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Topic: Paradise Isle"----C# minor
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Rick Collins Member From: Claremont , CA USA
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posted 14 July 2001 08:59 AM
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Has anyone worked out a way to play Jerry's, "Paradise Isle" on the E13th or another tuning? I love playing that tune; but it's one of the very few tunes I can play on the C# minor tuning and don't want to keep one neck tuned that way for so few tunes.It's almost as if this tuning was invented for this particular tune. Rick |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 14 July 2001 09:58 AM
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If your four top strings are (hi to Lo) E C# B G# just play Paradise Isle as you would in the C#m (or F#9th) tuning, but don't play the 3rd sting. Your slants might feel a bit awkward or slighly out of tune, but ample vibrato will compensate. I have played Paradise Isle for years using the E6th (above). It also sounds great on F#9 tuning. Sam Koki wrote this very simple melody using only 4 chords, but it's sure become a Hawaiian (Steel Guitar) classic! Incidently, there are many, many recordings of this song other than what Jerry recorded. (Jerry is not the composer of Paradise Isle). I might be way off base, but I think Jerry played Paradise Isle using the C6 tuning. I have seen and heard him do it.[This message was edited by George Keoki Lake on 15 July 2001 at 09:59 AM.] |
Ian McLatchie Member From: Toronto, Ontario, Canada
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posted 14 July 2001 11:16 AM
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Bill Leavitt transcribed this song for the Leavitt tuning. It's a beautiful arrangement, available from Mike Ihde. |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 14 July 2001 01:18 PM
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Hi George & all you guys.That is a great tune,,,one of the very first I learned from my teacher years ago,,,,I think that tune really hooked me on the steel. There are many versions of this as you well know,,,Noel Boggs did it,,but more in a full chord modern feel,,I think this should be played in a more "dreamy style" as Byrd would do it or some Hawaiian oriented player,,,there are many others ,,My Tane, Song of Old Hawaii,,I love them all. They bring back memories of a time gone by... I do it but havent tried it for years,,,I used E 6th on almost everything I did back then,,,George thanks for the great hawaiin links you sent,,,Iam enjoying them and listening and thinking of you,,,many thanks Jody PS had to edit for spelling,,,it's as bad as my playing.... [This message was edited by Jody Carver on 14 July 2001 at 01:20 PM.] |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 14 July 2001 03:27 PM
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You and I are on the same wave-length, Jody. I have loved Paradise Isle since I first heard Sam Koki play it. My Tani is a Tahitian song which Hawaiians have lovingly stolen and is also one of my favorites. Drop a line sometime, Jody...o.k.? |
Rick Collins Member From: Claremont , CA USA
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posted 15 July 2001 08:57 AM
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Mr. George Keoki,Thanks for the suggestion of E6th for a more versatile tuning accommodating the "Paradise Isle" arrangement. Please let me know: Do you use a plain string in the G# position on the E6th tuning. No, I did not suppose that Jerry was the composer of "Paradise Isle". I just like his recording because the organ on that cut is so complimentary to that Hawaiian tune. Does anyone know if there are lyrics to the tune; if so, who recorded it with vocal? Thanks, Rick [This message was edited by Rick Collins on 15 July 2001 at 08:59 AM.] [This message was edited by Rick Collins on 15 July 2001 at 11:36 AM.]
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George Keoki Lake Member From: Edmonton, AB., Canada
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posted 15 July 2001 09:42 AM
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Hi Rick... To answer your two questions..."yes" to both. I use a plain string for G# and yes, there are lyrics to Paradise Isle. I have them somewhere in all this junk I call a music room. If I can locate the lyrics, I'll post them for you...but don't hold your breath, 'blue' won't look too good on you. I do recall a few lines: "Paradise Isle 'neath a tropical moon, Palm trees sway while lover's swoon. Come with me to my land of dreams, My own, my Paradise Isle" (The above may not be quite accurate, but pretty close) P.S. Rick...just call me "Keoki" and leave off the "Mr."...ok? Oh, Who sang it ? I know for sure it was recorded by the legendary Alfred Apaka....plus many others.[This message was edited by George Keoki Lake on 15 July 2001 at 09:54 AM.] |
Rick Collins Member From: Claremont , CA USA
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posted 16 July 2001 09:12 AM
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Keoki,I'm now about to restring for the E6th tuning, because it will give me more versatility, along with the C6th on the other neck. This is valuable information and I know reliable, coming from a well experienced source,___again many thanks. "Drowsy Waters" is another one of my favorites. It's on Jerry's "Hawaiian Beach Party" collection. I play it on the C6th; but it sounds, on the recording, like Jerry might play it on one of the E tunings. I have an eight-string bakelite (post war) Rick; but for my style of playing, I like my Fender Dual Professional 8-string better. Rick [This message was edited by Rick Collins on 16 July 2001 at 04:18 PM.] |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 16 July 2001 11:25 AM
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Hi again Rick... FYI, I very seldom use the C6th as it seems to me everyone uses it and most try to imitate the 'Great One'...(an impossibility). I have always used the E6th as a strong workhorse tuning for most Hawaiian and standard songs. It encompasses the old traditional E Major tuning along with the very "Hawaiian" sound of the C#m tuning. Nothing wrong with the Rick. I love mine. I also love each one of my guitars as each seems to have their own personality when it comes to tone. "Drowsy Waters", (I wonder where that name ever originated?), is actually the old traditional Wailana Waltz which dates back to the mid or early 1920's. Someone decided to call it Drowsy Waters for whatever reason. ("Wai" does translate to 'water' from Hawaiian to English). I was smitten by the Wailana Waltz when I first heard an old 78rpm recording played by Frank Ferera which was recorded around 1927 thereabouts. You can obtain a nice sound for most any song, (Hawaiian or standard), no matter what tuning you use. It's all a matter of knowing, understanding harmony and theory.[This message was edited by George Keoki Lake on 16 July 2001 at 11:27 AM.] |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 16 July 2001 08:35 PM
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George,,,yes those are the correct lyric's and by the way,,,you have a nice voice as well,,,can you "falcetto" ??? is that the correct spelling??? I can feel the "balmy breeze and hear the palms in the gentle breeze and the waves hitting the beach,,, a Tropical moon ,,,,Gotta take the pups out again,,,aloha George thanks for the nice music......J... |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 16 July 2001 10:25 PM
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What "nice music" are you referring to Jody ? Oh, it's 'falsetto'...that's the correct spelling. As for singing, I've been compared to a frog! (The frog is better). My two strong wishes are: 1.) I had stuck to piano when I was young as I feel a good piano training prepares you for most any instrument; and, 2.) I had taken voice training and learned to sing. Both too late at this stage of the game....especially for an old frog! |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 18 July 2001 05:12 AM
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Sorry about the "mis-spelled word George,,I just found out that "falcetto" is an "Italian Pastry,,,,those are sweet too.But dont eat too many,,,your pants wont fit. |
Al Marcus Member From: Cedar Springs,MI USA
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posted 18 July 2001 09:55 PM
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Rick---I played "Paradise Isle" every night in clubs. A well liked song. When I had a 6 string supro, I had A6 on it and just dropped the 3rd string to G# to get the C# minor, then slant the bar and it was beautiful, using a volume pedal for swells to get that real Hawaiian effect.Later when I got my double 8 non pedal, back about 1939, I put E6 on the the bottom neck and E7-9 on the top neck. E was always the high note on both necks. On the bottom neck E6, we still got the C#minor on 1-2-4 string.The slant was a little more stretch but it worked. On the top neck we had Emaj, E7th, E9th, Bminor6 and Bdim all open tuned. The 2nd string was a D, but to get the 13th, I just dropped that D to a C# for some songs. Changed the whole sound of the tuning. Jody---- we are beginning to show our age- We both used a lot of E6th way back when... top neck E Dor C# B G# F# D B G# bottom neck E C# B G# E C# B G# later on players were putting a A on the 7th string and F# or E on the 8th string. Almost like the C6 of today without the top 2 strings. One good thing about E6 is you play a lot on the lower frets. I hardly ever went past the 15th fret. The tone was better down there. Those were the days-----al  [This message was edited by Al Marcus on 18 July 2001 at 10:02 PM.] |
Richard Gonzales Member From: FITCHBURG,MA USA
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posted 19 July 2001 12:40 PM
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George and Jody; just reading this thread brought memories to me. When I was a kid in the late 40's I was playing all those tunes you mentioned. Also, one of my favorites is "MY TANE" my sweetheart in hawaiian. I named my first daughter TANE pronounced Tawnee. Do you guys play that ketchie toon" Malahini Mele " I now play a S12 8/5 pedal steel but play the old tunings with no pedals or levers. |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 20 July 2001 12:07 PM
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Hate to correct you..."TANE" is NOT a Hawaiian word. It is Tahitian and means "Man"....hence the title, "My Man". The lyrics state: "Farewell My Tane" or simply, "Farewell My Man". "Malihini Mele", (often co-titled "Strolling Along the Shore"), is a non-sensical song written by R. Alex Anderson, more or less as a joke on the tourist. Andy once told me he got a great chuckle from the initial reaction of Hawaiians who first heard the tune. The lyrics make no sense at all even if you have a very basic understanding of the Hawaiian language. For example, take the first line: "As I strolled along the shore in my mu'u mu'u made of koa" ... a mu'u mu'u is a ladies dress, koa is wood (which makes for a great sound when used to construct ukuleles)....lousy material for a dress! The rest of the lyrics are just as "pupule" (crazy). It took me a few years to catch on to the joke Andy put across on the tourists. It was only when I took a real interest in the Hawaiian language, I began to see the humour of this great composer who lived a few months short of being 101 years of age. But that's another story. |
Richard Gonzales Member From: FITCHBURG,MA USA
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posted 20 July 2001 01:44 PM
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Hi George; I do not mean to challenge you as you certainly have the other things right. I do have the sheet music stating what I said. Could be an error, but I would be happy to fax a copy to you. Fax# Thanks, Richard
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Paul Graupp Member From: Macon Ga USA
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posted 20 July 2001 02:47 PM
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George; Moon Over Manakura...Is this a Hawaiian song or maybe some other island. I brought it back from memory when someone else mentioned Speedy West in another thread. When I first heard it I said: Wow, these guys can play pretty music too !! I don't think I have ever heard Jerry play it but wouldn't you agree, it's somewhat of a standard ? I'm also pretty sure Bobby Darin recorded it at one time or another. Trying to recall some of the lyrics but can't.....Regards, Paul |
Andy Volk Member From: Boston, MA
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posted 20 July 2001 03:25 PM
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Paul, here's the scoop on that dreamy island tune: it's by the composer of classics like "Baby it's cold outside" and "Inchworm".wwww.http://pages.tias.com/222/PictPage/982453.html[This message was edited by Andy Volk on 20 July 2001 at 03:26 PM.] |
Al Marcus Member From: Cedar Springs,MI USA
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posted 20 July 2001 07:25 PM
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Paul- Do you mean "the Moon of Manakura" ? We always played that, it was considered a standard Hawaiian tune. Very beautiful steel guitar song. Or was it Hawaiian? sure sounded like it....al  |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 20 July 2001 09:50 PM
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I'll try to settle this "Moon of Manakoora" debate to the best of my feeble ability and knowledge. The "Moon" certainly exists, but "Manakoora" is just a ficticious island which never existed. Look for it on any world atlas and you won't find it. The song first appeared in the ORIGINAL (circa 1937)movie of "The Hurricane", (not to be confused with that lousy Dino DeLaurentis remake in the mid-eighties by the same name which was shot on Bora Bora in Tahiti). "Manakoora" is simply a figment of the imaginations of composers, Alfred Newman and Frank Loesser. Dorothy Lamour first sang it in the movie as I recall. Her recording, with Dick McIntire on steel became a hit. Since Manakoora does not exist, it is therefore not a part of the Hawaiian Island chain even though many consider it to be a typical Hawaiian song, (which is quite o.k.) IMHO, The most beautiful, expressive version of this tune was played by a virtually unsung hero, a steel guitarist who had a tone to die for. I am speaking of (the late) Jack DeToro who played with the original Johnny Pineapple and his Native Islanders. If you should find an old 78rpm of it in a flea market, buy it and drool. I stand by my statement regarding "My Tane" which is also known by the title "Farewell My Tani". Tani is NOT a Hawaiian word, it is Tahitian. The Hawaiian word for "Tani" is "Kane", meaning "man". This song originated in Tahiti, was written by Augie Goupil who was a prolific composer/musician of Tahitian songs. It was lovingly adopted by the Hawaiians. In my travels to French Polynesia, (on 4 occasions), I heard many Hawaiian songs being sung by the Tahitians...(poorly, I might add). One could recognize the melodies however all the words were sung in Tahitian, not Hawaiian. Same applies to Fiji where one would hear many "Hawaiian" melodies sung by Fijians in their own language. Melodies seem to drift back and forth across the wide expanses of the islands of the Pacific. Sorry, I do not have a FAX. Perhaps you could e-mail as an attachment ? [This message was edited by George Keoki Lake on 20 July 2001 at 09:53 PM.] [This message was edited by George Keoki Lake on 20 July 2001 at 09:57 PM.] |
John Tipka Member From: Reynoldsburg,OH
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posted 21 July 2001 03:53 AM
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The sheet music I have for "My Tane (A Tahitian Love Song)" is Copyright 1933 by BOURNE CO. and written by August Goupil, Dick Gump and Johnny Noble. |
c c johnson Member From: killeen,tx usa
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posted 21 July 2001 05:00 AM
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I have a casstte of the orig movie with Jon Hall as the star. According to Harry Stanley,the great man that had the Oahu Pub Co Andy Iona played the song on an Oahu 6 strg and a little Oahu amp using E7 tuning. It was beautiful but only lasted for 46 seconds.------------------
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Paul Graupp Member From: Macon Ga USA
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posted 21 July 2001 08:56 AM
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George: I went back to the Jerry Byrd Thread from a couple weeks back looking for the title of "The Harmonics Lesson" but it wasn't there. Do you recall the name of that song ? I want to look up the tab on it because I went right into it and then got lost on the bridge. Too many strings (12) on my guitar I suppose. There are so many Chime songs I wouldn't want to make a guess.Regards, Paul |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 21 July 2001 10:03 AM
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Hi fellas...Well JOHN, at least you have confirmed my statement of "My Tani" as being a "Tahitian Love Song". Augie did live in L.A. for a number of years. It would appear he probably teamed up with Gump. However Noble lived in Hawai'i, so the mystery deepens. It's quite possible the tune was composed on the mainland, (or in the then Territory of Hawai'i), and simply named as a 'Tahitian' song. A good example of this theory is the song "Canadian Sunset" which is not Canadian ,'nor was it composed by a Canadian. It was composed by Eddie Heywood, an American. I have always considered "My Tani" to be of Tahitian origin however if I am proved incorrect, I'll gladly concede to those much wiser than myself. That's what the FORUM is all about, isn't it ? Good healthy, lively and knowledgeable discussion. My main point was and still is; the word "Tani" is not part of the Hawaiian vocabulary...it is Tahitian and does mean "man". And to CCJ, yes I was well aware of Jon Hall being the star, but never mentioned it simply because anyone younger than you and I would probably say "Jon Who ?". PAUL, perhaps Ray Montee could answer your question about the JB Harmonics Lesson. I have the original book he published back around 1988 (red cover trimmed in gold), but am doing home renovations at the moment and everything is in total chaos around here. I have no idea where to find anything at the moment. I don't know about the rest of you, but I have enjoyed this thread which started out with a discussion on "Paradise Isle" !
[This message was edited by George Keoki Lake on 21 July 2001 at 10:05 AM.] |
Paul Graupp Member From: Macon Ga USA
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posted 21 July 2001 11:59 AM
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George: Thanks and Paul |
Al Marcus Member From: Cedar Springs,MI USA
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posted 22 July 2001 04:42 PM
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George , thanks for the info on "the Moon of Monakura". I saw the 1937 Movie of "Hurrricane" and heard Dorothy Lamour sing the song. I was about 15 years old at the time and promptly fell in love with her, Ha ha. And I loved that "Hawaiian music". I played guitar and had just started on the wooden hawaiian guitar...ah..memories....al  |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 22 July 2001 08:53 PM
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Al, I earlier mentioned that the island of "Manakoora" doesn't exist. I think your "Monakura" will be even harder to find on the map! (ha!) Just kidding, of course. I also think you must have been at the back of the line of 'lovers' when it came to Dorothy Lamour. I was at the head of the line, falling madly in love with her, the movie and particularly that beautiful song. I still view that old movie on my video and it brings back many wonderful memories including a totally impossible adolesent love affair! (Like you, I was just an impressionable kid when that movie came out). Those were wonderful days, were they not ? Oh, I managed to find my own "Dorothy Lamour" and we've been together for 49 years. |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 23 July 2001 07:38 AM
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George,,,,Dorothy Lamour ?? who was she? I thought it was Norma Shearer,,or Jeanette Mc Donald,,,,or was it Betty Hutton??Maybe Warner Baxter was the "guy singin the lead,,,,bak up group was comprised of Peter Lorre, James Cagney, Humphrey Bogart,,and the leader and steel player was Sidney Greenstreet,,,,,,correct me if im wrong,,,forgot ,,it was Boris Karloff on Bass and Bela Lugosi on Ukelele....what a group..[This message was edited by Jody Carver on 23 July 2001 at 07:40 AM.] |
Paul Graupp Member From: Macon Ga USA
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posted 23 July 2001 10:06 AM
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Jody; You've got me worried.....How did you get all those girls mixed up like that ? Norma Shearer would have been much too young to go back that far. I seen her the other day on the Lawrence Welk Show. And Jeanette McD run off to Canada with a RCMP named Gordon McRae long before they saw the Moon Over Manakooru. And wasn't the other one Bette Grable and not Betty Hutton ? One of them was a poster girl for WWII GIs but I was too young them to remember which one.And everyone knows Sidney Greenstreet played violin from the time he was 39. I don't think the steel guitar was invented yet when he came on the scene. But I do recall Peter Lorre. He had a record about a witch where they put the mike in the toilet and flushed it. It used his cackling laugh all the way thru the recording. What a witch he must have been !! BTW....I'm told that James Cagney used to record under another name like Hank Wms and Luke the Drifter did. They may have even got the idea from Cagney. The alias he used was Jimmy Dorsey !! Paul[This message was edited by Paul Graupp on 23 July 2001 at 10:08 AM.] [This message was edited by Paul Graupp on 23 July 2001 at 03:40 PM.] |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 23 July 2001 09:40 PM
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Paul and Jody...you're both just too much! I think the guys in the white smocks with the padded jackets are heading your way so watch out!! (ha!) Oh, and by the way, it was Betty Grable who was the WW2 pinup girl...also the wife, (one of many), of Harry James. Now don't go asking "who was Harry James?" ![This message was edited by George Keoki Lake on 23 July 2001 at 09:42 PM.] |
Paul Graupp Member From: Macon Ga USA
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posted 24 July 2001 08:54 AM
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George: I remember Harry James !! But I think we have another imposter on our hands. I went over to the Live 365 page and was listening to the Hotclub of America and this guy who says his name is Jody Carver is really, I think, the one who played with Jimmy Bryant on lead guitar back in the 50s. He's the one I mentioned earlier as having played Moon Over you know what and did such a pretty work on it. Haven't we always thought there is only ONE person who can make the bar dance like that ?? So if there is only ONE than he has got to be that ONE.My early love of Hawaiian sounds came off my father's zither. I found the chimes first and then the slide, with a flashlight battery. And here I am, 56 years later listening to Jody playing beautiful chime passages on The Third Man Theme; originally played on a zither. What can I say. I'm lost for words; the music is so pretty !! I'm a kid again back on the green hills of eastern Pennsylvania. He is such a sentimental old friend ! Regards, Paul[This message was edited by Paul Graupp on 24 July 2001 at 08:57 AM.] [This message was edited by Paul Graupp on 24 July 2001 at 10:38 AM.] |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 24 July 2001 09:42 AM
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Up here in yonder North, I gotta confess once again I had never heard, or heard of some character by the name of Jody Carver. My total loss in life! Jody recently e-mailed me and he comes across as a guy whom I'd be mighty proud to have as a close friend. I recently heard some of his stuff through this FORUM site, and he blew me away! What a musician. Now you have really peaked my curiosity...I have not heard his "Third Man Theme" but can well imagine his fine artistry on that tune. |
Paul Graupp Member From: Macon Ga USA
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posted 24 July 2001 09:57 AM
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George: Over in the Music Forum there is a thread about Internet Radio, Do You Listen. One of the posts therein gives a link to the Hotclub of America and you would have to listen to the songs from the album as they rotate until you come to the Third Man Theme. BTW, I was sorry to see you missed BE when he came to Edmonton. He is surely an act to remember!! Regards, Paul |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 24 July 2001 09:58 AM
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Hey Paul & George,,,I deleted my previous post,,,I didnt like what I posted. No it wasn't bad,,,,just seemed stupid of me.Appreciate your nice comments,,,Paul I hould be 1/10th as good as the fellow who played with Jimmy Bryant,,,he was great. Now I have 3 people on this Forum who liked what I did back then,,,the two of you and David Van Allen who resurected(spell right?) that old long deleted LP,,,,Thanks anway....but I am far from being in a class as Jimmy Bryants partner...Im more like a Bela Lugosi type..I have to get get into my "tweed Fender case" by sunup.....Thanks anyway,,,,[This message was edited by Jody Carver on 24 July 2001 at 11:02 AM.] |
Paul Graupp Member From: Macon Ga USA
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posted 24 July 2001 11:56 AM
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Nawwww Jody !! You can't get off that easy ! This was my first listen through the Hot Club and my ears are as good as they ever were. I am not saying he didn't or couldn't, but I have never heard the other guy do the bar dance as fast as you do. How did you do that ?? I used to hold the bar off the strings and use my right hand to chatter it against the strings. but never that fast. And I have heard him do string clicks here and there but never whole extended passages and on top of that, in harmony too. What is the word they use when violin players pluck the strings instead of bowing them ? Pitzicado (sp??). That is what you were doing and I don't know of anyone else who does that. I think the whole Forum knows I'm a Jerry Byrd Fan. But your version of Limehouse Blues brought out the goose bumps and gave me an entire new outlook on the song. And the other guy never used the tone control as well as you. Did you have a Fender foot volume/tone pedal ? Even if you did, I don't see how you could do it so fast. Nawwwww Jody Carver..... You Da Man !! Regards, Paul  [This message was edited by Paul Graupp on 24 July 2001 at 11:57 AM.] [This message was edited by Paul Graupp on 24 July 2001 at 11:58 AM.] [This message was edited by Paul Graupp on 24 July 2001 at 02:35 PM.] |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 24 July 2001 01:23 PM
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Paul,,,you are much too kind,,,commenting what you did.. Someone who shall be nameless reffered to by bar crashes and rapid chatter effects if thats what they are called...commented that,,,that was not true steel guitar playing,,,,,but rather like a "machine gun" his comments were not at all complimentary,,,,but he is entitled to his opinion.I have made tapes for you and you will hear the machine gun again,,,not as rapid fire as it was then,,,but pretty close.. Thank you as well George I appreciate your compliments,,I dont get many these days. I think this thread has turned into a George Paul & Jody thread.....others may be bored. I do appreciate it though,,,,,Jody I will send you some Arthur Godfrey tapes as well.. you will hear 1955 bar chatters,,when I was young...now my teeth chatter when I think of how young I was.......will mail to you I promise,,,,,,, |
Rick Collins Member From: Claremont , CA USA
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posted 25 July 2001 08:55 AM
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You players with so much "time in grade" have really given me an education with this thread. I love the Hawaiian style. It would have been great to have been alive when it was at it's height of popularity.I'm trying to develope my own style of playing,___Jerry Byrd touch with a higher staccato sound. It's a long road ahead, I know, and I probably will not get there; but I'm enjoying the ride. Rick |
Paul Graupp Member From: Macon Ga USA
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posted 25 July 2001 05:03 PM
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Rick: It's not the destination that's important. It's the journey !! I'm sure you will enjoy it just as we all have in our own ways. Regards, Paul |
George Keoki Lake Member From: Edmonton, AB., Canada
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posted 25 July 2001 05:55 PM
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Main thing Rick...play like Rick Collins. It's o.k. to copy the odd riff or trick from experts...we all do. But in the end, It's ORIGINALITY which counts IMHO. Also, what Paul mentioned (above) is darned good advice. |
Jody Carver Member From: The Knight Of Fender Tweed. Dodger Blue Forever
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posted 25 July 2001 06:18 PM
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Paul & George I got most of my influence from Arthur Treacher,,,he played great steel,,,and was a great butler as well.I think however it was Edward G.Robinson that played uke on the original sound track of Moon Of Manakoora. His big cigar caused many problems as the cigar smoke got into Treachers eyes,,,and then they wrote" Smoke gets In Your Eyes" Arthur quit the steel ,,,went to work with Merv Griffin and then opened all those Fish and Chips "franchises" is that what you wanted to know??? Thought I would fill you in. What do you think ,,,anyhow?? Im just as smart as Jason Odd,,,,, | |