Author
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Topic: Old Stand-by or Generic licks
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Sonny Jenkins Member From: New Braunfels, Tx. 78130
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posted 26 November 2000 06:33 PM
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When I started playing guitar (on real gigs) I had 3-4 licks that I "wore out". Man, I made those licks fit anything,,,and they got me by until I could acculmulate some more. I'm sure there are PSG players out there that can relate to this. I'd like to see (and I'm sure others would) those licks that you wore out,,,the ones you made fit anything,,,the ones that saved your bacon !! Com'on guys,,,what were the licks that got you by until,,,,,,,, |
Dave Van Allen Member From: Doylestown, PA , US , Earth
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posted 27 November 2000 01:29 PM
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4. _________3--------------------3 5. 3---3A 3A-----3 3---3A 3A-----3 6.--------------------3B------------------ 3B
[This message was edited by Ricky Davis on 29 November 2000 at 02:11 AM.] [This message was edited by Dave Van Allen on 03 April 2004 at 10:40 AM.] |
Sonny Jenkins Member From: New Braunfels, Tx. 78130
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posted 27 November 2000 01:44 PM
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Hey,,,I recognize that one,,,,I know what you mean!!! Hey guys 'fess up. Did you get so tired of'em you don't ever want to hear'em again??? |
Tele Member From: Andy W. - Wolfenbuettel, Germany
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posted 27 November 2000 01:57 PM
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1 ---5-------------------- 2 ------------------------ 3 ------------------------ 4 ------5------------12-12 5 -5A----5A~5--5~5A--12~12A 6 -----------5-5~5B--12~12B
hope that works...it is my first tab ever!
------------------ ShoBud Gallery |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 27 November 2000 08:25 PM
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SonnyHang on there. I'm posting one tomorrow. Like TELE this will be my first TAB. I'll troubleshoot it first and then post it. I've got it down on Notepad. Just give this ol' picker a little time. Regards....Fred |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 28 November 2000 07:31 AM
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Here's an old I to IV that fits a lot of places. 1----------12----------------------------------------------- 2----------------------------------------------------------- 3-12B------------------------------------------------------- 4------12----------12---------------------12---11---10---10- 5-------------12A------12A~12------~12A--~12A--11A--10A--10- 6------------------------------12B--12B---12B--11B--10B--10- 7----------------------------------------------------------- 8----------------------------------------------------------- 9----------------------------------------------------------- 10----------------------------------------------------------
[This message was edited by Ricky Davis on 03 December 2000 at 11:57 PM.]
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Sonny Jenkins Member From: New Braunfels, Tx. 78130
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posted 28 November 2000 08:23 AM
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Way to go Fred,,,that's what we're looking for !!!! Let's face it, if these licks got us by, they'll help the guys that are following us,,,and that's what it's all about,,,we ALL needed help! |
Dave Van Allen Member From: Doylestown, PA , US , Earth
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posted 28 November 2000 11:59 AM
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an passage ending phrase over a I-V-I 4. 5.___________3A--3________3______ 6._______3B_________3B-3______3~3B 7._____3_________________________ 8.__3_________________________3 ____C____________G7___________C ___/1..2..3..4../1..2..3..4../1 or./1_____2______3_____4_____/1 depending on tempo
[This message was edited by Dave Van Allen on 28 November 2000 at 12:08 PM.] [This message was edited by Dave Van Allen on 28 November 2000 at 12:28 PM.] [This message was edited by Dave Van Allen on 28 November 2000 at 12:37 PM.]
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Bill Terry Member From: Bastrop, TX, USA
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posted 28 November 2000 04:49 PM
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When I get lost this one ALWAYS works for me:1 ------------------------ 2 ------------------------ 3 ------------------------ 4 ------------------------ 5 ------------------------ 6 ------------------------ 7 ------------------------ 8 ------------------------ 9 ------------------------ 10------------------------ ------------------ bterry.home.netcom.com |
BENGT ERLANDSEN unregistered
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posted 28 November 2000 05:01 PM
Examples in the key of C. Fits Major Chords in "open position" Example 2 is same idea, but time shifted for a different feel. Example 1 1-------------------------------------------------- 2-------------------------------------------------- 3--8--------8B-------8----------------------------- 4-----------------------------8C-------8~~~~~------ 5-----8~~8C----8C~8-------------------------------- 6-----------------------8~~8B----8B~8-------------- 7-------------------------------------------------- 8-------------------------------------------------- 9-------------------------------------------------- 10-------------------------------------------------- 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . Example 2 1-------------------------------------------------- 2-------------------------------------------------- 3--------8--------8B-------8----------------------- 4-----------------------------------8C~8~~~~~------ 5-----------8~~8C----8C~8-------------------------- 6-----------------------------8~~8B~~~~8~~~~~------ 7-------------------------------------------------- 8-------------------------------------------------- 9-------------------------------------------------- 10-------------------------------------------------- 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . Press B & C pedal at the same time.
[This message was edited by BENGT ERLANDSEN on 28 November 2000 at 05:15 PM.] |
Ricky Davis Moderator From: Spring, Texas USA
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posted 29 November 2000 02:07 AM
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Bill you stole my "getting lost" lick, note for note pal. That's beautiful and there is a very good reason behind that lick>when getting lost. Ricky |
Bill Terry Member From: Bastrop, TX, USA
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posted 29 November 2000 08:39 AM
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Yeah Ricky, guilty, I admit it.... See, all those one-on-one sessions are startin' to pay off Some 'famous' D-FW player once told me you'll get a lot of gigs if you know when to shut up.If I gotta play something, I always end up on the AB pedal combo stuff.
------------------ bterry.home.netcom.com |
Steve Feldman Member From: Millbury, MA USA
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posted 29 November 2000 06:54 PM
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I like the tab, too, Bill. Perhaps the Miles Davis approach. However, I'm going to be careful here - last time I commented on the tab for the One Note Samba, there was a big hoopla! |
J Sigerson Member From: Los Angeles, CA
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posted 29 November 2000 08:16 PM
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Bill, I'm new to PSG, but I've used that exact lick on standard guitar for years, for the exact same reasons.Is it originally a PSG lick? You rarely hear 6-stringers attempt it, and I've sure never heard it on a banjo! -Joel |
Bill Terry Member From: Bastrop, TX, USA
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posted 30 November 2000 08:33 AM
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Hey Steve, I think I jumped in on that 'One Note Samba' thing too... oops. Joel, I'm not sure about it being a PSG lick originally, but the guitar player in the last band I worked with sure didn't know it... ------------------ bterry.home.netcom.com |
tim duvall Member From: greensburg,pa,usa
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posted 30 November 2000 09:03 AM
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I was fooling around with Fred's lick and found it makes a pretty good ending for a pedals down chord. After you release the A pedal on string 5, play string 6, then string 5 again with the pedal down, then strings 3-4-5 with bothe A&B pedals down |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 30 November 2000 05:05 PM
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Hi TimThanks for noticing. This is what it's all about. This type of thing makes for a wonderful jam session. I'm just an ol' country picker who has lots of licks in my head and thanks to this forum, I know how to tab, so I'll be on here with more stuff as long as there is someone interested. If I can help you please "holler" Regards.....Fred |
Sonny Jenkins Member From: New Braunfels, Tx. 78130
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posted 30 November 2000 06:59 PM
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Hey Fred,,,you got it right,,,if we can share what got us by,,,it's bound to help someone coming up same road ,,,,let's keep'em comin',,,,,,, |
Dave Van Allen Member From: Doylestown, PA , US , Earth
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posted 01 December 2000 12:31 PM
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an E9 fave from the early years in G: 01. _______________________________________________ 02. _______________________________________________ 03. __3___________3~~~~~3B__________3B~~~~3________ 04. __3_______3___3~~~~~3_______3___3~~~~~3________ 05. __________3_________________3A_________________ 06. ______3_________________3______________________ 07. _______________________________________________ 08. _______________________________________________ 09. _______________________________________________ 10. _______________________________________________ / 1,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,,
repeat as needed [This message was edited by Dave Van Allen on 01 December 2000 at 12:44 PM.] |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 01 December 2000 04:07 PM
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DaveThat one brings a tear to my eye!. It's a classic. Note to Bengt: No wonder you are a pro! Regards......Fred |
BENGT ERLANDSEN unregistered
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posted 01 December 2000 06:13 PM
Ain't no "pro" yet Fred , but I steel as much as I can. 1------------------------------------------------------ 2------------------------------------------------------ 3------------------------------------------------------ 4--8~~8--8~~~~-8~~8--8~~~~-8~~8--5~~5------------------ 5--8~~8A-8A~~~-8~~8A-8A~~~-8A~8--5~~5A-5A-------------- 6--------------------------------------5B-------------- 7------------------------------------------------------ 8------------------------------------------------------ 9------------------------------------------------------ 10------------------------------------------------------ 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . Play over a C-Major chord( only if you transpose the tabulature 2 frets down) The example should be played over a D-major-chord)
[This message was edited by BENGT ERLANDSEN on 02 December 2000 at 03:12 AM.]
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Graham Member From: Whitby, Ontario, Canada
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posted 01 December 2000 07:57 PM
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Bengt: Is this a phrase to take you from your root chord to the relative off-chord? In this case C to D.------------------ Rebel™ ICQ 614585 http://users.interlinks.net/rebel/steel/steel.html
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BENGT ERLANDSEN unregistered
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posted 02 December 2000 03:08 AM
The whole thing should actually be played over a D chord. My mistake.Bengt |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 02 December 2000 05:50 AM
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Here's a few everyday endings to play with. This tab stuff is getting to be fun. I've truly amazed myself. Later.....Fred |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 02 December 2000 05:52 AM
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OK let's try that again! A E A 1.____________________________________________________ 2._______________________________________|____________ 3.____________5____8____10____12____12B__|____________ 4.___5___7_______________________________|____________ 5.____________5____8A___10____12____12A__|____________ 6.___5___7B______________________________|____________ 7._______________________________________|____________ 8._______________________________________|____________ 9._______________________________________|____________ 10._______________________________________|____________ 1.____________________________________________________ 2.____________________________________________|_______ 3._____________________________12___12B_______|_______ 4.__________________12________________________|_______ 5.____5___8A___12___12___12A___12___12A_______|_______ 6.____5___8____12________12B__________________|_______ 7.____________________________________________|_______ 8.____________________________________________|_______ 9.____________________________________________|_______ 10.____________________________________________|_______ D A7 D 1.____________________________________________|_______ 2.________10__________________________________|_______ 3.____________________________________________|_______ 4.___10___10___10_________5____8F___10________|_______ 5._____________10A___10_______________________|_______ 6.________________________5____8____10________|_______ 7.____________________________________________|_______ 8.____________________________________________|_______ 9.____________________________________________|_______ 10.________________________5A___8A___10________|_______ Luv' them big ol' fat chords
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BENGT ERLANDSEN unregistered
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posted 02 December 2000 07:54 AM
Fred, your old I to IV fits beautiful as I to VImajor ending at 9th fret A&B pedal. And continued in IImajor to V7. And the D and Db together in the last example is also nice. One in 3/4 time. Going down from E to A 1-------------------------10-------------------------------------- 2-------------------------10-------------------------------------- 3-12~~~~10----------10----------5-----5B~~~~5--------------------- 4-12~~~~10----10----10----------5-----5L~~~~5L----5L~5~~~~~~~~---- 5-------------10A---------------------5A~~~~5--------------------- 6-------------------------------------------------5B~~~~5~~~~~---- 7----------------------------------------------------------------- 8----------------------------------------------------------------- 9----------------------------------------------------------------- 10-------------------------------------------------5~~~~~~~~~~~--- 1 . 2 . 3 . 1 . 2 . 3 . 1 . 2 . 3 . 1 . 2 . 3 .
Now if I just could remember where I have heard it before.[This message was edited by Ricky Davis on 06 December 2000 at 03:33 PM.] |
Ricky Davis Moderator From: Spring, Texas USA
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posted 03 December 2000 02:38 AM
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I'm so proud of everybody here. Great jobs everyone!!!!! This my my highlight of the day when I can look in here and seeing everybody workin' and learning so hard. This is the greatest. Ricky |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 03 December 2000 07:34 AM
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Hi Ricky!We're honored by you comments. This is the next best thing to a jam session with these folks. Many thanks to Bengt and others, I'm getting more out of this than I'm putting in. Take care.....Fred |
Dave Van Allen Member From: Doylestown, PA , US , Earth
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posted 04 December 2000 01:19 PM
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about as generic as it gets, simple yet amazingly adaptable:E9 Key of C 01. ____________3__________________________________ 02. _______________________________________________ 03. __3~~3B________________________________________ 04. _________3_________3________________3--3_______ 05. ______________3A________3A~~3_______3~~3A______ 06. ________________________________3B_____________ 07. _______________________________________________ 08. _______________________________________________ 09. _______________________________________________ 10. _______________________________________________
[This message was edited by Dave Van Allen on 04 December 2000 at 01:30 PM.] |
Roy McKinney Member From: Imnaha, OR
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posted 05 December 2000 07:49 AM
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OK guys, what does the little square in the tab stand for? I'm old and CRS, but the steel is a great pass time. If I'm lucky I get to play a jam about once a month if I can drive the 3 hours to get there. |
Fred Truitt Member From: Port au Port, Newfoundland, Canada
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posted 05 December 2000 10:05 AM
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Hi RoyI'm not quite sure what you mean about the square. Can you give me an example of where it appears? We may have some kind of a software problem here. Thanks...Fred |
Dan Crelin unregistered
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posted 05 December 2000 04:03 PM
Here's a littly ditty that I kinda borrowed off of Mr. Hughey. A LOT of the slower songs get this treatment. Hey, it's easy but very effective.1___________________________________ 2___________________________________ 3___________________________________ 4___________________________________ 5___3~~~~~~~~7~~~~7_________________ 6___________________________________ 7___________________________________ 8___3~~~~~~~~7L-7-7R________________ 9___________________________________ 10__________________________________ G G7th Danny |
johnnyb Member From: Wendell, NC, USA
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posted 06 December 2000 10:15 AM
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.[This message was edited by johnnyb on 04 June 2005 at 07:50 AM.] |
John Gretzinger Member From: Northridge, CA
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posted 06 December 2000 10:47 AM
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This stuff is great, especially for someone like me who is really just starting out again on this instrument.Thanks to all, jdg ------------------ MSA D-10 '63 Gibson Hummingbird 16/15c Hammered Dulcimer |
Sonny Jenkins Member From: New Braunfels, Tx. 78130
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posted 06 December 2000 01:30 PM
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Hey John,,,you're right,,,this is GREAT ! Sharing,,,that's what it's all about. One thing that seems to be a distinct difference in guitar players and PSG'ers, is that willingness to share. That why I wanted to start this thread. Keep'em coming!!! |
johnnyb Member From: Wendell, NC, USA
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posted 07 December 2000 07:24 AM
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.[This message was edited by johnnyb on 04 June 2005 at 07:51 AM.] |
Dave Van Allen Member From: Doylestown, PA , US , Earth
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posted 07 December 2000 07:52 AM
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Another E9 riff- a variation of the previous "bouncy" riff above fits over a G or a G-D-G : 01. _______________________________________________ 02. _______________________________________________ 03. __3___________3~~~~~5B__________5B~~~~4B_______ 04. __3_______3___3~~~~~5C______5C__5C~~~~4C_______ 05. __________3_________________5C_________________ 06. ______3_________________5B_____________________ 07. _______________________________________________ 08. _______________________________________________ 09. _______________________________________________ 10. _______________________________________________ / 1,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,, 01. _______________________________________________ 02. _______________________________________________ 03. _____________4B~~~~3B__________3B~~~~3_________ 04. _________4C__4C~~~~3C______3C__3C~~~~3_________ 05. _________4C________________3C__________________ 06. _____4B________________3B______________________ 07. _______________________________________________ 08. _______________________________________________ 09. _______________________________________________ 10. _______________________________________________ ,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,,
[This message was edited by Dave Van Allen on 07 December 2000 at 07:53 AM.] |
BENGT ERLANDSEN unregistered
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posted 07 December 2000 07:58 AM
I IV V I intro. 1------------------------------------------------------------------------------------ 2------------------------------------------------------------------------------------ 3------------------------------------------------------------------------------------ 4---------3~~~~~3L~~~~2L----------------------3~~------------------------------------ 5---------------------------3A~---1~~~~~3~~3A~~~~---5A~---7~~8~~8A----7~~8~~8~~~~---- 6---------3~~~~~3~~~~~2B------------------------------------------------------------- 7------------------------------------------------------------------------------------ 8---------------------------3~~---1L~~~~3~~~~~~~~---5~~---7R~8~~~~----7R~8~~8L~~~~--- 9------------------------------------------------------------------------------------ 10------------------------------------------------------------------------------------ 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2
Bits and pieces stolen from various places. Bengt |
johnnyb Member From: Wendell, NC, USA
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posted 07 December 2000 10:24 AM
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.[This message was edited by johnnyb on 04 June 2005 at 07:52 AM.] |
BENGT ERLANDSEN unregistered
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posted 07 December 2000 12:23 PM
Can't find the right pedal? C 1------------------------------------------------------------ 2------------------------------------------------------------ 3------------------------------------------------------------ 4------------------------------------------------------------ 5---8-----8--7~~6-----6--7~~8----8--7~~6-----6--7~~8--------- 6---8-----8--7~~6-----6--7~~8----8--7~~6-----6--7~~8--------- 7------------------6----------------------6------------------ 8------8-----------------------8----------------------------- 9------------------------------------------------------------ 10------------------------------------------------------------
Continue ad nausea
Works for the F and G chord too.(in the same position)[This message was edited by BENGT ERLANDSEN on 07 December 2000 at 12:28 PM.] |