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Author	Topic: C6 quick-start
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 27 February 2002 12:47 PM profile Just some tabs that might help getting started on C6. pedals lever tuning A B C D E K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C I have used the letters A B C D E for the pedals so this can be copied into "wordpad" so you can search/replace (A to (E below with the correct pedal-number for your setup. C chords in the form C E G low to high G ----0------------------------------------------------ E ----0------------------------------------------------ C ----0---5(D------------------------------------------ A --------5(D--9(a------------------------------------ G --------5----9-----12----0--------------------------- E -------------9(B---12----0----3---------------------- C -------------------12----0----3(E--7----------------- A ------------------------------3----7---10------------ F ------------ = Half pedal -------7---10(C---------- C ---------------------------------------10(C---------- Harmonizing in triads across the strings C Dm Em F G Am Bdim C G ----------------------------------------------------- E ----------------------------------------------------- C ---------------------------------5----5(D------------ A ----------------------------5(D--5----5(D------------ G ------------------5----7----5----5(C--5-------------- E --------5----7----5----7----5------------------------ C ---7----5----7----5----7----------------------------- A ---7----5----7--------------------------------------- F ---7------------------------------------------------- C ----------------------------------------------------- Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 G ----------------------------------------------------- E ---------------------------------5------------------- C ----------------------------5(D--5------------------- A ------------------5(A--7(a-5(D--5------------------- G --------5----7----5----7----5----5(C----------------- E ---7----5----7----5----7----5------------------------ C ---7----5----7----5----7----------------------------- A ---7----5----7--------------------------------------- F ---7-------------------- = Half pedal ------------- C ----------------------------------------------------- C Dm Em F G Am Bdim Bdim C G ----------------------------------------------------- E ------------------5----7--------------10----12------- C --------5----7--------------12---14------------------ A ---7------------------------------------------------- G ------------------5----7--------------10----12------- E --------5----7--------------12---14B----------------- C ---7--------------5----7--------------10E---12------- A --------5----7--------------12---14------------------ F ---7------------------------------------------------- C ----------------------------------------------------- Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 Bm7b5 Cmaj7 G ----------------------------------------------------- E ------------------5----7--------------10----12------- C --------5----7--------------12---14------------------ A ---7--------------5(A--7(a*-----------10(D--12(D------ G --------5----7----5----7----12---14---10----12------- E ---7----5----7--------------12---14(B----------------- C ---7--------------5----7--------------10(E--12------- A --------5----7--------------12---14------------------ F ---7------------------------------------------------- C ----------------------------------------------------- positions for playing over different dom7th chords F7 G7 C7 F7 G7 C7 F7 G7 C7 G --0----2----3----3-------5----7----8----10----10----- E --0(B--2(B--3----3-------5----7(B--8----10----10----- C --0----2----3(D--3-------5----7----8(D--10(D--10----- A --0----2----3(D--3-------5----7----8(D--10(D--10----- G --0----2----3----3(C-----5(C--7----8----10----10(C--- E --0(B--2(B--3----3-------5----7(B--8----10----10----- C --0----2----3(E--3-------5----7----8(E--10(E--10----- A --0----2----3----3-------5----7----8----10----10----- F --0----2----3(E--3(C-----5(C--7----8(E--10(E--10(C--- C --0----2----3(E--3(C-----5(C--7----8(E--10(E--10(C--- Harmonizing the C major scale above or below C scale is on 5th string, one octave C to C G ----------------------------------------------------- E ----------------------------------------------------- C ----------------------------------------------------- A ---5(A-8---10---10---12---15---17---17(A------------- G ---5---8(C-10(C-10---12---15(C-17(C-17--------------- E ----------------------------------------------------- C ----------------------------------------------------- A ---5(A-8---10---10(A-12(A-15---17---17(A------------- F ----------------------------------------------------- C ----------------------------------------------------- Bengt
Drew Howard Member From: Mason, MI, U.S.A.	posted 27 February 2002 01:21 PM profile Bengt, Thanks for sharing your knowledge and taking the time to post on the forum! cheers, Drew Howard ------------------ www.newslinkassociates.com www.drewhoward.com
b0b Sysop From: Cloverdale, California, USA	posted 27 February 2002 01:21 PM profile Moved to "Tablature"
Jeff Lampert Member From: queens, new york city	posted 27 February 2002 03:53 PM profile Thanks for your terrific post. Do some more. [This message was edited by Jeff Lampert on 28 February 2002 at 07:29 AM.]
David Norris Member From: Ramona, CA, USA	posted 27 February 2002 04:39 PM profile Great post, Bengt.....that answers a barrel full of questions keep it coming....if you could do a chart on the jazzier side of harmony it would be greatly appreciated as well thanks again, David
Jeff Lampert Member From: queens, new york city	posted 28 February 2002 07:29 AM profile I looked at your post again and realized that you intentionally used letters in order to help use your tab. Oops, sorry about that. I looked at your nifty tab and carelessly didn't read some of the text. So I editted out my post. Hope you post some more stuff. Thanks.
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 28 February 2002 07:56 AM profile Thanks. I'll try to see if I can post some different ideas about playing scales. Some additional tabs for chords in the Cmajor scale. Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 Cmaj7 G ----------------------------------------------------- E ----------------------------------------------------- C ----------------------------------------------------- A ----0(A--2(a-4(a-5(A--7(a-9(a-10(A-12(A---------- G ----0----2----4----5----7----9----10---12------------ E ----0----2(B--4(B--5----7----9(B--10---12------------ C ----0----2----4----5----7----9----10(E-12------------ A ----------------------------------------------------- F ------------ * = Half pedal ------------------------- C ----------------------------------------------------- Am7 Dm7 Em7 G ----------------------------------------------------- E ----------------------------------------------------- C ----------------------------------------------------- A ----------------------------------------------------- G ----0--------------5----7---------------------------- E ----0--------------5----7---------------------------- C ----0--------------5----7---------------------------- A ----0--------------5----7---------------------------- F ----------------------------------------------------- C ----------------------------------------------------- A7 C7 D7 F7 G7 G ----------------------------------------------------- E ----------------------------------------------------- C ----------------------------------------------------- A ----------------------------------------------------- G ----0-------3------5-------8------10----------------- E ----0-------3------5-------8------10----------------- C ----0(E-----3(E----5(E-----8(E----10(E--------------- A ----0-------3------5-------8------10----------------- F ----------------------------------------------------- C ----------------------------------------------------- Em7 Am7 Dm7 G ----------------------------------------------------- E ----------------------------------------------------- C ----0(D------------5(D------------10(D--------------- A ----0(D------------5(D------------10(D--------------- G ----0--------------5--------------10----------------- E ----0--------------5--------------10----------------- C ----------------------------------------------------- A ----------------------------------------------------- F ----------------------------------------------------- C ----------------------------------------------------- Bengt [This message was edited by Bengt Erlandsen on 28 February 2002 at 07:59 AM.]
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 06 March 2002 12:03 PM profile Some of the places to find a C major scale on th C6 pedals lever tuning A B C D E K G 1 G - A - B C - D - E F - G - A - B C - D E F 2 E F - G - A - B C - D - E F - G - A - B C D B 3 C - D - E F - G - A - B C - D - E F - G A B B 4 A - B C - D - E F - G - A - B C - D - E G F# 5 G - A - B C - D - E F - G - A - B C - D E Eb 6 E F - G - A - B C - D - E F - G - A - B C C# 7 C - D - E F - G - A - B C - D - E F - G A B 8 A - B C - D - E F - G - A - B C - D - E F F# E 9 F - G - A - B C - D - E F - G - A - B C C D A 10 C - D - E F - G - A - B C - D - E F - G 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 I have used the letters A B C D E for the pedals so this can be copied into "wordpad" so you can search/replace (A to (E below with the correct pedal-number for your setup Actual notes played is written below each example 1 ------------------------------------------------------------ 2 ------------------------------------------------0----------- 3 ------------------------------------0----0(D-0-------------- 4 -----------------------------0(D-0----0(D------------------- 5 ------------------------2--0-------------------------------- 6 -----------------4(B-2(B------------------------------------ 7 ------------5--4-------------------------------------------- 8 ------7--5-------------------------------------------------- 9 ---7-------------------------------------------------------- 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 -----------------------------------------------5(D---------- 5 ------------------------------------5-----7--5-------------- 6 ------------------------5-----7--5-----7-------------------- 7 ------------5-----7--5-----7-------------------------------- 8 ------7--5-----7-------------------------------------------- 9 ---7-------------------------------------------------------- 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ------------------------------------------------------------ 5 ------------------------------------------------------------ 6 ------------------------------------------------------------ 7 ------------------------------------------------------------ 8 ---7-----8----10----12----14----15----17----19-------------- 9 ---7-----8(C--10(C--12----14----15(C--17(C--19-------------- 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ------------------------------------------------------------ 5 ------------------------------------------------------------ 6 ------------------------------------------------------------ 7 ---3(E---5-----7-----8(E--10(E--12----14----15(E------------ 8 ---3-----5-----7-----8----10----12----14----15-------------- 9 ------------------------------------------------------------ 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ------------------------------------------------------------ 5 ------------------------------------------------------------ 6 ---0-----2(B---4(B---5-----7-----9(B--11(B--12-------------- 7 ---0-----2-----4-----5-----7-----9----11----12-------------- 8 ------------------------------------------------------------ 9 ------------------------------------------------------------ 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ------------------------------------------------------------ 5 ---9----10---12---14---16---17---19---21-------------------- 6 ---9(B--10---12---14(B-16(B-17---19---21(B------------------ 7 ------------------------------------------------------------ 8 ------------------------------------------------------------ 9 ------------------------------------------------------------ 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ---5(A---8----10----10(A--12(A--15----17-----17(A----------- 5 ---5-----8(B--10(B--10----12----15(B--17(B---17------------- 6 ------------------------------------------------------------ 7 ------------------------------------------------------------ 8 ------------------------------------------------------------ 9 ------------------------------------------------------------ 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C 1 ------------------------------------------------------------ 2 ------------------------------------------------------------ 3 ------------------------------------------------------------ 4 ------------------------------------------------------------ 5 ------------------------------------------------------------ 6 ------------------------------------------------------------ 7 ---------5-----7-----------------12---14-------------------- 8 ---7-----5-----7-----12----14----12---14-----19------------- 9 ---7-----------------12----14----------------19------------- 10 ------------------------------------------------------------ E F G A B C D E C D E F G A B C If you print this out take a pencil-marker and mark ACROSS the strings the major intervals in one color and the minor intervals in another color. It will make things easier to see/remember. Intervals of the C major scale C E = I Major D F = II minor E G = III minor F A = IV Major G B = V Major A C = VI minor B D = VII minor Bengt Erlandsen
Jeff A. Smith Member From: Angola,Ind. U.S.A.	posted 11 March 2002 04:45 PM profile I'm not playing C6 yet, but I'm going to print this off anyway. It looks like a good way to get an idea about what the basics of C6 would be like. I'm still wondering if I dare split my time between two necks, go to an extended E9, or just stick with E9. Thanks for taking the time to post this stuff, Bengt. Your contributions are always helpful and interesting.
Michael Dene Member From: Gippsland,Vic, Australia	posted 13 March 2002 08:22 PM profile Thanks Bengt, now I've got no excuse to put off getting that D10 ! Now I'll be half as good ....but on twice as many necks!!!! ------------------
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 15 March 2002 06:11 AM profile A little bit about chord substitution pedals lever tuning P4 P5 P6 P7 P8 K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C Chord substitution How a 3 or 4 note chord can sound as a different chord. ( somebody else has to play the low Root note ) Notes of a Cmaj13 chord 1 - - - 3 - - 5 - - - 7 - - 9 - - 11 - - - 13 C E G B D F A = Cmaj13 E G B = Em ( Cmaj7 ) G B D = G ( Cmaj9 ) B D F = Bdim( Cmaj11 ) D F A = Dm ( Cmaj13 ) This means that a minor triad played 4 frets above its original position will sound as a maj7 with the same root. (Cm moved up 4 frets = Em = Cmaj7) tabulature example C Cmaj7 Cmaj9 Cmaj11 Cmaj13 G --------------------------------------- E --------------------------------------- C --------------------------------------- A --------------------------------------- G ---0----4-----7----11(5---14----------- E ---0----4(6---7----11(6---14(6--------- C ---0----4-----7----11-----14----------- A --------------------------------------- F --------------------------------------- C --------------------------------------- C (Em) (G) (Bdim) (Dm) C Cmaj7 Cmaj9 Cmaj11 Cmaj13 G --------------------------------------- E --------------------------5------------ C -------------------5------5------------ A -------------------5------5------------ G --------------7----5(5----------------- E --------7-----7------------------------ C ---7----7-----7------------------------ A ---7----7------------------------------ F ---7----------------------------------- C --------------------------------------- C (Em) (G) (Bdim) (Dm) Notes of a F13 chord 1 - - - 3 - - 5 - - b7 - - - 9 - - 11 - - - 13 F A C Eb G Bb D = F13 A C Eb = Adim( F7 ) C Eb G = Cm ( F9 ) Eb G Bb = Eb ( F11 ) G Bb D = Gm ( F13 ) From this you can see that a Cminor will give a F9 chord So changing the C triad to a C minor triad will give a C-chord to a F9-Chord Also, a triad played 2 frets below its original position will sound as an 11th chord with the same root note. F9 F11 F F13 F7 G --------------------------------------- E --------------------------------------- C --------------------------------------- A --------------------------------------- G ---0----3----5----7-----9(5------------ E ---0(6--3----5----7(6---9(6------------ C ---0----3----5----7-----9-------------- A --------------------------------------- F --------------------------------------- C --------------------------------------- (Cm) (Eb) (F) (Gm) (Adim) Bengt
David Norris Member From: Ramona, CA, USA	posted 15 March 2002 12:22 PM profile thanks Bengt, this is an amazing study it's like an arrow through my brain >>------//ô¿ô\\-------> keep it coming, I'm all ears David
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 15 March 2002 02:08 PM profile A b5 substition and a dim chord leading to the next chord. pedals lever tuning P4 P5 P6 P7 P8 K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C Example 1 C9 / / Gb7 G --------------------------------------- E --------------------------------------- C --------------------------------------- A --------------------------------------- G --------7-------7-------7-6------------ E ------7(6-----7(6-----7(6---6---------- C ----7-------7-------7---------6-------- A --7-------7-------7-------------7------ F --------------------------------------- C --------------------------------------- F7 / / F#dim G --------------------------------------- E -------------------------------------- C -------------------------------------- A -------------------------------------- G --------5-------5-------5-------6(5---- E ------5-------5-------5-------6(6------ C ----5-------5-------5-------6---------- A --6-------6-------6-------6------------ F --------------------------------------- C --------------------------------------- Make sure you play example one 3-4 times before comparing with example 2 Example 2 To make things a little more interesting play 4 notes and skip the next. Same notes as in the previous example, only don't play the notes marked x C9 / / Gb7 G --------------------------------------- E --------------------------------------- C --------------------------------------- A --------------------------------------- G --------7-------7-------7-6------------ E ------7(6-----7(6-----7(6---6---------- C ----7-------7-------x---------6-------- A --7-------x-------7-------------7------ F --------------------------------------- C --------------------------------------- F7 / / F#dim G --------------------------------------- E -------------------------------------- C -------------------------------------- A -------------------------------------- G --------5-------5-------5-------6(5---- E ------5-------x-------5-------6(6------ C ----x-------5-------5-------6---------- A --6-------5-------6-------6------------ F --------------------------------------- C --------------------------------------- Amazing how leaving a note out here and there makes it sound completely different. Bengt
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 17 March 2002 12:29 PM profile Chords & scales pedals lever tuning P4 P5 P6 P7 P8 K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C If you harmonize a Major scale in triads (3 note chords) You will find three types of chords. Major triads, minor triads and a diminished triad. Here is the structure for the three chords. All shown with a C root note for easy comparison. 1 - - - 3 - - 5 - - - - - C - - - E - - G = C major triad 1 - - b3 - - - 5 - - - - - C - - Eb - - - G = C minor triad 1 - - b3 - - b5 - - - - - - C - - Eb - - Gb = C diminished triad Shown as chords C Cm Cdim G --------------------------------------- E --------------------------------------- C --------------------------------------- A --------------------------------------- G ---0--------0---------0(5-------------- E ---0--------0(6-------0(6-------------- C ---0--------0---------0---------------- A --------------------------------------- F --------------------------------------- C --------------------------------------- Instead of P5+P6 for the dim chord you can use P8 only this dim chord will be a halftone higher. Harmonizing the Major scale in 4note chords. There is 4 different types. Major7th, Dominant7th, minor7th and minor7b5th 1 - - - 3 - - 5 - - - 7 - C - - - E - - G - - - B = Cmaj7 1 - - - 3 - - 5 - - b7 - - C - - - E - - G - - Bb - = C7 1 - - b3 - - - 5 - - b7 - - C - - Eb - - - G - - Bb - = Cm7 1 - - b3 - - b5 - - - - - - C - - Eb - - Gb - - - Bb - = Cm7b5 Compare with the triads above and you will see that the three highest notes of the Cmaj7 is a minor triad only the root of this triad is 4 notes higher than the Cnote. That is what you do with chord substitution. The three highest notes of the C7 is a diminished triad. The three highest notes of the Cm7 is a major triad. The three highest notes of the Cm7b5 is a minor triad. Cmaj7 C7 C7 Cm7 Cm7b5 G ------------------------------------ E ------------------------------------ C ------------------------------------ A ------------------------------------ G --------------3----3-----3---------- E ---7----7(6---3----3-----3(6-------- C ---7----7-----3(8--3-----3---------- A ---7----7-----3----3-----3---------- F ---7----7--------------------------- C ------------------------------------ Now to the scales C major scale has the notes C - D - E F - G - A - B C Which also can be seen as: a Cmaj7 & Dm7 C - - - E - - G - - - B - - D - - F - - - A - - C Cmaj7 Dm7 Cmajor scale G ------------------------------------ E ------------------------------------ C ------------------------------------ A ------------------------------------ G --------5------------------5-------- E ---7----5--------------5-7---------- C ---7----5----------5-7-------------- A ---7----5------5-7------------------ F ---7---------7---------------------- C ------------------------------------ Using the Cmajor scale but starting on a different note gives 7 different scales C - D - E F - G - A - B C = C IONIAN (1 2 3 4 5 6 7) = Cmaj7 & Dm7 D - E F - G - A - B C - D = D Dorian (1 2 b3 4 5 6 b7)= Dm7 & Em7 E F - G - A - B C - D - E = E Phrygian (1 b2 b3 4 5 b6 b7)= Em7 & Fmaj7 F - G - A - B C - D - E F = F LYDIAN (1 2 3 #4 5 6 7)= Fmaj7 & G7 G - A - B C - D - E F - G = G MIXOLYDIAN (1 2 3 4 5 6 b7)= G7 & Am7 A - B C - D - E F - G - A = A Aeolian (1 2 b3 4 5 b6 b7)= Am7 & Bm7b5 B C - D - E F - G - A - B = B locrian (1 b2 b3 4 b5 b6 b7)= Bm7b5 & Cmaj7 If you can find the two appropriate chords then you have all the notes of the different scales. Two other scales C Lydian b7 = 1 2 3 #4 5 6 b7 1 = C7 & D7 use the lydian b7 for any dom7th chord other than the V7 C7 D7 G ------------------------------------ E ------------------------------------ C ------------------------------------ A ------------------------------------ G ------------------------------------ E ---7(6--9(6--------------7(6--9(6--- C ---7----9------------7-9------------ A ---7----9--------7-9---------------- F ---7----9----7-9-------------------- C ------------------------------------ Halftone/wholetone scale 1 b2 b3 3 b5 5 6 b7 1 C H/W = C7 & Ebm7b5 = Cdim & C#dim = ( C6 & Gb6 ) Might use for altered dom7th chords Cdim C#dim G ---------------------------------------- E ---------------------------------------- C ---------------------------------------- A ---3--------------------------------3--- G ---3(5--4(5----------------3(5--4(5----- E ---3(6--4(6----------3(6--4(6----------- C ---3----4--------3-4-------------------- A ---3----4----3-4------------------------ F ---------------------------------------- C ---------------------------------------- C7 Eb7b5 G ----------------------------------------- E ----------------------------------------- C ----------------------------------------- A ----------------------------------------- G --------6----------------------------6(5- E ---7(6--6(6-----------------6(6--7(6----- C ---7----6---------------6-7-------------- A ---7----6-----------6-7------------------ F ---7--------6(6-7(6---------------------- C ----------------------------------------- Bengt
Anders Brundell Member From: Falun, Sweden	posted 22 March 2002 12:14 PM profile Jättehyggligt, Bengt! Mycket användbart, och ett mycket bra initiativ! C6:an finns där sedan flera år, men det är ändå så oherrans svårt att komma igång med den - till nu. Ändå har jag en singel-14 universal, så jag behöver inte ens byta bräda. Tack för en bra kickstart! Anders
Billy Courtman Member From: Towalo, NJ, USA	posted 23 March 2002 09:09 AM profile And that goes double for me!!!
David Norris Member From: Ramona, CA, USA	posted 30 March 2002 06:36 PM profile Hi Bengt, this has been a great tutorial.... got anything else up your sleeve? thanks a million, David
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 04 April 2002 06:47 AM profile C6 or E9 if you like. pedals lever tuning P4 P5 P6 P7 P8 K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C Ending in key of G G ------------------------------------------------------ E ------------------------------------------------------ C --11~~~~12----12~~~~11----11~~~~9----9~~~~6----7------ A ------------------------------------------------------ G --11~~~~12(4--12(4~~11----11~~~~9----9~~~~6(4--7------ E --11(5~~12----12~~~~11(5--11(5~~9(5--9(5~~6(5--7------ C ------------------------------------------------------ A ------------------------------------------------------ F ------------------------------------------------------ C ------------------------------------------------------ Bengt
David Norris Member From: Ramona, CA, USA	posted 14 April 2002 12:00 AM profile Hi Bengt, I loved your C6 angle, how about a similar study on the E9th neck..... like chord theory, postioning and application, and scaling..... thanks a million...you're the greatest David
Rick Schmidt Member From: Carlsbad, CA. USA	posted 14 April 2002 05:25 PM profile Bengt...Thanks for all the great work you've been doing! Wanna apply your analytical mind to finding all the Augmented and 7#5 chords using the C6 5+1 setup? I for one would love to see what you find. It would be much appreciated!
Bengt Erlandsen Member From: Brekstad, NORWAY	posted 15 April 2002 07:01 AM profile There are many to be found, full or partial. So lets focus on Not all, but some that sounds OK. Some positions for augmented and 7#5 Chords. The examples have the #5 as the highest note. pedals lever tuning P4 P5 P6 P7 P8 K G G - A - B C - D - E F - G E F E F - G - A - B C - D - E C D B C - D - E F - G - A - B C A B B A - B C - D - E F - G - A G F# G - A - B C - D - E F - G E Eb E F - G - A - B C - D - E C C# C - D - E F - G - A - B C A B A - B C - D - E F - G - A F F# E F - G - A - B C - D - E F C D A C - D - E F - G - A - B C Gaug (repeats at every 4th fret up/down) G --------------------------------------- E --------------------------------------- C --------------------------------------- A --8(4---------------------------------- G --8------------------------------------ E --8(6---------------------------------- C --------------------------------------- A --8(4---------------------------------- F --------------------------------------- C --------------------------------------- note: requires both feet. C7#5 C7 C7#5 C7#5(no root) G --------------------------------------- E --3(6---------------------------------- C --3(7---7----------------------------- A ---------7------10(4------------------ G --3-------------10(5----13------------- E ---------7(6------------13(6----------- C ----------------10--------------------- A --3---------------------13------------- F ---------7----------------------------- C ----------------10(5------------------- Note * = halfpedal Example 2 C7#5 F9 or C7 F7 F7b9 C13 C7#5 F9 or F9 G ----------------------------------------------------- E --3(6--3--------------------------------------------- C --3(7-3-----7----6(K--6----------------------------- A -------------7----6----6----10(4--10(4--8(7--------- G --3----3(5------------------10----10-----8-----12---- E -------------7(6--6(6--6(6---------------------12(6-- C ----------------------------10----10-----8(8--------- A --3----3---------------------------------------12---- F -------------7----6(5--6-----------------8(8--------- C ----------------------------10(5--10(5---8(8---12---- for the F9 at 8th fret choose either 9th or 10th string. (5th or root in bass) And if you don't play the lowest note then: C7#5 F9 = C7#5 F9 G -------------------------------------- E ----3(6--2(6------4----3-------------- C ----3(7-2(7-----4----3-------------- A -------------------------------------- G ----3----2--------4(5--3(5------------ E -------------------------------------- C -------------------------------------- A -------------------------------------- F -------------------------------------- C -------------------------------------- Bengt
Kenneth Kotsay Member From: Davie, Florida	posted 15 April 2002 05:08 PM profile How do you get all this stuff (tab & pedal arrangement) to printout. Everytime I copy it and paste it to MS word everything is out of line. KEN
Jim Smith Member From: Plano, TX, USA	posted 15 April 2002 05:31 PM profile Copy it to NotePad, it uses a mono-spaced font.
Rick Schmidt Member From: Carlsbad, CA. USA	posted 16 April 2002 11:15 AM profile Thanks Bengt! You are the man! "2 Feet, & Half Pedals, & Slants...OH MY!!!"
Kenneth Kotsay Member From: Davie, Florida	posted 16 April 2002 04:51 PM profile JIM SMITH - Thanks, I just copied the entire above tabs to NOTEPAD and everything came out perfect. Again, Thanks KEN
Jim Smith Member From: Plano, TX, USA	posted 16 April 2002 07:25 PM profile
David Norris Member From: Ramona, CA, USA	posted 27 April 2002 02:00 AM profile Hi Bengt, I just wanted you to know that I have learned a ton from your posts.... thanks a gazillion.... if you have any studies like this for the standard E9 neck, lay it on me if you ever get the chance.... I really appreciate what you do for this forum... thanks again, David ------------------ MSA Doubleneck Super Sustain II Classic National Lap Steel Dobro click here to check out my country tunes click here to check out my rock tunes

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Go to bb.steelguitarforum.com to read and post new messages.