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Author | Topic: The Big Hurt |
Roger Shackelton Member From: Everett, Wa. |
![]() Friday night while driving home from work I heard a song called "The Big Hurt" by Miss Toni Fisher, recorded in 1959. The song is unique in that it was recorded with alot of reverb and a slight phase shift employed. It must have been one the first songs to use phase shift.
Toni Fisher |
Andy Volk Member From: Boston, MA |
![]() My two favorite instrumental versions of "The Big Hurt" are by Wes Montgomery on "Tequila", a 60's classic. Sound clip here: http://www.amazon.com/exec/obidos/tg/detail/-/B00002NDAD/qid=1075550639/sr=1-1/ref=sr_1_1/103-9224715-2587851?v=glance&s=music And by Forumite, Gary Brandin on his wonderful CD "In The Dark" by Garry on steel & his son Geoff on guitars. Sound clip here: http://www.amazon.com/exec/obidos/ASIN/B00005YQSV/qid%3D1075550760/sr%3D11-1/ref%3Dsr%5F11%5F1/103-9224715-2587851 |
Mike Perlowin Member From: Los Angeles CA |
![]() According to legend, the phasing on the record was an accident. The engineer first thought he had ruined the record, than discovered how to eliminate it, but the producers liked the sound and decided to keep it in. |
Donny Hinson Member From: Balto., Md. U.S.A. |
![]() There was also an "urban myth" that the phasing was accomplished by broadcasting the vocal track across the Atlantic Ocean! People who listen to short-wave broadcasts hear this "phase change" quite often in broadcasts, and it's caused by irregular reflections of radio waves off the ionosphere. The ionosphere is one of the upper levels of our atmosphere, and it's radio waves' curious tendency to "bounce" off this ionized (electrically charged) atmospheric layer that allowed us to transmit radio signals (which normally move in a straight line, or "line of sight", as it's termed) around the world before communications satellites became commonplace. However they did it, it's a unique sound and song, and one that's been in my record collection for many decades. |
Mike Perlowin Member From: Los Angeles CA |
![]() quote: I don't know how THEY did it, but I've done it in my home studio by dubbing the material from one track on the tape deck on to another and playing them both back. I suspect this is how it was done on the record, and the fact that the effect occurs under these circumstances, and can be eliminated by removing one of the tracks, gives creedence to the story I mentioned earlier. |
Blake Hawkins Member From: Land O'Lakes, Florida |
![]() Mike, you did it correctly. The term is "flanging" which refers to the flange on a tape reel. You start two machines together and create the effect by putting your thumb on one of the reels to get the desired effect. Here's a link to a complete explanation: http://www.harmony-central.com/Effects/Articles/Flanging/ Blake |
Donny Hinson Member From: Balto., Md. U.S.A. |
![]() Mike...thanks for the email. I thought you were arguing about my little "story". I didnt mean to get defensive, either! :eek: Anyhow, I researched the matter, and here's what I found in a discussion group on the web...
Alec Palao [This message was edited by Donny Hinson on 01 February 2004 at 04:56 AM.] |
Paul Graupp Member From: Macon Ga USA |
![]() Donny: I tried to insert a special smiley for you but failed. Thanks for the information; I really appreciate it !! Regards, Paul [This message was edited by Paul Graupp on 01 February 2004 at 09:35 AM.] [This message was edited by Paul Graupp on 01 February 2004 at 09:36 AM.] [This message was edited by Paul Graupp on 01 February 2004 at 09:37 AM.] |
Brandin Member From: Newport Beach CA. USA |
![]() Thanks for the plug Andy. GB |
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