T

[This message was edited by Tony Prior on 07 December 2003 at 06:55 AM.]

1_____8R--8____________________
2___________________________
3__8_________________________
4____________8--------------8
5______________8--8L-------8
6____________________8L--8

Tony

[This message was edited by Tony Dingus on 27 November 2003 at 09:33 AM.]

quote:

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I have always raised the seventh a whole tone to achieve the split fourth pedal affect.

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See this link for his copendent. http://b0b.com/tunings/franklin.htm

I'm thinking he has deleted the 6th string G# to F# lower on the 4th pedal on most or some of his guitars.I say this because he lowers the middle G# to E.(LKV)This change requires a lower return compensator.And since a Franklin only has double lower changer.Well, you run out of holes on the changer.Just my take on this.Maybe it's good for a bump anyway?? ...................bb

[This message was edited by Bobby Boggs on 27 November 2003 at 07:18 PM.]

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My Website..... www.cmedic.net/~almarcus/

I use this change a little different:
I lower 5 and 10 a whole step on the first floor pedal, and then moved 2,3,and 4, over one place to the right using the Emmons set-up. I then lower the 6th string a whole tone on my right knee, left. This allows me to use the splits as Paul meantioned that Tommy uses, but I also use it for some speed licks which seems to allow me a little more control as opposed to using a knee lever...

Here's my chart for anyone interested...BTW, Hi Paul! Sorry we keep missing each other on the phone...
http://slidestation.com/Endorsements/jerrys_Pedal%20Set-up.htm

Jerry
http://www.slidestation.com

 KEY of "F"  slide whole phrase
4---8------6-------6(K-lower)---
5---8(P4)--6-------6------------
6-------------------------------
7---8(KW)--6(KW)---6------------
K-Lower = lowers 1/2 tone
KW = Whole tone raise
P4 = is pedal that drops 5,6, and 10 a whole tone.

        C      Bb     A
        F      F      F
        E      D      C

4(E)    8     6      6-
5(B)    8--   6      6    
6(G#)   8     6      6--

2(D#)   8+    6+     6
5(B)    8--   6      6    
6(G#)   8     6      6--

or 3 options on my setup

5(B)   10+++  9++   8++
6(G#)  10-    9     8+
7(F#)  10     9-    8--

5(B)   10+++  8+++  8++
6(G#)  10-    8+    8+
7(F#)  10     8     8--

4(E)   6++    6     4+
5(B)   6      6     4++
6(G#)  6++    6     4

It sounds nice with the C,Bb,A an octave lower, leaving the common tone F on top:

        F      F      F
        E      D      C
        C      Bb     A
6(G#)  10-    8+    8+
7(F#)  10     8     8--
9(D)   10     8     8-

and also nice to include the passing tones

        F     F     F     F      F
        E     D#    D     Db     C
        C     B     Bb    Bb     A
6(G#)  10-    9     8+    8+     8+
7(F#)  10     9     8     8-     8--
9(D)   10     9     8     8      8-

[This message was edited by Franklin on 02 December 2003 at 10:19 AM.]

I like this pedal a lot too.

[This message was edited by David L. Donald on 05 December 2003 at 03:10 AM.]