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  PF's Baritone Steel

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Author Topic:   PF's Baritone Steel
Tony Dingus
Member

From: Kingsport, Tennessee, USA

posted 16 June 2006 02:23 PM     profile     
What would the gauges be for the (E9?) baritone tuning?

Tony

[This message was edited by Tony Dingus on 17 June 2006 at 08:05 PM.]

Tony Dingus
Member

From: Kingsport, Tennessee, USA

posted 17 June 2006 08:05 PM     profile     
^
Bobby Lee
Sysop

From: Cloverdale, North California, USA

posted 18 June 2006 08:09 AM     profile     
What is the E9th baritone tuning?
Mike Perlowin
Member

From: Los Angeles CA

posted 18 June 2006 11:48 AM     profile     
I believe the baritone tuning is the same as the regtlar E9 tuning, only an octave lower than normal. (Somebody please correct me if I'm mistaken about this.)

The E9/B6 U-12 provides many, but not all, of the same sounds. One of it's attrctions for me is the extended bass register, down to G#, two octaves below the 6th string.

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Tony Dingus
Member

From: Kingsport, Tennessee, USA

posted 18 June 2006 07:22 PM     profile     
B0b, PF used the baritone on Lee Ann Womack's Little Past Littlerock. It may not be E9, I'can't remember for sure, but I saw the triple neck Franklin that Paul used in the studio at one of the Knoxville shows back in the 90's. Mr. Franklin had it sitting on a table, you talk about a work of art, sweet.

Mike, Jeff Newman told me the same thing you said. I don't know what strings are wound and unwound. Would C6 with a couple of E9 pedals get the same ideal?
Thanks for your replys.

Tony

[This message was edited by Tony Dingus on 18 June 2006 at 07:24 PM.]

Brett Day
Member

From: Greer, SC, USA

posted 18 June 2006 07:42 PM     profile     
According to the Franklin Steel website, it says that Paul tuned the pedal steel down an octave to make it have a baritone sound. Brett, Emmons S-10, Morrell lapsteel, GFI Ultra D-10
Tony Dingus
Member

From: Kingsport, Tennessee, USA

posted 19 June 2006 05:05 AM     profile     
Thanks Brett, that's what I was thinking but I wasn't sure. I've got a program on my Gensis 3 using the pitch shifter and other than a slight delay it works ok and that with the effect's mix 100%.

Tony

Erv Niehaus
Member

From: Litchfield, MN, USA

posted 19 June 2006 06:16 AM     profile     
One of the necks on the Fender Stringmaster was set up for fatter strings. I had bass strings on the last four strings on that neck when I was non-pedaling most of the time. Works out quite well when the bass player fails to show up. Now with BIAB, he's always there.
Bobby Lee
Sysop

From: Cloverdale, North California, USA

posted 19 June 2006 10:04 AM     profile     
They aren't listed on the franklin price list, but I bet if you called you could get a set from them. After all, they supply Paul.

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chas smith
Member

From: Encino, CA, USA

posted 19 June 2006 11:24 AM     profile     
quote:
What would the gauges be for the (E9?) baritone tuning?

Double the guage of the string for the 8vb. So the 3rd string, instead of .011, is now .022.
Jerry Hayes
Member

From: Virginia Beach, Va.

posted 20 June 2006 08:00 AM     profile     
I guess any string after the G# would have to be wound eh?.....JH in Va.

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Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!


Roy Ayres
Member

From: Starke, Florida, USA

posted 20 June 2006 10:40 AM     profile     
SOME CONVOLUTED LOGIC:

A TENOR guitar is a 4-string guitar, and has been so named for years. They are usually tuned like the first four strings on a REGULAR guitar. A regular guitar has two additional strings, allowing one to play notes almost an octave below the lowest note on a tenor guitar. The regular guitar is, therefore, a BARATONE guitar. The next level down in pitch should be termed a "BASS" guitar -- but we already have bass guitars. Therefore a guitar tuned between a regular guitar and a bass guitar can not have a name -- because the names have all been used up
.
.
.
except, of course, "ALTO" and "SUPRANO."

So, the only solution is to go back and rename the TENOR guitar as an ALTO guitar, and rename the REGULAR guitar as a TENOR guitar. This leaves room between a regular guitar (now called a "TENOR" guitar) and a "BASS" guitar to add a "BARATONE" guitar.

Following the same logic, the mandolin then becomes a "SUPRANO" guitar.

. . . and things will then be in the right order -- like God intended them to be.

Of course, all names will then be used up, so there can no longer be any BANJOS.

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[This message was edited by Roy Ayres on 20 June 2006 at 11:02 AM.]

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