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Author
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Topic: Brisklick E9th
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Russ Wever
Member From: San Diego, California
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posted 26 November 2004 06:27 PM
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In a previous post, Klaus had asked about raising strings one and seven by a half-tone.Here is 'brisklick' example of using that particular raise on string one. Click here to hear> Brisklick. Playing these 'descending diatonic half-scales' goes like this:
First Measure>
- At fret 20, play strings 3, then 1, then 4 then 2 with the 'F' Knee.
- At fret 18, play strings 3, then 1, then 4 then 2 with the 'F' Knee and the Knee raising the first string a half-tone.
- At fret 17, play strings 3, then 1, then 4 then 2 with no Knee-levers.
- At fret 15, play strings 3, then 1, then 4 then 2 with the 'F' Knee.
Second Measure>
- At fret 13, play strings 3, then 1, then 4 then 2 with the 'F' Knee and the Knee raising the first string a half-tone.
- At fret 12, play strings 3, then 1, then 4 then 2 with the Knee lowering the second string a half-tone.
- At fret 10, play strings 3, then 1, then 4 then 2 with no Knees.
- At fret 8, play strings 3, then 1, then 4 then 2 with the 'F' Knee.
Third Measure>
- At fret 6, play strings 3, then 1, then 4 then 2 with the 'F' Knee and the Knee raising the first string a half-tone.
- At fret 5, play strings 3, then 1, then 4 then 2 with no Knees.
- At fret 3, play strings 3, then 1, then 4 then 2 with the 'F' Knee.
- At fret 1, play strings 3, then 1, then 4 then 2, with the 'F' Knee and the Knee raising the first string a half-tone.
Fourth Measure>
- At fret 1, play string 3. (Finish)
Careful muting and even timing will keep the notes from 'wadding up'.
~Russ
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Klaus Caprani
Member From: Copenhagen, Denmark
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posted 27 November 2004 02:36 AM
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Thanks a lot. This is definetely one I'll practice in december when I get some more time at hand  ------------------
Klaus Caprani MCI RangeXpander S-10 3x4
www.klauscaprani.com |
John Daugherty
Member From: Rolla, Missouri, USA
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posted 27 November 2004 04:07 AM
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Russ, another example of your helpful contributions to the forum.
I am so glad to see that you are "healing and helping".
I was injured last week when my ATV turned over on me on a mountainside. I can't play guitar now but I know I will whip these injuries and soon slide up to my lovable Marlen.
At least I can learn and help on the forum while I am recovering.
Keep on keepin on......JD |
Joey Ace
Sysop From: Southern Ontario, Canada
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posted 27 November 2004 08:31 AM
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Thanks Russ! Quite a hot lick. Reminds me of Doug J's scale work,
or (dare I say) Bobby Thompson's cash-cow banjo lick.Why the name "Brisklick"? I've transcribed your words into the following notation. I'd call it "Connected Descending Fourths".
A study of the notes shows why that name is descriptive of what's happening. The adventorus student should take this idea and change it to "Connected Descending Thirds", with a Triplet Feel. Also try "Un-connected Descending Fourths" and "Un-connected Descending Thirdhs". 
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Peter
Member From: Cape Town, South Africa
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posted 27 November 2004 09:14 AM
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Why the name "Brisklick"?Ask Jimbeaux, he knows what a Bris is. [This message was edited by Peter on 27 November 2004 at 09:15 AM.] |
Joey Ace
Sysop From: Southern Ontario, Canada
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posted 28 November 2004 01:35 PM
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This is a great intonation exersize, too.Play it with a drone A note coming from another source. For me it'm my V-SAM. Moving to TABLATURE.... | |
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