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  Old Stand-by or Generic licks (Page 1)

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Author Topic:   Old Stand-by or Generic licks
Sonny Jenkins
Member

From: New Braunfels, Tx. 78130

posted 26 November 2000 06:33 PM     profile     
When I started playing guitar (on real gigs) I had 3-4 licks that I "wore out". Man, I made those licks fit anything,,,and they got me by until I could acculmulate some more. I'm sure there are PSG players out there that can relate to this. I'd like to see (and I'm sure others would) those licks that you wore out,,,the ones you made fit anything,,,the ones that saved your bacon !! Com'on guys,,,what were the licks that got you by until,,,,,,,,
Dave Van Allen
Member

From: Doylestown, PA , US , Earth

posted 27 November 2000 01:29 PM     profile     

4. _________3--------------------3
5. 3---3A 3A-----3 3---3A 3A-----3
6.--------------------3B------------------ 3B

[This message was edited by Ricky Davis on 29 November 2000 at 02:11 AM.]

[This message was edited by Dave Van Allen on 03 April 2004 at 10:40 AM.]

Sonny Jenkins
Member

From: New Braunfels, Tx. 78130

posted 27 November 2000 01:44 PM     profile     
Hey,,,I recognize that one,,,,I know what you mean!!! Hey guys 'fess up. Did you get so tired of'em you don't ever want to hear'em again???
Tele
Member

From: Andy W. - Wolfenbuettel, Germany

posted 27 November 2000 01:57 PM     profile     

1 ---5--------------------
2 ------------------------
3 ------------------------
4 ------5------------12-12
5 -5A----5A~5--5~5A--12~12A
6 -----------5-5~5B--12~12B


hope that works...it is my first tab ever!

------------------

ShoBud Gallery

Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 27 November 2000 08:25 PM     profile     
Sonny

Hang on there. I'm posting one tomorrow. Like TELE this will be my first TAB. I'll troubleshoot it first and then post it. I've got it down on Notepad. Just give this ol' picker a little time. Regards....Fred

Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 28 November 2000 07:31 AM     profile     
Here's an old I to IV that fits a lot of places.


1----------12-----------------------------------------------
2-----------------------------------------------------------
3-12B-------------------------------------------------------
4------12----------12---------------------12---11---10---10-
5-------------12A------12A~12------~12A--~12A--11A--10A--10-
6------------------------------12B--12B---12B--11B--10B--10-
7-----------------------------------------------------------
8-----------------------------------------------------------
9-----------------------------------------------------------
10----------------------------------------------------------

[This message was edited by Ricky Davis on 03 December 2000 at 11:57 PM.]

Sonny Jenkins
Member

From: New Braunfels, Tx. 78130

posted 28 November 2000 08:23 AM     profile     
Way to go Fred,,,that's what we're looking for !!!! Let's face it, if these licks got us by, they'll help the guys that are following us,,,and that's what it's all about,,,we ALL needed help!
Dave Van Allen
Member

From: Doylestown, PA , US , Earth

posted 28 November 2000 11:59 AM     profile     
an passage ending phrase over a I-V-I


4.
5.___________3A--3________3______
6._______3B_________3B-3______3~3B
7._____3_________________________
8.__3_________________________3
____C____________G7___________C
___/1..2..3..4../1..2..3..4../1
or./1_____2______3_____4_____/1
depending on tempo


[This message was edited by Dave Van Allen on 28 November 2000 at 12:08 PM.]

[This message was edited by Dave Van Allen on 28 November 2000 at 12:28 PM.]

[This message was edited by Dave Van Allen on 28 November 2000 at 12:37 PM.]

Bill Terry
Member

From: Bastrop, TX, USA

posted 28 November 2000 04:49 PM     profile     
When I get lost this one ALWAYS works for me:

1 ------------------------
2 ------------------------
3 ------------------------
4 ------------------------
5 ------------------------
6 ------------------------
7 ------------------------
8 ------------------------
9 ------------------------
10------------------------

------------------
bterry.home.netcom.com

BENGT ERLANDSEN
unregistered
posted 28 November 2000 05:01 PM           
Examples in the key of C. Fits Major Chords in "open position"
Example 2 is same idea, but time shifted for a different feel.

Example 1
1--------------------------------------------------
2--------------------------------------------------
3--8--------8B-------8-----------------------------
4-----------------------------8C-------8~~~~~------
5-----8~~8C----8C~8--------------------------------
6-----------------------8~~8B----8B~8--------------
7--------------------------------------------------
8--------------------------------------------------
9--------------------------------------------------
10--------------------------------------------------
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .


Example 2
1--------------------------------------------------
2--------------------------------------------------
3--------8--------8B-------8-----------------------
4-----------------------------------8C~8~~~~~------
5-----------8~~8C----8C~8--------------------------
6-----------------------------8~~8B~~~~8~~~~~------
7--------------------------------------------------
8--------------------------------------------------
9--------------------------------------------------
10--------------------------------------------------
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .

Press B & C pedal at the same time.

[This message was edited by BENGT ERLANDSEN on 28 November 2000 at 05:15 PM.]

Ricky Davis
Moderator

From: Spring, Texas USA

posted 29 November 2000 02:07 AM     profile     
Bill you stole my "getting lost" lick, note for note pal.
That's beautiful and there is a very good reason behind that lick>when getting lost.
Ricky
Bill Terry
Member

From: Bastrop, TX, USA

posted 29 November 2000 08:39 AM     profile     
Yeah Ricky, guilty, I admit it.... See, all those one-on-one sessions are startin' to pay off Some 'famous' D-FW player once told me you'll get a lot of gigs if you know when to shut up.

If I gotta play something, I always end up on the AB pedal combo stuff.

------------------
bterry.home.netcom.com

Steve Feldman
Member

From: Millbury, MA USA

posted 29 November 2000 06:54 PM     profile     
I like the tab, too, Bill. Perhaps the Miles Davis approach. However, I'm going to be careful here - last time I commented on the tab for the One Note Samba, there was a big hoopla!
J Sigerson
Member

From: Los Angeles, CA

posted 29 November 2000 08:16 PM     profile     
Bill, I'm new to PSG, but I've used that exact lick on standard guitar for years, for the exact same reasons.

Is it originally a PSG lick? You rarely hear 6-stringers attempt it, and I've sure never heard it on a banjo!

-Joel

Bill Terry
Member

From: Bastrop, TX, USA

posted 30 November 2000 08:33 AM     profile     
Hey Steve, I think I jumped in on that 'One Note Samba' thing too... oops.

Joel, I'm not sure about it being a PSG lick originally, but the guitar player in the last band I worked with sure didn't know it...

------------------
bterry.home.netcom.com

tim duvall
Member

From: greensburg,pa,usa

posted 30 November 2000 09:03 AM     profile     
I was fooling around with Fred's lick and found it makes a pretty good ending for a pedals down chord. After you release the A pedal on string 5, play string 6, then string 5 again with the pedal down, then strings 3-4-5 with bothe A&B pedals down

Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 30 November 2000 05:05 PM     profile     
Hi Tim

Thanks for noticing. This is what it's all about. This type of thing makes for a wonderful jam session. I'm just an ol' country picker who has lots of licks in my head and thanks to this forum, I know how to tab, so I'll be on here with more stuff as long as there is someone interested. If I can help you please "holler"

Regards.....Fred

Sonny Jenkins
Member

From: New Braunfels, Tx. 78130

posted 30 November 2000 06:59 PM     profile     
Hey Fred,,,you got it right,,,if we can share what got us by,,,it's bound to help someone coming up same road ,,,,let's keep'em comin',,,,,,,
Dave Van Allen
Member

From: Doylestown, PA , US , Earth

posted 01 December 2000 12:31 PM     profile     
an E9 fave from the early years in G:

01. _______________________________________________
02. _______________________________________________
03. __3___________3~~~~~3B__________3B~~~~3________
04. __3_______3___3~~~~~3_______3___3~~~~~3________
05. __________3_________________3A_________________
06. ______3_________________3______________________
07. _______________________________________________
08. _______________________________________________
09. _______________________________________________
10. _______________________________________________
/ 1,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,,


repeat as needed

[This message was edited by Dave Van Allen on 01 December 2000 at 12:44 PM.]

Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 01 December 2000 04:07 PM     profile     
Dave

That one brings a tear to my eye!. It's a classic.

Note to Bengt:

No wonder you are a pro!

Regards......Fred

BENGT ERLANDSEN
unregistered
posted 01 December 2000 06:13 PM           
Ain't no "pro" yet Fred , but I steel as much as I can.


1------------------------------------------------------
2------------------------------------------------------
3------------------------------------------------------
4--8~~8--8~~~~-8~~8--8~~~~-8~~8--5~~5------------------
5--8~~8A-8A~~~-8~~8A-8A~~~-8A~8--5~~5A-5A--------------
6--------------------------------------5B--------------
7------------------------------------------------------
8------------------------------------------------------
9------------------------------------------------------
10------------------------------------------------------
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .

Play over a C-Major chord( only if you transpose the tabulature 2 frets down)
The example should be played over a D-major-chord)

[This message was edited by BENGT ERLANDSEN on 02 December 2000 at 03:12 AM.]

Graham
Member

From: Whitby, Ontario, Canada

posted 01 December 2000 07:57 PM     profile     
Bengt:
Is this a phrase to take you from your root chord to the relative off-chord? In this case C to D.

------------------
Rebel™
ICQ 614585
http://users.interlinks.net/rebel/steel/steel.html

BENGT ERLANDSEN
unregistered
posted 02 December 2000 03:08 AM           
The whole thing should actually be played over a D chord. My mistake.

Bengt

Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 02 December 2000 05:50 AM     profile     
Here's a few everyday endings to play with. This tab stuff is getting to be fun. I've truly amazed myself. Later.....Fred
Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 02 December 2000 05:52 AM     profile     
OK let's try that again!


A E A
1.____________________________________________________
2._______________________________________|____________
3.____________5____8____10____12____12B__|____________
4.___5___7_______________________________|____________
5.____________5____8A___10____12____12A__|____________
6.___5___7B______________________________|____________
7._______________________________________|____________
8._______________________________________|____________
9._______________________________________|____________
10._______________________________________|____________

1.____________________________________________________
2.____________________________________________|_______
3._____________________________12___12B_______|_______
4.__________________12________________________|_______
5.____5___8A___12___12___12A___12___12A_______|_______
6.____5___8____12________12B__________________|_______
7.____________________________________________|_______
8.____________________________________________|_______
9.____________________________________________|_______
10.____________________________________________|_______

D A7 D
1.____________________________________________|_______
2.________10__________________________________|_______
3.____________________________________________|_______
4.___10___10___10_________5____8F___10________|_______
5._____________10A___10_______________________|_______
6.________________________5____8____10________|_______
7.____________________________________________|_______
8.____________________________________________|_______
9.____________________________________________|_______
10.________________________5A___8A___10________|_______

Luv' them big ol' fat chords


BENGT ERLANDSEN
unregistered
posted 02 December 2000 07:54 AM           
Fred, your old I to IV fits beautiful as I to VImajor ending at 9th fret A&B pedal.
And continued in IImajor to V7.
And the D and Db together in the last example is also nice.


One in 3/4 time. Going down from E to A


1-------------------------10--------------------------------------
2-------------------------10--------------------------------------
3-12~~~~10----------10----------5-----5B~~~~5---------------------
4-12~~~~10----10----10----------5-----5L~~~~5L----5L~5~~~~~~~~----
5-------------10A---------------------5A~~~~5---------------------
6-------------------------------------------------5B~~~~5~~~~~----
7-----------------------------------------------------------------
8-----------------------------------------------------------------
9-----------------------------------------------------------------
10-------------------------------------------------5~~~~~~~~~~~---
1 . 2 . 3 . 1 . 2 . 3 . 1 . 2 . 3 . 1 . 2 . 3 .

Now if I just could remember where I have heard it before.

[This message was edited by Ricky Davis on 06 December 2000 at 03:33 PM.]

Ricky Davis
Moderator

From: Spring, Texas USA

posted 03 December 2000 02:38 AM     profile     
I'm so proud of everybody here. Great jobs everyone!!!!!
This my my highlight of the day when I can look in here and seeing everybody workin' and learning so hard.
This is the greatest.
Ricky
Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 03 December 2000 07:34 AM     profile     
Hi Ricky!

We're honored by you comments. This is the next best thing to a jam session with these folks. Many thanks to Bengt and others, I'm getting more out of this than I'm putting in.

Take care.....Fred

Dave Van Allen
Member

From: Doylestown, PA , US , Earth

posted 04 December 2000 01:19 PM     profile     
about as generic as it gets, simple yet amazingly adaptable:

E9 Key of C


01. ____________3__________________________________
02. _______________________________________________
03. __3~~3B________________________________________
04. _________3_________3________________3--3_______
05. ______________3A________3A~~3_______3~~3A______
06. ________________________________3B_____________
07. _______________________________________________
08. _______________________________________________
09. _______________________________________________
10. _______________________________________________

[This message was edited by Dave Van Allen on 04 December 2000 at 01:30 PM.]

Roy McKinney
Member

From: Imnaha, OR

posted 05 December 2000 07:49 AM     profile     
OK guys, what does the little square in the tab stand for?
I'm old and CRS, but the steel is a great pass time. If I'm lucky I get to play a jam about once a month if I can drive the 3 hours to get there.
Fred Truitt
Member

From: Port au Port, Newfoundland, Canada

posted 05 December 2000 10:05 AM     profile     
Hi Roy

I'm not quite sure what you mean about the square. Can you give me an example of where it appears? We may have some kind of a software problem here. Thanks...Fred

Dan Crelin
unregistered
posted 05 December 2000 04:03 PM           
Here's a littly ditty that I kinda borrowed off of Mr. Hughey. A LOT of the slower songs get this treatment. Hey, it's easy but very effective.

1___________________________________
2___________________________________
3___________________________________
4___________________________________
5___3~~~~~~~~7~~~~7_________________
6___________________________________
7___________________________________
8___3~~~~~~~~7L-7-7R________________
9___________________________________
10__________________________________

G G7th
Danny

johnnyb
Member

From: Wendell, NC, USA

posted 06 December 2000 10:15 AM     profile     
.

[This message was edited by johnnyb on 04 June 2005 at 07:50 AM.]

John Gretzinger
Member

From: Northridge, CA

posted 06 December 2000 10:47 AM     profile     
This stuff is great, especially for someone like me who is really just starting out again on this instrument.

Thanks to all,

jdg

------------------
MSA D-10
'63 Gibson Hummingbird
16/15c Hammered Dulcimer

Sonny Jenkins
Member

From: New Braunfels, Tx. 78130

posted 06 December 2000 01:30 PM     profile     
Hey John,,,you're right,,,this is GREAT ! Sharing,,,that's what it's all about. One thing that seems to be a distinct difference in guitar players and PSG'ers, is that willingness to share. That why I wanted to start this thread. Keep'em coming!!!
johnnyb
Member

From: Wendell, NC, USA

posted 07 December 2000 07:24 AM     profile     
.

[This message was edited by johnnyb on 04 June 2005 at 07:51 AM.]

Dave Van Allen
Member

From: Doylestown, PA , US , Earth

posted 07 December 2000 07:52 AM     profile     
Another E9 riff- a variation of the previous "bouncy" riff above fits over a G or a G-D-G :

01. _______________________________________________
02. _______________________________________________
03. __3___________3~~~~~5B__________5B~~~~4B_______
04. __3_______3___3~~~~~5C______5C__5C~~~~4C_______
05. __________3_________________5C_________________
06. ______3_________________5B_____________________
07. _______________________________________________
08. _______________________________________________
09. _______________________________________________
10. _______________________________________________
/ 1,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,,


01. _______________________________________________
02. _______________________________________________
03. _____________4B~~~~3B__________3B~~~~3_________
04. _________4C__4C~~~~3C______3C__3C~~~~3_________
05. _________4C________________3C__________________
06. _____4B________________3B______________________
07. _______________________________________________
08. _______________________________________________
09. _______________________________________________
10. _______________________________________________
,,,2,,,3,,,4,,,/ 1,,,2,,,3,,,4,,,/ 1,,,


[This message was edited by Dave Van Allen on 07 December 2000 at 07:53 AM.]

BENGT ERLANDSEN
unregistered
posted 07 December 2000 07:58 AM           
I IV V I intro.


1------------------------------------------------------------------------------------
2------------------------------------------------------------------------------------
3------------------------------------------------------------------------------------
4---------3~~~~~3L~~~~2L----------------------3~~------------------------------------
5---------------------------3A~---1~~~~~3~~3A~~~~---5A~---7~~8~~8A----7~~8~~8~~~~----
6---------3~~~~~3~~~~~2B-------------------------------------------------------------
7------------------------------------------------------------------------------------
8---------------------------3~~---1L~~~~3~~~~~~~~---5~~---7R~8~~~~----7R~8~~8L~~~~---
9------------------------------------------------------------------------------------
10------------------------------------------------------------------------------------
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2

Bits and pieces stolen from various places.
Bengt

johnnyb
Member

From: Wendell, NC, USA

posted 07 December 2000 10:24 AM     profile     
.

[This message was edited by johnnyb on 04 June 2005 at 07:52 AM.]

BENGT ERLANDSEN
unregistered
posted 07 December 2000 12:23 PM           
Can't find the right pedal?


C
1------------------------------------------------------------
2------------------------------------------------------------
3------------------------------------------------------------
4------------------------------------------------------------
5---8-----8--7~~6-----6--7~~8----8--7~~6-----6--7~~8---------
6---8-----8--7~~6-----6--7~~8----8--7~~6-----6--7~~8---------
7------------------6----------------------6------------------
8------8-----------------------8-----------------------------
9------------------------------------------------------------
10------------------------------------------------------------


Continue ad nausea

Works for the F and G chord too.(in the same position)

[This message was edited by BENGT ERLANDSEN on 07 December 2000 at 12:28 PM.]


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