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|F- Gm7b5|Ab   Eb-11 D7|DbM7    |Bb-7  GbM7|
|G-      |C7           |FM7     |C-7   F7  |
|Bb-7    |Eb7          |AbM7    |DbM7      |
|G-7     |C7           |FM7     |G-7   C7  |
|F- Gm7b5|Ab   Eb-11 D7|DbM7    |Bb-7  GbM7|
|G-7     |C7           |FM7     |C-7   F7  |
|G-7     |C7           |FM7     |G7b9/E    |
|G-7/D   |C7           |F       |(G-7   C7 |

A couple of comments. Yeah, this is different than the "standard" chords! It's more often played in G. The second chord is troublesome... the bassist is definitely playing a G note, G-11 sounds ok if you leave the A (9th) out... Gm7b5 only sounds good if it's voiced a particular way.
Some people might argue about the Eb-11 D7 change, but I'm being really picky about following the bassist's notes and calling the chords as I see 'em according to the motion and melody notes above. That G7b9/E is kinda bugging me though. I think it was bugging the bass player too, 'cause he was hedging his bets on subsequent choruses. I'm used to it being a II chord, but the only reason I can see they asked him to put an E note under it was to continue the diatonic bass line down to the G-/D and C7/C.
Anyway, you can plug that into your biab, and tell me if it blows up.
All the best,
-John

[This message was edited by John Steele on 16 February 2004 at 09:18 PM.]

|F  FM7/E|Eb-  AbM7|DbM7   |GbM7    |

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[This message was edited by John Steele on 16 February 2004 at 09:21 PM.]