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The Steel Guitar Forum
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![]() Jerry Garcia & Steel guitar (Page 1)
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| Author | Topic: Jerry Garcia & Steel guitar |
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Mike Goldring Member From: memphis, Tennessee, USA |
Jerry Garcia did play steel guitar, he plays the steel on some of the early Crosby Still Nash and Young songs, Helpless I know is one, maybe some others. |
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Mike Goldring Member From: memphis, Tennessee, USA |
this was supposed to be in the thread on Jerry Garcia, don't know what happened, bad trip man! |
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Richard Sevigny Member From: Vancouver, BC, Canada |
Say, isn't this 'sposed ta be the humour section? ![]() ...what a long strange trip indeed! |
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Jim Cohen Member From: Philadelphia, PA |
We have had many threads on Jerry Garcia's steel playing. You might want to do a Forum Search sometime when you have a free weekend. |
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Donna Dodd Moderator From: Kennesaw, Georgia, USA |
Moving to steel players . . . ![]() |
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Colby Tipton Member From: Texas, USA |
Crosby, Stills, Nash and Young, "Teach Your Children". |
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Dan Beller-McKenna Member From: Durham, New Hampshire, USA |
Jim, didn't you mean a free week? Dan ------------------ |
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Roger Rettig Member From: NAPLES, FL |
Moved to the Jerry Garcia section..... |
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Mike Perlowin Member From: Los Angeles CA |
ROBERT RAN... oh never mind. ------------------ [This message was edited by Mike Perlowin on 13 July 2006 at 02:16 PM.] |
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Mark Lind-Hanson Member From: San Francisco, California, USA |
No, no, no, it isn't Jerry Garcia on Helpless. It's Neil Young playing a regular 6 string & using the volume knob. |
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Ron Sodos Member From: Albuquerque, New Mexico, USA |
I saw an interview with Jerry on TV years ago where he said he was giving up on steel because it was too hard and required too much of a committment that he was not ready to make. [This message was edited by Ron Sodos on 13 July 2006 at 11:55 AM.] |
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Dan Beller-McKenna Member From: Durham, New Hampshire, USA |
Dang! Thats ANOTHER way in which Jerry Garcia was smarter than I am!! Dan |
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Mark Eaton Member From: Windsor, Sonoma County, CA |
I believe at another time he said that he was giving it up because "it would take a whole other lifetime to master." ------------------ |
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Ken Byng Member From: Southampton, England |
Moved to the Deja Vu section. |
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Doug Beaumier Member From: Northampton, MA |
Here we go again... what a long, strange trip it's been! ------------------ |
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Ben Jones Member From: Washington, USA |
Ive heard he's not a bad six string player either. Hey at least its not a flame fest thus far. Ive learned alot about Jerry since coming to this site. I have alot more respect for him and his music than I did when I first came here. I still dont care for the dead much , but to each their own and I can respect Jerry's contributions and skill as a musician. |
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Cliff Kane Member From: Long Beach, CA |
I don't listen to him too much any more, and when I do listen to the first NRPS record (for example) his playing certainly doesn't blow me away, but I have respect for Jerry. I think Jerry had a lot of integrity as a musician, and he had a lot of musical interests that he pursued, and because of his fame he got to make a lot of records. I think he was probably conscious of helping out unknown bands that he liked by playing with them: how popular would The New Riders of the Purple Sage and Old and in the Way have been if Garcia had not been in those bands? Even if his playing is at a lower technical level than the really good players, the ideas and fun come across pretty well. Some of his playing sounds great to me, like the playing on "Workingman's Dead", and "The Wheel". People put down his steel playing, and people put down his six string playing, and I'm sure there are people who put down his banjo playing, and it's ususally because of his lack of technique, playing out of tuune, bad intonation, etc. Sometimes it seems like Jerry's a bit of a whipping boy for other steel players. What ever...I think that some folks have a certain asthectic, and they are not listening the way that other people listen. I'm not trying to compare the "okay" steel playing of Jerry Garcia with the genius of John Coltrane or Miles Davis, but a lot of critics bashed Coltrane and wrote him of as a hack because of his "terrible intonation" and his tendency to play sharp, and Miles used to fight with Gil Evans because Evans did not want takes with bad notes, but Miles felt that some bad notes were really secondary to the feel and statement of a musical take. Again, I know that "Teach Your Children" is no "Sketches of Spain", but I think dismissing Jerry because of technical or formal flaws doesn't do the man justice. I believe that for Jerry it was really about the music -- at least I think that is true of the projects he did outside of The Dead -- and he had a lot of respect for the steel guitar, so much so that he walked away from it as he knew that he couldn't master it while also being a full-time working six string player. (I can relate: right now my steel is standing in the corner mocking me). When people put Garcia down, I wonder why the same sort of ridicule is not brought forth for players like Ron Wood, Niles Lofgren, and Dan Lanois; all of these payers are six-stringer who also picked-up the steel along the way, and are not ashamed to play it to arenas full of people. No disrespect for those people, but IMHO, Garcia is a better steel player. I also think that Jerry was an unspoken ambassador for the pedal steel, as a lot of people who were not listing to country music became aware of the pedal steel through Garcia's music. |
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Mike Perlowin Member From: Los Angeles CA |
Cliff, speaking personally, I have no problem with Garcia's steel playing. My problem is with those who rank him as the world's greatest steel player, ranking him above Buddy, Lloyd, Paul Franklin and all the other greats. This subject came up in a guitar forum, and I mentioned this, and got responses along the line of "If this guy Lloyd Green is so great, how come I never heard of him and why didn't CSNY use him instead?" I won't even get into the names I was called for daring to suggest that Buddy Emmons is better. ------------------ [This message was edited by Mike Perlowin on 14 July 2006 at 12:12 PM.] |
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Cliff Kane Member From: Long Beach, CA |
Yes, those guys, and scores of other players, are in a whole other league. I think Garcia had a lot of humble admiration for the great players, and he had no illusions about his limitaions. The arguments that he's better than those guys because he was used by CSNY is like like saying that Kenny G is a better sax player than Michael Brecker because he's played on the radio more often, or fast food is the best cuisine because it's the most consumed. [This message was edited by Cliff Kane on 14 July 2006 at 12:40 PM.] [This message was edited by Cliff Kane on 14 July 2006 at 12:41 PM.] |
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Bill McCloskey Member From: |
Garcia was a true musician - lived and breathed music. Did great acoustic work and great eletric work. What other rock musican had an equally good career in acoustic, rock, and bluegrass. He even did a children's album. His work with Grisman was wonderful and he created a wonderful steel guitar lick. And a good artist. Was beloved. He generated the kind of loyal fan base that you don't see outside of country music. He had demons. He eventually overcame them. he died. May he rest in peace. Few had his career and accomplishments. |
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Bill McCloskey Member From: |
"My problem is with those who rank him as the world's greatest steel player" I think this speaks more for how much his fans loved him than any thing else. If you had tried telling fans of Maria Callas or Frank Sinatra that they're heros couldn't sing anymore at the end of their careers, you would have been crucified. |
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Bill Hatcher Member From: Atlanta Ga. USA |
Well said Bill Mc. He gets a bum rap here too often just because he happened to enjoy the pedal steel guitar and knew a few licks on it and played it on his friends record that sold a zillion copies. Was he a great steel player---the record sold a zillion copies. Is he the greatest steel player----the record sold a zillion copies. Should he be afforded the same respect that Emmons and Green and Franklin and the other players who played on hits that sold a zillion copies--the record he played on also sold a zillion copies. He's dead. Let him rest in peace. |
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Jim Cohen Member From: Philadelphia, PA |
To everything, churn, churn, churn... |
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Ron Whitfield Member From: Kaaawa, Hawaii, USA |
...still churnning... After 30+ years of running away from the Dead, this year I've been focusing on them and particularly Jerry, whom I've enjoyed since the JGB finally came to the islands about a decade ago and gave us some great music. What a stunning group the Dead were, at times. I've acquired shows that have them playing as well/enjoyable as anybody you can name. Of course, anyone that plays on the edge each time out is going to have ups and downs, but gawd, when it's happening...! It seems tho, that his best steel playing was in the studio where he had the luxury of working out ideas to his satisfaction and getting takes he liked. That said, I'm a big JG/Dead fan now. He also sed that always switching from steel to guitar and back messed with his hands too much. |
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David L. Donald Member From: Koh Samui Island, Thailand |
I listened to Workingmans dead 3 times while driving to Malaysia this week. I really like his steel on the studio version of Dire Wolf (Don't Murder Me). Not so much the live one, but he is singing there live too. His guitar playing reminds me of He loved the steel, He loved the steel, [This message was edited by David L. Donald on 20 July 2006 at 04:51 AM.] |
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Jim Ives Member From: Los Angeles, California, USA |
When I saw the Dead at a small venue (maybe 400 people in attendance)in Colorado Springs during the summer of '69, Jerry was playing pedal steel. At first I thought it was organ because it had foot pedals, and I had never seen a PSG. The first set was dedicated to Brian Jones (from the Stones) who had just died, and it was a country set. After that set I asked Jerry what he was playing, and he told me. I heard real country music for the first time that summer(I was from New York after all) and then I put 2+2 together, and have been a PSG fan ever since. -Jim
[This message was edited by Jim Ives on 17 July 2006 at 02:04 PM.] |
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Stephen Gambrell Member From: Ware Shoals, South Carolina, USA |
McCloskey hit it. Garcia was a musician, pure and simple. No, he was no Tony Rice on acoustic, but his acoustic playng had weight behind every note. He was no Buddy Emmons, but he had some great ideas, didn't he? Not a great banjo player, but adequate---In short, Garcia was a musician, an artist, and the instrument just a method of expression. He expressed himself better on some instruments than others, but it's still expression. |
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Mark Eaton Member From: Windsor, Sonoma County, CA |
Mike Perlowin wrote: "My problem is with those who rank him as the world's greatest steel player, ranking him above Buddy, Lloyd, Paul Franklin and all the other greats. So this just hit me now-Mike, since you are a long time Forum member, is this the reason all these Garcia threads keep rising from the dead like Lazarus? Was this the original seed that was planted, because since I have been here, you have posted that info 2 or 3 times. That there is some underlying current around here that SOMEBODY thinks that Jerry was the best PSG player, but in fact it is no one here on the Forum with any reasonable amount of knowledge of the steel guitar and its players that would ever say something so absurd. It may have been a few misguided Deadheads that felt this way...so why even bother to give them credit for having an opinion that matters? Let's go for a sports analogy, since I really like to use them: I have been a baseball fan most of my life, and once you get past the high dollars and steroids, it is still a beautiful game-but there are plenty of folks that just don't "get it" and they liken it to watching paint dry. I gave up on trying to convert them a long time ago-now I just blow them off. They've never delved into it below the obvious surface stuff, to be able to understand the nuances of the game. It is the same sort of thing with misinfomed Deadheads that hold Jerry up as the steel king. And I'm a long time Deadhead myself! Why bother to give that kind of ignorance on some other guitar forum the time of day when the purveyors of those thoughts are so obviously out to lunch!
------------------ [This message was edited by Mark Eaton on 17 July 2006 at 05:47 PM.] |
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Jim Eaton Member From: Santa Susana, Ca |
I believe the whole flap about JG being the "best" steel player came about due to the "readers poll awards" in Guitar Player mag. Buddy won it hands down for the 1st 5 years it was done and then he was no longer in the voting, being a 5 time winner. So the GP readers then started to vote for Jerry, since he was probably the only other steel player they knew of, "TYC" happened right about that same timeframe, so there ya go! IMHO JE:-)> |
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Mark Eaton Member From: Windsor, Sonoma County, CA |
Oh yeah, I forgot about that whole Guitar Player Magazine thing... I still want to blame it on Perlowin though! Another baseball analogy: Years ago, when they brought back the voting for naming the starting players in the all-star game, I knew it was a good idea for getting the people involved-but a bad idea as far as who deserved to be on the respective teams. Fans would go to the ballpark and stuff 20 ballots into the box with the names of their hometown favorites. Some guy hitting .245 with 10 home runs would beat out some up and comer young star from another team at the same position, who deserved it because he was hitting .325 with 20 home runs. Any time the general public votes in these kinds of contests you have to take it with a grain of salt. As far as Garcia winning in Guitar Player, it's like you say "Cousin" Jim-Buddy was retired after 5, and a lot of folks probably didn't know the names of any other steel players. Doesn't diminish Garcia in my mind, I will always be a dyed-in-the-wool Jerry fan. Of course the thing to remember Jim, is that the Guitar Player mag incident(s) happend a long time ago-there has been a whole new generation of younger Deadheads that probably got Perlowin's goat on that guitar forum-and most of them were probably in diapers or not even born when TYC was released. ------------------ [This message was edited by Mark Eaton on 17 July 2006 at 05:46 PM.] [This message was edited by Mark Eaton on 17 July 2006 at 05:49 PM.] |
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Jim Eaton Member From: Santa Susana, Ca |
Might as well throw a litte "Mad Maxx" in here for spice. "the young ones only know what they learn in the tellin's". The best thing that I like about Jerrys playing, both Steel,Banjo and 6stg was it was always from the heart. Isn't that best? JE:-)> ------------------ [This message was edited by Jim Eaton on 17 July 2006 at 06:17 PM.] |
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Mark Lind-Hanson Member From: San Francisco, California, USA |
I can't believe this sort of thread keeps on popping up either, and I'm a longtime Garcia affcianado as well. Wel, it isn't us afficianados who keep bringing up the subject! We just like to get the last word. |
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Stephen Gambrell Member From: Ware Shoals, South Carolina, USA |
I have to make a correction about the "Guitar Player" magazine thing. To the best of my memory, Rusty Young was the first five-time winner for steel guitar. Somebody correct me if I'm wrong. |
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Mike Winter Member From: Oregon City, Oregon, USA |
I would just like to say thank you to all concerned...this is a rare "Jerry" post in that it has remained civil...no weird tangents or flames, etc. Kind of nice. ![]() ------------------ |
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Jim Cohen Member From: Philadelphia, PA |
Hold your horses, Mike; we're not done yet... ![]() |
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Pete Burak Member From: Portland, OR USA |
Looks like Bob Weir still likes Pedal Steel. http://www.headsallempty.org/gallery/mf06/DSC_0315 |
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Brad Sarno Member From: St. Louis, MO USA |
Here's a cool story on Bobby's tele. Brad |
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Joe Shelby Member From: Walnut Creek, California, USA |
Brad-- (Not to hijack this thread); I played steel with Lawrence Hammond (and the Whiplash Band) from 1976 to the end of 1977. James Louis Parber was in the band before I came along, and remained until the end. He was a wonderful Tele player who loved Robbie Robertson, James Burton, Albert Lee, Amos Garrett, and Roy Nichols. He had elements of all those guys' sounds in his playing, but ultimately was his own man. He was humble, soft spoken, and commonly would be up on stage 45 minutes before everyone else, loosening up. He didn't leave much recorded work behind (other than the first band album, Coyotes's Dream). After the Whiplash Band broke up, he worked with Billy C. Farlow (Commander Cody and the LPA) for a year or two, and then he contracted spinal cancer. I don't think Bobby Weir ever heard James pick, but I don't think it would be a stretch to say that (if he had) playing that '56 Tele would have been pretty spooky for him... Joe. |
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Doug Beaumier Member From: Northampton, MA |
Why did Jerry quit playing steel after 1972? I read that Jerry quit playing pedal steel shortly after the release of his 1972 album GARCIA, which included the steel soaked tune "The Wheel". Does anyone know if this is true? He played PSG on American Beauty (1970), but no other Dead albums, according to the discography sites I’ve read. Two other PSG players played on later Dead cuts. So Jerry didn’t play steel (or didn’t record anyway) from 1972 until his death in 1995? I wonder why? This site has a MIDI file of the steel parts for Teach Your Children! No melody, just the pedal steel parts playing to a track. ------------------ [This message was edited by Doug Beaumier on 20 July 2006 at 12:37 AM.] |
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Jeff Agnew Member From: Dallas, TX |
quote: If a Hollywood screenwriter had come up with that folks would say it was too schmaltzy to be believable. What a great story. Thanks for that link, Brad. |
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