he shows it. I think he is a gentleman. I haven't heard anything from him in a long while; I assume he is still with us.
Jim Phelps
Member

From: just out of Mexico City

posted 27 January 2004 10:58 PM     profile     
.

[This message was edited by Jim Phelps on 17 November 2004 at 09:11 PM.]

Roger Shackelton
Member

From: Everett, Wa.

posted 28 January 2004 02:42 AM     profile     
I saw the TV show, where Stan and Curly played "The Shadow of Your Smile." I believe it was "That Good Old Nashville Music." Bob Luman was the host of the show and allowed Curly to play "Midnight In Amarillo." Later on I found Stan's album. On the album Curly's strings sounded sort of dead, as though they hadn't been changed in awhile. I mentioned this to Curly once in St. Louis and he told me he had anticipated doing only an E-9th session and didn't change the strings on his C-6th neck, before the session. Curly was not pleased with his sound on Stan's album.


Roger

Mike Sweeney
Member

From: Nashville,TN,USA

posted 28 January 2004 06:31 AM     profile     
I was at Curley's funeral and it was very touching to hear Stan sing "Shadow Of Your Smile" with Beegie Adair playing piano behind him. But, when Johnny Cox played "Long Black Limosuine" I think everyone had a lump in his throat.
Just to expand on the comment about Curley's dead strings, I asked him how often he changed them and he said, I'll say this, when I cut "Shadow Of Your Smile" with Stan Hitchcock the strings on my C-6th neck on that guitar had been on there about 3 years. He told me that he hated to change strings but wished he had for that session.

Mike

Ron Page
Member

From: Cincinnati, OH USA

posted 28 January 2004 09:05 AM     profile     
I too remember Stan from the 1/2-hour Saturday night TV show in the late sixties. But also more recently from here on The Forum. He's posted here regarding dealings with Galord and CMT. I think he may have been one of the creators of CMT.

Anyway, his posts are always as informative and personal as the one Fred shared above. I hope Stan reads this thread and checks in here again.

------------------
HagFan

Paul Graupp
Member

From: Macon Ga USA

posted 28 January 2004 09:12 AM     profile     
Fred: There is a picture of Curly in Pushin' Pedals but it was one that Fender had and I never thought it was too complimentary of Curly. I always liked the one of him on that bike with the Barn behind him.

Thanks for the story though; I really enjoyed reading words from Stan the Man !! He was one of my heros back then and still for that matter. But Clyde said it much better.....

Regards, Paul

Fred Shannon
Member

From: Rocking "S" Ranch, Comancheria, Texas

posted 28 January 2004 10:14 AM     profile     
To Stan "The Man" Hitchcock, my sincere apologies.

Now that the ball bat has been placed firmly against the side of my head, of course, I remember you. I, too, watched the TV shows eluded to, but the old age bug busted me again. Just a case of alligator mouth and hummingbird butt one more time.. In any case the email you sent to "Jim" certainly touched me, nearly to the point of tears starting to run. Curly was in the Texas Vernacular, "Something Else!!!", and you, sir, are a compassionate gentleman that I would enjoy meeting...Thanks for the article, it was great.

Now to you guys that ate my socks off, just wait, you'll lose some of it too with age. It's inevitable.

Fred

------------------
The spirit be with you!
If it aint got a steel, it aint real


C Dixon
Member

From: Duluth, GA USA

posted 28 January 2004 10:25 AM     profile     
Curley's turnaround on Stan's "Shadow of Your Smile" will live in my fond memory to the grave. What an awesome talent this man had.

I fist saw Curley playing an 11 string (yes 11 string) Fender 1000 using two Fender Bassman amps during a Hank Thompson show in the early 60's in Miami. He used a volume pedal but had no knee levers. As I watched him dance across those 11 pedals from one end to the other, I felt then and now, he was and is one of the most unique players of all time.

He is truly the "chord King" of the steel guitar. Add to this, his awesome tone and volume swells; along with his unusual bass string dexterity; and you have what Stan said come true.

May he rest in peace,

carl

Tom Hodgin
Member

From: greensboro, n.c. u.s.a.

posted 28 January 2004 10:27 AM     profile     
Back in the early 70's I was a country DJ at a little 250 watt AM station in NC..We went off the air at 12 mid-night back then..I closed my show with either "Shadow of your smile" or Johnny Paychecks "Where-ever you are"...both will live in me forever....tom


Al Marcus
Member

From: Cedar Springs,MI USA

posted 28 January 2004 10:58 AM     profile     
Fred- A great story. Thanks for posting. Curly Chalker was the Best!. One of my favorites is "The Shadow of Your Smile". I like to play it , it's a great tune.

I have a CD of Johnny Cox great playing of that song,and when I play it, it reminds me of Curly.....................al

------------------
My Website..... www.cmedic.net/~almarcus/

Reggie Duncan
Member

From: Mississippi

posted 28 January 2004 12:42 PM     profile     
I was just talking to guitarist Bob Saxton last week. We talked about the shows he played with Stan Hitchcock at The Nashville Palace, with Bobbe Seymour. Credits Bobbe with getting him the job.
These shows were on WSM in the late 70s, early 80s. Doug Jernigan played some too, if memory serves me correctly.
Charles Curtis
Member

From: Bethesda, Maryland, USA

posted 28 January 2004 03:33 PM     profile     
I would like to add one comment. I wish I lived a little closer to Clyde Bloodworth so I could listen to his outstanding playing on the C-6 (love those blues you used to do on the E9th also). You folks down in Georgia are lucky to have him in your area; real lucky. I don't think I've ever heard better.
Donny Hinson
Member

From: Balto., Md. U.S.A.

posted 28 January 2004 04:33 PM     profile     
I have the old album..."Dixie Belle", by Stan Hitchcock, and it showcases these two greats (Stan and Curly) at the top of their game!
Fred Shannon
Member

From: Rocking "S" Ranch, Comancheria, Texas

posted 28 January 2004 04:35 PM     profile     
Just got this email from Mr. Hitchcock. See there it pays to be a dumba$$ after all. nyah, nyah, ni, nyah nyah!!!

""hey Fred......not to worry, I don't remember me very often either.
I'm older than dirt, and worth bout as much. We had some good times
with music and I got to play with the greats. I am blessed.

Thanks,

Stan Hitchcock
hitpro@comcast.net""

fred

------------------
The spirit be with you!
If it aint got a steel, it aint real


Andy Volk
Member

From: Boston, MA

posted 28 January 2004 04:40 PM     profile     
Could someone post Stan & Curly's version "Shadow"? I've never heard it. The tune was written of course, by the great Johny Mandel.
Andy Volk
Member

From: Boston, MA

posted 28 January 2004 04:43 PM     profile     
oops - double post.

[This message was edited by Andy Volk on 29 January 2004 at 10:53 AM.]

Jim Phelps
Member

From: just out of Mexico City

posted 28 January 2004 05:48 PM     profile     
.

[This message was edited by Jim Phelps on 17 November 2004 at 09:11 PM.]

Gary Walker
Member

From: Morro Bay, CA

posted 28 January 2004 10:28 PM     profile     
Being a dyed in the wool Curly fan and was blown away by everything he played including "Shadow of Your Smile" and reliving it through Johnny Cox's great reunion with that version is a trip back in time. For all who love those two great player's doing that tune, you might check out Steve Palousek's upbeat version that is nothing short of incredible. Many of Curly's chords to lead off and then some fine single note stuff to round out an amazing tribute to "Shadow."
John Floyd
Member

From: Somewhere between Camden County , NC and Saluda S.C.

posted 29 January 2004 04:47 AM     profile     
If any of you get the Chance to hear Clyde Bloodworth pick.DO IT!

He came pretty close to giving me a heart attack in Saluda, last November.

He comes about as close to capturing Curly's style as anyone I've ever heard.

Clyde plays the living snot out of "Georgia".

That Old ShoBud Baldwin Crossover in the bottom picture sat in my living room in Hermitage Tn. for about two months in 1977 and Curly would come over, when he had time, to teach me some things.

Like a fool, I took a job in a shipyard in Mississippi and never graduated from the course, so to speak.

Another missed opportunity! I'm famous for not recognizing a opportunity when it hits me right in the face.

This post has caused me some tears in the past few days, everytime I go back and read what Stan wrote. Simply Beautiful. I have had the same thing stored on a CD for quite a while now. I even tried putting a Curly Chalker Memorial Website on a Tripod Website, and never got to finish it. It may still be there.

John

[This message was edited by John Floyd on 29 January 2004 at 04:58 AM.]

Ron Page
Member

From: Cincinnati, OH USA

posted 29 January 2004 05:36 AM     profile     
I noticed Stan's e-mail and encouraged him to stop by the forum again because a lot of people were interested in knowing more about him and his career.

That's how you got "busted", Fred.

Here's Stan's reply:

quote:
Hey thanks Ron, gosh I wrote that about Curly about three years ago. I'm just an old steel guitar fan that was fortunate enough to work with the greats, Curly, Hal Rugg, Buddy Emmons, etc and I have never forgot who created this music they call Country.....the pickers and the songwriters, not the singers....we just carried the melody, the pickers made the music.

You are welcome to let folks know where to reach me.....I don't even know how to get back on the forum and thank those folks for remembering. And thank you for taking the time to let me know.

You were right, I headed up the group that started CMT in 1983-84, and I ran the network until it sold to Gaylord in 1991. I am currently starting up a new cable network called "BlueHighways TV", which will launch sometime this summer. My offices are in Hendersonville, TN and I welcome all pickers, singers, roadrunners, down and outers, heroes, songwriters, hitchhikers, carnival workers, circus freaks and other folks that have a lot in common with us pore ol music folks.

Thanks Ron,

Stan Hitchcock


I told Stan how to go about getting back in the mix here should he chose to do so. As indicated in Fred's original post, Stan can be reached via e-mail at hitpro@aol.com

------------------
HagFan

[This message was edited by Ron Page on 29 January 2004 at 05:39 AM.]

John McGann
Member

From: Boston, Massachusetts, USA

posted 29 January 2004 02:02 PM     profile     
I wowed a couple of Young Lions at a recording session yesterday with the recording of Curly's solo version of "You Don't Know Me" from Tom Bradshaw's reissue of "Big Hits"...lots of laughs of amazement and jaws on the ground...

It is always such a treat to hear Curly, he was a deep deep musician who happened to be amazing on steel guitar. I wish there was more of his playing available!

------------------
http://www.johnmcgann.com
Info for musicians, transcribers, technique tips and fun stuff.

[This message was edited by John McGann on 29 January 2004 at 02:03 PM.]

Michael McGee
Member

From: Everton, Missouri, USA

posted 29 January 2004 02:12 PM     profile     
If anyone would like a copy of 'Shadow of Your Smile', it's on a compilation album that Stan put together. I hope this link pastes in properly:
http://www.acousticnetwork.com/sites/hitchcockcountry/PROA003.cfm

I had the good fortune of playing steel for Stan from 1977-80. He's a super person, and a true fan of steel guitar.

mm

[This message was edited by Michael McGee on 29 January 2004 at 07:53 PM.]

Fred Shannon
Member

From: Rocking "S" Ranch, Comancheria, Texas

posted 29 January 2004 02:54 PM     profile     
Well today has to be one of the most revealing days in my tenure on the forum. I have found a new friend with the help of Ron Page and a new website that is REALLY COUNTRY. Go here to take a look:
http://www.acousticnetwork.com/sites/hitchcockcountry/index.cfm

Stan Hitchcock is COUNTRY. No bitchin', bellyachin', or alternative crap, just PLAIN COUNTRY. I'm orderin' the entire audio collection from Stan's place. I think I'm in for a treat. Thanks you guys.

fred

------------------
The spirit be with you!
If it aint got a steel, it aint real


Dale Granstrom
Member

From: Wilsonville, Or USA

posted 29 January 2004 03:16 PM     profile     
Hi Chalker fans,

I had the opportunity to take six hours of instruction from Curly about six months before he passed away. That has been the high light of my pickn' career.

D.G.

Russ Wever
Member

From: San Diego, California

posted 30 January 2004 02:35 AM     profile     
quote:
That Old ShoBud Baldwin Crossover in the bottom picture . . .

. . . is actually an MSA, if we're lookin' at the same pictures.
~Russ
John Floyd
Member

From: Somewhere between Camden County , NC and Saluda S.C.

posted 30 January 2004 05:35 AM     profile     
Your right Russ, after blowing it up to 400%, it is an MSA.

I think this is the Guitar I'm talking about, however there aren't enough pedals. They may have been added later. The one Curly Loaned me had 9 I believe and 6 knee levers. This one is the right color. When MSA started going down, they called back the 2 Msa's Curly had out on Consignment and he went back to playing that ShoBud for a while. In 1979 in St Louis, I offered to buy the ShoBud from him and he to the best of my recollection said that he was going to have to turn in the MSA's and keep the ShoBud. I've often wondered what happened to that guitar and where it is today.

Charles Curtis
Member

From: Bethesda, Maryland, USA

posted 30 January 2004 05:41 AM     profile     
Has anyone ever done a "bio" on Curly? I would like to know more about the man; he undoubtably has had a tremendous impact with his music. I never tire of that sound.
Bill Stafford
Member

From: Gulfport,Ms. USA

posted 30 January 2004 07:15 AM     profile     
I am so pleased to see this about Curly-- especially from the great Stan Hitchcock. I have "opened a lot of folks eyes, and ears" to what really good "COUNTRY MUSIC" is with Stan's voice and Curly's steel guitar talents. These were people who disliked country music for the twanginess and nasal "quality" of the singers, and when they heard Stan and Curly they immediately liked all they were hearing. And they immediatly had much appreciation for the steel guitar in Curly's hands and heart and soul.
Thanks to Stan Hitchcock for all he is and all he has done and doing for our good country music...You are appreciated!! And Curly is greatly missed.

Bill Stafford

Andy Volk
Member

From: Boston, MA

posted 30 January 2004 02:57 PM     profile     
What a beautiful rendition of a great standard. Stan sang with such feeling and Curly's solo is sublimely perfect; an object lesson in tone, touch, harmony and legato & stacatto. Wow.
Charles Curtis
Member

From: Bethesda, Maryland, USA

posted 30 January 2004 03:25 PM     profile     
Is there any videos of Curly Chalker available?
Roger Shackelton
Member

From: Everett, Wa.

posted 31 January 2004 01:47 AM     profile     
John Floyd, The guitar in the picture must be a Sho-Bud, Baldwin changeover guitar. The 7 pedals for the C-6th neck would be the same as pedals 4--10 on a standard D-10 guitar. I don't know if Curly used all
seven pedals on the E-9th neck.??

Roger

[This message was edited by Roger Shackelton on 31 January 2004 at 01:49 AM.]

John Floyd
Member

From: Somewhere between Camden County , NC and Saluda S.C.

posted 31 January 2004 03:41 AM     profile     
Its been almost 27 years, but I do remember that the 1st 3 pedals changed over and the E9th was on the inside. Curly had his own deal on the setup.

As a side note

When Curly brought that ShoBud down to my house and set it up. He played more music tuning the thing up than I have heard out of most steel players in my 63 years on this earth and apologized for it. He told me he wasn't showing off, that was his way of tuning. Have to remember that this was 1977 and the tuners we know weren't around yet. I'm not so sure that he would have used one.

That was pretty much the extent of my steel guitar career, it sat there for about a month or two and he came down a couple of times and tried to show mw a couple of things.

I got a job in a shipyard in Mississippi and I didn't see him again until the convention in 1978 or 79 and that was the last time I saw him alive.

I still have his Bar and I take it to every gig I play as a good luck piece. It may not help my guitar playing, but it helps to put me in the right frame of mind.

I'm not making any claims about being a steel player, I let my best opportunity slide right by. But for a few years I was a close friend of the best damn steel player who ever lived and I'm very proud of that friendship.

There should be a lesson here somewhere and that is to stay in touch with your friends, If you don't you might live to regret it.

Gary Walker
Member

From: Morro Bay, CA

posted 31 January 2004 10:03 PM     profile     
Curly switched to MSA 31 years ago and his ShoBud crossover ended up back at the ShoBud store on Broadway. I was in Nashville in April of '73 visiting Jack Boles, who worked with Shot Jackson. Curly's Bud was on the second floor with a very noticable damage to the front apron, looking like it took a header. The comments at the ShoBud store did not have very much adoration for Curly because of his switch to MSA. Quote, "he plays too choppy" and "Pete Drake is a smoother player" and etc. Needless to say, it didn't change my esteem for Curly, in fact, it was his change to MSA that got me to buy a D-12 Classic with similar layout on neck configuration.

[This message was edited by Gary Walker on 02 February 2004 at 09:34 PM.]

Ron Page
Member

From: Cincinnati, OH USA

posted 02 February 2004 09:13 AM     profile     
Gary, if you worked for Shot in the early 70's then you might know Terry Miller, fellow steeler from Hamondsport, NY. He's on here now and then. Terry was the first steeler I ever got to see up close and talk with. I blame him!

------------------
HagFan

Gary Walker
Member

From: Morro Bay, CA

posted 02 February 2004 09:40 PM     profile     
Ron, I didn't work for Shot. I was on vacation in the Spring of '73 and made the trip to Music City. My visit to ShoBud was to see Jack Boles who worked with Shot at the store and also in the band-booking business. I'm sorry I don't know your friend but I'm sure Jack knew him. Jack would put together musicians for singers needing bands for road gigs. Jack is still doing that in addition to performing around the area with one of the greatest male voices you ever heard.

All times are Pacific (US)

next newest topic | next oldest topic

Administrative Options: Close Topic | Archive/Move | Delete Topic
Post New Topic  
Hop to:

Contact Us | The Pedal Steel Pages

Note: Messages not explicitly copyrighted are in the Public Domain.

Powered by Infopop www.infopop.com © 2000
Ultimate Bulletin Board 5.46

Our mailing address is:
The Steel Guitar Forum
148 South Cloverdale Blvd.
Cloverdale, CA 95425 USA

Support the Forum