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Author
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Topic: Which Evans amp do you recommend?
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Jim Cohen Member From: Philadelphia, PA
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posted 26 January 2000 09:16 PM
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Am considering an Evans. Which do you recommend and why? Portability is an issue, but not the only factor. Thanks. |
Sleepy John unregistered
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posted 27 January 2000 07:28 AM
Jim The evans is the best Sounding amp I've ever heard. My friend Bill Stafford uses two of them and with a U14 Guitar, He taxes them to their limits. He has never been able to use Peavy amps without them breaking up, Also the same for the Evans Low Voltage preamp models. Make sure you get the High Voltage preamp circuitry. That's the ones with the best sound. My other friend Kenny Dail has a JE 200, Its Small, Compact and fairly Light. Thats my recommendation. When I borrow Kenny's JE 200, Even I can get a great tone out of it and thats doing something------------------ Sj "The Carolina Wildman"
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P Perry Member From: Waynesville, OH, USA
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posted 27 January 2000 07:57 AM
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I Love My FET-500 it is one fine amp. |
road runner unregistered
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posted 27 January 2000 09:08 AM
JIM,Ihave a evans fet 500 LV,and when the lead man gets frisky on his wild weed, and cranks up on the volume,i just put mine on three and blow him off the stage,with his big crate blue voo-doo,evans is good....------------------ Don LaCourse Sr. |
Rex Blevins Member From: Tulsa, Oklahoma USA
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posted 27 January 2000 12:36 PM
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My suggestion to tone, volume and overall pleasure would be to follow the trend. Have a Line 6 POD or Evans pre amp, go direct, get a set of PIEM and enjoy playing while saving your' ears. It is totally nice to have very if any volume on stage and for once " Listen ": to the music being created.. Take a look around at everyone going direct, it is gaining momentum daily, example, Clint Black, ALL ARE DIRECT... |
G Suchan unregistered
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posted 27 January 2000 06:24 PM
I am playing a Sierra S14 with Bill Stafford's copedant and I play through an Evans model ESPA rackmount preamp. It sounds great!Keep on pickin'! Glenn |
Paul C Member From: Orlando, Fl
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posted 27 January 2000 06:58 PM
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I don't have a lot of different Evans models that I have tried, so maybe I'm kind of myopic here. My FET 500 is only slightly lighter than my Nashville 400, but the difference in string separation and overall tone was truly amazing. The Evans is much sharper and cleaner to my ear. This required me to radically rethink my settings and I've brought most of them to near flat with the exception of less midrange, (my P/P has all the mids in the world.) I love the pre-amp and power amp not being so closely coupled that I have to watch the ratio between the gains or else distort, (a common problem with my Peavy.) And as others noted, I've got head room to spare.Now to be fair, I grade my amp performance at the lower power ranges. We seldom play a big room without miking the amps, so it's reduced on stage to monitor levels. You might run into some things at higher power that I never see because of my usage. But for my use on stage, smaller rooms, and to mike up with an old 57, it's a hard amp to beat. You should have great luck with it for your C6th swing work, all clean / no mud. FWIW. Paul |
Jim Cohen Member From: Philadelphia, PA
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posted 27 January 2000 08:27 PM
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Thanks for the comments, guys. Keep 'em comin'. I'm learning from every one! By the way, can someone explain to me what the significance of the "High Voltage" preamp option is? Is it worth paying extra for? Thanks, Jim |
Sleepy John unregistered
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posted 28 January 2000 03:18 AM
We need to get Bill Stafford in on this thread, He knows a lot of the history of the Evans amps.The High Voltage Thing to my best knowledge, was the design, when the amps were being built in Texas by Evans. The LV or Low Voltage Models came about when the Operation was bought out and Moved to North Carolina. Bill tells me that He has tried the new Models at St Louis and the Other Shows, along with Peavy and they all Break up with the wide range of Frequencies he has on the U14 guitar. He uses two HV models each sitting on an aditional 15" extension speaker cabinet. Uses the standard Evans/eminence speakers. He gets the best tone I have ever heard on a PSG. A lot of the tone thing is in his hands and technique, But you have to use equipment that is capable of doing the job. BTW The first Evans amp I ever worked on was a all tube amp built on a wooden chassis, The holes for the tube sockets looked like they were carved out with a knife. it was the ugliest amp I ever saw, but had the best tone of any amp, I had heard up to that date.(sometime around 1973). I worked at a company Named Sound 88 for a few years diuring the 70's, while trying to hang on picking in Nashville and worked on many amps. The Evans had the Poorest workmanship of anything that passed through the shop, but they didn't pass through the shop very often. I got my first experience with the Evan Solid State amp on John Hughey's amp had to replace the output transistors and some emitter resistors. After that John insisted that If I changed jobs, I had to let him Know where I would be working. The cause of John's amp Blowing up? Somebody had used wood Screws to mount the output transistors to the sockets and the amp apparently got bumped or jarred and one of the oversized wood screws contacted the heat sink or chassis and shorted. Twenty six years Later I fixed an identical one for Kenny Dail and found the same identical cause. My opinion is that they were using these screws in the assembly of these amps at the factory. If you open up an evans and look at the wiring and printed wire boards, They look sort of sloppy and unprofessional, but I still haven't found anything that sounds any better. Kenny Dail has one of the Smaller ones JE-200(in Mint Condition) with a 200 watt output and High Voltage Circuitry with a 15" speaker. I've told him that Sooner or Later I'm going to steal that amp. Its not a question of "if", just when. I saw a recent post that someone made on Buy and Sell that said he had NEW HV Models. I suspect that Evans has gone back to the original design. Hope so anyway, because I want to buy a couple of the Je-200 HV Models this year. ------------------ Sj "The Carolina Wildman"
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Sleepy John unregistered
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posted 28 January 2000 03:29 AM
I found the Thread with the person, Duane Dunard (hope the spelling is right) saying he has new HV models for sale. Hopefully the new Autolink feature will work here. http://www.b0b.com/forum/Forum3/HTML/003481.html Hey it worked  BTW I emailed this whole thread to Bill and maybe we can get some comments from the old fart. He does not have any endorsement deal with Evans and will not BS and thats no BS. ------------------ Sj "The Carolina Wildman"
[This message was edited by Sleepy John on 28 January 2000 at 03:30 AM.] [This message was edited by Sleepy John on 28 January 2000 at 03:36 AM.] |
Bill Stafford Member From: Gulfport,Ms. USA
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posted 28 January 2000 07:31 AM
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Yep, everything John has said is correct. I have been using Evans amps for as long as anyone except for Darrell Stephens and a few others, I suppose. When I heard that Darrell was selling the company, I asked him to build me two amps before he finalized the sale. He did, and that is what I am using now and they perform very well. They are the FET 500 with the large cabinets. I use their special made speakers and am very happy with their sound. (I used to specify JBLs but I learned there are other speakers available today that work very well). I am completely happy with my amps and have been for decades. I have faithfully, and fairly, tried all the other brands but none come tup to the quality and dependability of my two Darrell Stephens made Evans Amplifiers. As John has stated, I asked for and received a demo, with my guitar, of the new Evans amps at the last St. Louis show. Ed, the new owner set up his ampas for me to be the same as I have mine and the new amps suprised both Ed and myself in the distortion in the chord structure of the sound. Ed then came over to my booth and listened to my old FET 500', with the gain of both controls, pre and post volumn, only set no higher than two. I am still using my older models and now I see than changes have been made by Ed. I have not tried the new design, but hope to in Dallas. Will let you all know. In the meanwhile, listen to John. He is probably the very best amplifier technician/engineer in the world. He could satisfy Chalker. No other comments could ever be higher in his, John's ability to work on amps, etc. Great musician also. Thanks for all the nice words, John. Thanks guys for this space. Bill Stafford |
John Lazarus Member From: Tucson, AZ.
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posted 28 January 2000 10:55 AM
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Jim, Since you've got my Fessenden on the way, you might as well get an amp like the Evans FET 500 LV's I have been playing it through. I own two: a mid- era built during the Evans Shreveport period, and an early one built in Texarkana and originally used by the Ricky Skaggs Band. Both are great and bring the best out in every steel I have tried through them. I have Peavey 1501-4's in both because they are good, relatively inexpensive and easy to find parts for and repair. Used with a PV Tubefex, I get a very light and flexible stage set up with a tube pre-amp, tuner and lots of programable effects. I mike it when needed. By the way, the Fessenden and the Evans alone make a formidable combination without any added effects beyond the amp's reverb. I always use input two and play through a Goodrich 6A matchbox. | |