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  Baritone" E9

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Author Topic:   Baritone" E9
Tony Palmer
Member

From: Lincoln, RI USA

posted 24 February 2005 11:51 AM     profile     
OK, I didn't know what else to call it, but has anyone ever restrung a standard E9 with heavier strings, keeping everything else the same except lowering the open key down to, say A9 or even G9?
The intention would be to get a fatter E9 sound, more suitable for rock and blues, but without having to learn a whole new tuning.
Ron Steenwijk
Member

From: Greensburg,PA

posted 24 February 2005 12:03 PM     profile     
Paul Franlin has done that on his tripple neck I believe.

Ron

------------------
Nikaro SD10 4x6 ,Nikaro SD10 4x5,2 Peavey Ultratube 112

European Steel Guitar Forum

Bobby Lee
Sysop

From: Cloverdale, North California, USA

posted 24 February 2005 01:10 PM     profile     
Right. As I remember, Paul has one that is an octave lower than the standard E9th. Of course my memory may be faulty due to CRS.
Tony Palmer
Member

From: Lincoln, RI USA

posted 24 February 2005 02:30 PM     profile     
Any recordings made with it?
Paul, I'd love to hear more about it...
Bill Ford
Member

From: Graniteville SC Aiken

posted 24 February 2005 02:39 PM     profile     
Tony,
I think there is a clip on PFs website.
Bill

Oops,nope, but there is a listing of a couple of sessions he used it on.
http://www.paul-franklin.com/

[This message was edited by Bill Ford on 24 February 2005 at 02:46 PM.]

Hook Moore
Member

From: South Charleston,West Virginia

posted 24 February 2005 03:10 PM     profile     
I think this pretty red 3 neck has the baritone.

Hook

------------------
HookMoore.com
Allen Moore


Donny Hinson
Member

From: Balto., Md. U.S.A.

posted 24 February 2005 03:26 PM     profile     
One thing you might try, Tony, is to stay off the first 4 E9th strings. As I mentioned in another thread a few days ago, it's those "whiney" top strings that most people object to. Strings 5-10, with all the pedals we have, still give you plenty to work with in the blues/rock genre.
Ron Steenwijk
Member

From: Greensburg,PA

posted 24 February 2005 03:38 PM     profile     
Bill

If my memory serves me correct Paul uses his Baritone neck on some backgroundnotes.

Ron

------------------
Nikaro SD10 4x6 ,Nikaro SD10 4x5,2 Peavey Ultratube 112

European Steel Guitar Forum

Chris Brooks
Member

From: Providence, Rhode Island

posted 24 February 2005 03:42 PM     profile     
I thought about stringing up my extended E9 a whole tone lower, to a D9. With my E to F lever also lowering string 12 a minor third, that would have put the lowest note available down to a B!

But I went with the normal extended E9 for ease in playing on the stand and "reading" bass players' left hands ...

Chris

Bill Stafford
Member

From: Gulfport,Ms. USA

posted 24 February 2005 05:02 PM     profile     
On my 14 string tuning, the fourteenth string is tuned to E, three octaves under the first E string in the tuning. (120 ga). My first two foot pedals pull three Bs to C# and three G#s to A. Everything that is happening in the tuning in the higher (standard E9 groups) is now "happening" in the lower three registers and can be use as your discretion desires. No major relearning required-you just have a bigger ball field to play in. My E9 tuning has 48 combinations (triads) of the E chord in the open fret with no pedal or lever manipulations.

Bill Stafford

Tony Dingus
Member

From: Kingsport, Tennessee, USA

posted 24 February 2005 07:44 PM     profile     
Paul used the baritone neck on Lee Ann Womack's "Some Things I Know" cd on the song
"A Little Past Little Rock". Different but, nice! I love traditional steel and I like new twist too, be it tunings or effects.

Tony

Jim Smith
Member

From: Plano, TX, USA

posted 24 February 2005 07:50 PM     profile     
Dekley built a S-10 tuned one octave lower for Jimmie Crawford many moons ago, but I don't know if he ever recorded anything with it.
Bobby Lee
Sysop

From: Cloverdale, North California, USA

posted 24 February 2005 08:02 PM     profile     
quote:
The intention would be to get a fatter E9 sound, more suitable for rock and blues, but without having to learn a whole new tuning.
I personally feel that the 12 string "Extended E9th" is a great tuning for rock and blues. The two extra strings work just like their octave counterparts, so there's no "whole new tuning" to learn.

One change I make is to lower the low E to D on the 3rd pedal. It doesn't interfere with normal "C" pedal stuff and it adds a great D-A-D power chord position into the mix.

------------------
Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra SD-12 (Ext E9), Williams D-12 Crossover, Sierra S-12 (F Diatonic)
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, C6, A6)

Tony Palmer
Member

From: Lincoln, RI USA

posted 25 February 2005 06:18 AM     profile     
Bob, that's true if you happen to have a 12 string....which I don't!
I'm doing a recording project and have an extra steel I'd like to try re-stringing for a fatter lap steel type sound with a little overdrive.
I'd like to know what gauge strings to use to get a lower tuned steel and if the pedals and levers would still work with the heavier gauge strings.
David Doggett
Member

From: Philadelphia, Pennsylvania, USA

posted 25 February 2005 07:38 AM     profile     
Tony, I'm e-mailing you a table and a chart with a curve that allows you to read out the appropriate string guage for any note. It only goes down to the low B on a universal, but you could extrapolate the curve further if you needed to know about notes lower than that. This is nothing official. I just made it myself using the typical guages used in E9 and C6 string packs.
Bob Carlucci
Member

From: Candor, New York, USA

posted 25 February 2005 08:05 AM     profile     
I am not trying to be a smart ass but is the hassle really worth it on an E9 ??.. For most guys our standard E9 will give us 95% coverage.. The extra 5% could easily be covered by a 12 string extended E9 for those so inclined or even a good lap steel for us fatter lazier types[like yours truly] to cover the couple of tunes where that low bluesy growl is needed... bob

[This message was edited by Bob Carlucci on 25 February 2005 at 08:06 AM.]

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