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  The BeeGees are Real Country (Page 1)

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Author Topic:   The BeeGees are Real Country
Jon Light
Member

From: Brooklyn, NY

posted 17 December 2006 08:35 AM     profile     
The News Story

quote:
I am a country artist, always have been a country artist
......says Barry Gibb.
And if you don't believe it, he bought Johnny & June's house. There ya go.
Bo Borland
Member

From: Cowtown NJ

posted 17 December 2006 08:47 AM     profile     
Maybe JR's ghost will shock his voice into a baritone range.
Don't know if you saw the BeeGee skit on SNL last nite...
Jussi Huhtakangas
Member

From: Helsinki, Finland

posted 17 December 2006 10:04 AM     profile     
...yeah right, real country my @ss. When I was a kid and a teenager, the Bee Gees were the ultimate of cheese. Still are...
Roger Rettig
Member

From: NAPLES, FL

posted 17 December 2006 10:18 AM     profile     
I don't get it....

Why is something that is professionally executed and tuneful automatically written off as 'cheesy'?

The Carpenters suffered the same fate on a recent SGF thread. Guys - it's all just pop music! Even Gene Watson, Merle haggard and Ray Price - just pop music!

Some is better-presented than others, but I hate to see it vilified for that reason alone.

RR

Phillip Lee Thompson
Member

From: Dewey Arizona, U.S.A.

posted 17 December 2006 10:22 AM     profile     
JUSSI , JUSSI , my Brother !
I think that all Jon is doing here is passing on some interesting news that indicates to me,another change forward for Barry Gibb. Lets see what Barry does with this " new field of learning " (location)
to the Country side.
I remember when the very talented Tom Brumley
"crossed over" and did the Pedal Steel in Garden Party with Ricky Nelson. Some folks said," well,Tom has blown it now !!!" I don't think he did.

[This message was edited by Phillip Lee Thompson on 17 December 2006 at 10:24 AM.]

Dave Mudgett
Member

From: Central Pennsylvania, USA

posted 17 December 2006 10:28 AM     profile     
I think the villification has more to do with a lot of peoples reaction to disco than anything else. To me, that is well executed music that I just can't listen to. No insult or villification intended - there are a few other well-executed styles that I also don't like. YMMV, naturally.

But to argue "I am a country artist, always have been a country artist" is more than a little incredulous, to me. Sorta like Yanni arguing "I am a blues artist, always have been a blues artist". There's "mileage" that is, IMO, prequisite, to being an artist in those types of styles. It seems like he went down a very different road a very long time ago. He has a lot to prove if he's serious. IMO, of course.

Glenn Austin
Member

From: Montreal, Canada

posted 17 December 2006 10:38 AM     profile     
The BeeGees wrote "Islands in the Stream" which I think is probably one of the biggest selling country song of all time.
Chris LeDrew
Member

From: Newfoundland, Canada

posted 17 December 2006 10:53 AM     profile     
I think he means it in a philosophical way, that his approach to songwriting and singing has parallels in country. Artists like Elvis Costello also feel connected to the genre of country because (at its best) it's the home of the heart-felt lyric over simple-but-effective chords and arrangements.

I certainly can hear Big and Rich doing "Staying Alive".

In my opinion, the Bee Gees are up there with some of the greatest songwriters in pop music. I will even go as far as to say that the Bee Gees are my favourite melody writers, next to The Beatles. Songs like "Heartbreaker" and "Islands In The Stream" contain gorgeous melodies that are unfortunately overshadowed by the sentimental lyrics that accompany them.

[This message was edited by Chris LeDrew on 17 December 2006 at 10:55 AM.]

George Redmon
Member

From:

posted 17 December 2006 11:10 AM     profile     
i like the Bee Gee's, a little corney and bubble gum, but no more so then a lot of this so called "Country" stuff put out today. I don't seem to have any harder time listening to disco then oh lets say "Save a horse ride a cowboy"...i must admit some real though went into writing that song fur sure. I am also a big Frankie Valley and the 4 seasons fan. I would much rather listen to some of their older stuff then todays country. To me CCR and the eagles are more country then that nasty stuff out of nashville today. And i guess i stand alone when it comes to Karen Carpenter, i just love her work....
Just wanted to add, i heard a steel player on steelradio.com play a bee gee's song titled, "How Can You Mend a Broken Heart". Remember that great old song by them? i just didn't catch who played it, it makes a great steel instrumental.

[This message was edited by George Redmon on 17 December 2006 at 11:16 AM.]

Chris LeDrew
Member

From: Newfoundland, Canada

posted 17 December 2006 11:15 AM     profile     
George, you're not alone in your love of Karen Carpenter. I too really enjoy listening to her sing. It's amazing......her voice is so smooth that at times it sounds like it's double-tracked even though it's not. In "There's a Kind Of Hush", when she sings "hushhhhh" and the echo chambers kick in, it's heaven. Also, when she sings the 7th on the word "tonight" it's so tight and crisp. Wicked stuff.
Glenn Austin
Member

From: Montreal, Canada

posted 17 December 2006 01:12 PM     profile     
If Bela Fleck can be "country" then so can Barry Gibb. And if you get right down to it, I figure that Barry Gibb is more "country" than say, Brooks and Dunn, or Keith Urban. It's very hard to put labels on music. A good song is a good song, no matter what style it's played in, and a good song can usually be played in many styles. Everybody has a different idea of what country actually is sooooo.....

Jim Cohen
Member

From: Philadelphia, PA

posted 17 December 2006 02:09 PM     profile     
For what it's worth, I covered a Bee Gees tune on my latest CD, "Home James"; the tune is "I Started a Joke", which I think lays really nicely on E9 steel. (Of course, I'm not known for being 'overly country' in my approach, but I think you can easily see the similarity of this tune to 'country music'. Same could be said of several of their other songs. Think of 'I've Just Got to Get a Message to You', or 'Words', for example.
George Redmon
Member

From:

posted 17 December 2006 04:22 PM     profile     
I will second that...i heard our friend Jim play I Started a Joke...what a great song, and a fantastic player. My kind of music, my kind of playing. This CD is a must have. And thank you jim for your help and sending me the e mails. GET JIMS NEW CD!
Janice Brooks
Moderator

From: Pleasant Gap Pa

posted 17 December 2006 04:44 PM     profile     
Jim the ballad/pre disco period of the Bee Gees is ok.
Also Conway covered Rest Your Love on Me Awhile.
CHIP FOSSA
Member

From: Monson, MA 01057 U.S.A.

posted 17 December 2006 08:54 PM     profile     
Let's not forget the Carpenter's "ON TOP OF THE WORLD", with not just 1 steel player, but 2.

The rumor is, also, that brother Richard (who produced and arranged most of the Carpenter songs) figured, hey - this song needs a pedal steel. What great insight the cat had.

I'm a big Carprnter's fan. Karen could out-sing them all. JMHSO

David L. Donald
Member

From: Koh Samui Island, Thailand

posted 17 December 2006 09:14 PM     profile     
While "I Started a Joke" is one of my LEAST
favorite tunes from this whole era, the lyrics make my cringe,
I did like Jim's instrumental version a lot.

The Bee Gees are super song craftsmen.
Even if it is not always produced to my taste,
it always produced supurbly for the market at the time.
Some of their dance stuff still sounds
pretty good to my ear today.
In some ways a corney white counter part
to Earth Wind and Fire.

I am sure if you planted these guys in
Nashville, or better yet Texas, for 3 months
and then told them to pick a band from local players
and write an album fitting their envirement it would be super.

Jim Cohen
Member

From: Philadelphia, PA

posted 17 December 2006 09:45 PM     profile     
I am a huge fan of the early Bee Gees, starting with the "1910 Mining Disaster" ('Have you seen my wife, Mr. Jones? Do you know what it's like on the outside?') right through "To Love Somebody", "Words", "I Started a Joke", "Massachussetts", "How Can You Mend a Broken Heart", and on and on. Absolutely top-shelf writing and producing. I did not care for their disco phase, but you have to admit, these guys completely reinvented themselves for the disco era and rocketed to the very top of it. Anything they tried their hands at, they excelled in. Another telling moment was when Barry Gibb recorded with Barbra Streisand. Now, let's face it, Barbra does not need to get paired up with anybody for 'commercial reasons'. She is one of the rarest of her breed of popular singers, and can pick and choose to sing with anyone she wishes. And she chose Barry Gibb. Luciano Pavarotti, eat your heart out. (Actually, I think she did some duets with him too.)

It's a tremendous shame that one of the 3 brothers, Maurice, died several years ago in a Miami hospital, due to a medical accident. If Barry and Robin have done any work since that fateful day, I'm not aware of it (but then again, they wouldn't necessarily call to let me know... )

Jussi Huhtakangas
Member

From: Helsinki, Finland

posted 17 December 2006 10:50 PM     profile     
Guys, I was merely trying to be funny. I know very well their stuff is professional and well executed, they even sing good . But when me and my buddies were growing up, disco music and hairy guys singing in falsetto just wasn't cool, no matter how great their songwriting was. That's all I was trying to say! On the other hand, the state of modern country music is such that even Staying Alive sounds like "American roots music".

[This message was edited by Jussi Huhtakangas on 17 December 2006 at 10:59 PM.]

[This message was edited by Jussi Huhtakangas on 17 December 2006 at 11:00 PM.]

Kevin Hatton
Member

From: Amherst, N.Y.

posted 17 December 2006 11:04 PM     profile     
I also think that its incredulous for Barry Gibb to say he's country. Rascal Flatts think they are country also. He was NEVER a country artist. Farron Young was.

[This message was edited by Kevin Hatton on 17 December 2006 at 11:05 PM.]

[This message was edited by Kevin Hatton on 17 December 2006 at 11:06 PM.]

[This message was edited by Kevin Hatton on 17 December 2006 at 11:07 PM.]

David L. Donald
Member

From: Koh Samui Island, Thailand

posted 18 December 2006 01:13 AM     profile     
Of course I have always thought
1010 WINS is one of the great icons
of country music information retrieval.

Kevin, I suspect Barry means,
he has always listened to and written songs that were too country to play with the Bee Gees.

'Please Come To Boston' sidled up to country through folk music,
and I think he just goodn't push it closer
after that.

The record companies and market demanded the Bee Gee's
style and it was a group endevour.
He pointedly says, he can do this now that the group is disbanded.

I wish him well.
His heart seems to be in the right place.
And he has a voice that can do anything he CHOOSES.
Let's wait and see what he chooses.
It's ain't like he needs to for the money.

Who'da thunk Van Morrison would be getting good reviews for a Rhyman Hall performance
of classic country songs...

[This message was edited by David L. Donald on 18 December 2006 at 01:20 AM.]

Roger Rettig
Member

From: NAPLES, FL

posted 18 December 2006 03:54 AM     profile     
Jim C....

Glad you reminded me of that Streisand/Gibb record - I loved it! I liked the Dionne Warwick stuff a lot, and I liked the band on their own, too.

Lots of artists were afflicted with disco-itis around then (the Beach Boys come to mind) but their inherent musicality always shone through. Same with the Gibb brothers. They weren't my absolute favourites at the time, but listening in retrospect reminds me of how lucky we were in those days!

RR

Ray Minich
Member

From: Limestone, New York, USA

posted 18 December 2006 06:23 AM     profile     
Played the 10 inch discs of the Stone's "Miss You", and Rod Stewart's "Do You Think I'm Sexy" about that same time (1978).
Innocent days...'Twas a far cry from the likes of "Closer to God" by Nine Inch Nails which is being played in the clubs today...
Tom Olson
Member

From: Spokane, WA

posted 18 December 2006 06:28 PM     profile     
Most of the BeeGee's biggest hits were written specifically for the soundtrack of "Saturday Night Fever." I think that fact alone is borderline amazing.

George Redmon
Member

From:

posted 18 December 2006 06:44 PM     profile     
i like the bee gees and karen carpenter..you can label them as you wish..it's good music.
Ken Williams
Member

From: Arkansas

posted 18 December 2006 07:37 PM     profile     
George, you are not alone when it comes to Karen Carpenter. She had a tonal quality in her voice that I've only heard in 4 or 5 singers in my entire life. Can't describe it, but Nat King Cole had it. Rod Stewart, he ain't got it.

Ken

Rick McDuffie
Member

From: Smithfield, North Carolina, USA

posted 19 December 2006 05:08 AM     profile     
I think that's a cool story. Barry Gibb can do whatever he wants, and it will be successful. He's a great musician, writer and has a trademark voice that most people like.

And Karen Carpenter (is this about her too?) rules.

Keith Cordell
Member

From: Atlanta

posted 19 December 2006 07:09 AM     profile     
He's more country than any of the country artists on the radio these days.
Charles Davidson
Member

From: Alabama, USA

posted 19 December 2006 08:56 AM     profile     
Keith,You got that right!!!!!!!
Mark Lind-Hanson
Member

From: San Francisco, California, USA

posted 19 December 2006 09:33 AM     profile     
I'd argue a bit in Rod Stewart's behalf as well. Every Picture Tells a Story and Gasoline Alley are great records with some great tunes, made all the more impressive by Ron Wood's pedal steel work. Mandolin Wind, Maggie May, Every Picture Tells A Story, Gasoline Alley & Cut Across Shorty are all great tunes. He actually works better as an interpeter than an artist-songwirter, nonetheless, he'd like to be remembered most for Mandolin Wind & I'd grant him that. Prior to that, his work with the Jeff Bek group & beofre is GREAT blues singing stuff, maybe on a par if not better than Jagger's in that time frame. Now, I slipped away from digging him when he became a Disco Queen, but there's a lot of gold there if you would care to dig for it.
The Bee Gees also had their high points, for me, the early singles, after that, again, the Disco Queen syndrome put them off on a stream of branchwater to me. But where would Gram Parsons be (in the mind of many today) without his version of "To Love Somebody?"
No they aren't exactly a country band, but it's possible C & W DID influence him heavily, on Down-Under Radio, growing up.

Jim Cohen
Member

From: Philadelphia, PA

posted 19 December 2006 10:12 AM     profile     
You just know they had to be big fans of the Everlys growing up...
Mark Eaton
Member

From: Windsor, Sonoma County, CA

posted 19 December 2006 10:27 AM     profile     
The whole "crossover" thing has been with us since the 50's.

Take a couple of big hits from the 60's: Charlie Rich doing "Mohair Sam"-a top 40 rock song, and Charlie later went on to become one of the most revered country singers in history.

As a songwriter, Chip Taylor no doubt has had his mortgage and a number of cars paid for by what is, along with "Louie, Louie" perhaps the ultimate beer drinking party song, "Wild Thing," which became a hit for The Troggs. Chip has for years been a country singer/songwriter, and also authored "Angel In The Morning."

I'm willing to cut Barry some slack and see what materializes out of this project, instead of slamming him on his way into the studio.

------------------
Mark

[This message was edited by Mark Eaton on 19 December 2006 at 10:30 AM.]

Chris Forbes
Member

From: Beltsville, MD, USA

posted 19 December 2006 11:03 AM     profile     
Raul Malo did a KILLER version of Run to Me on his You're Only Lonely album. I kinda like some of their earlier pop, pre-disco stuff.
Chris LeDrew
Member

From: Newfoundland, Canada

posted 19 December 2006 11:25 AM     profile     
I bought my father The Bee Gees live DVD last year, and it's a real eye-opener to the hits they've written both for themselves and others. The disco production of their late 70's material totally overshadows their great melodies and harmonies. This concert is a testament to their greatness as writers and performers. It was cool for a while to dislike them, but I don't think it's the case anymore.
John Steele
Member

From: Renfrew, Ontario, Canada

posted 19 December 2006 12:02 PM     profile     
quote:

The whole "crossover" thing has been with us since the 50's.

Well, that's true I suppose, but only because the modern obsession with genres and labels started about then.
There was no classification for "country and western" on the billboard charts until 1949. You couldn't really cross over until you had a genre label hung on you.
The genre labelling thing is pretty much entirely for marketing purposes anyway.
I wonder how Mr. Gibb would feel if all the record stores started moving the BeeGees cd's from the pop section to the country section, where nobody would find them ?
-John

------------------
www.ottawajazz.com

[This message was edited by John Steele on 19 December 2006 at 12:03 PM.]

Rick McDuffie
Member

From: Smithfield, North Carolina, USA

posted 19 December 2006 03:00 PM     profile     
Our memories are getting fuzzy, boys.

Jim C., I believe the proper title was "New York Mining Disaster".

DD, I think "Come To Boston" was a Dave Loggins song.

Or is it MY memory that's shot? : )

AND...

"I Just Got To Get A Message To You"- "The preacher talked with me and he smiled, he said come walk with me, come and walk one more mile..."

"Sing Me Back Home"- "The warden led a pris'ner down the hallway to his doom..."

Sounds like two versions of the same song, doesn't it?

Geoff Cole
Member

From: Marrara N.T. Australia

posted 20 December 2006 02:26 AM     profile     
And of course the reason they sang in such high register and falseto was so they could get into their concerts for half price.
I recon anyway.
Jim Cohen
Member

From: Philadelphia, PA

posted 20 December 2006 06:38 AM     profile     
Rick, yes, you're right: "New York Mining Disaster". That was a real shock to me when it came out; I mean, who on earth in the pop/rock world in those days was writing about mining disasters for goodness sake!? They were all writing about how "My baby left me", "I'm gonna make you mine", blah, blah, blah. And along comes this?? Might have been one of the first pop tunes with some kind of 'social conscience'
Roger Rettig
Member

From: NAPLES, FL

posted 20 December 2006 08:32 AM     profile     
Good point, Jim, but we in the UK were used to that - Lonnie Donegan had hits with 'Grand Coulee Dam', 'Fort Worth Jailhouse', 'Lost John', 'Battle of New Orleans', 'Gamblin' Man', 'Cumberland Gap' and many others. These were big - some #1, and most were top 5 at least.

Maybe his is the most remarkable success in pop music history!

RR

[This message was edited by Roger Rettig on 20 December 2006 at 10:24 AM.]

Keith Cordell
Member

From: Atlanta

posted 20 December 2006 09:42 AM     profile     
Jim I have to respectfully disagree about that being one of the first songs with social conciousness; the 40's and 50's had several artists singing folk songs about events that were talked about in those days. Woody Guthrie, even Theodore Bikel... lots of songs were around and on the radio that told great stories.
Jim Cohen
Member

From: Philadelphia, PA

posted 20 December 2006 10:26 AM     profile     
Keith, of course I am well aware of the folk musicians who did lots of politically-aware songwriting. That's why my statement was explicitly directed at "pop/rock" artists, not folk singers.

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