Author
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Topic: George Strait's" Nobody In His Right Mind"
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John Moss Member From: Childress, Texas-USA
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posted 03 August 2000 05:26 PM
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I just wonder if anyone knows the awesome intro,turn around and ending of this song.I think they are close to one in the same. This is such a great song and deserves the right licks. Thanks, John |
Tony Chavez Member From: Belen,New Mexico,USA
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posted 03 August 2000 10:00 PM
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I understand our new mediator is quite the tab master,best I can do you for you is refer you to the right person....Ricky Davis!!What a Helluva a guy. |
Larry R Member From: Navasota, Tx.
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posted 04 August 2000 12:40 PM
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John, I have been working on this song this week. It's in the key of F. I spent 2 nights for about 1 hr each night just playing the intro. It is so cool and simple too. What in particular were you wanting to know. Larry R
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Tony Chavez Member From: Belen,New Mexico,USA
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posted 04 August 2000 01:50 PM
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Hey Larry if ya get a chance post all of it,I'd like to see how you do it. |
David Mullis Member From: Rock Hill, SC
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posted 04 August 2000 01:53 PM
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Please post I worked on this one some time back, but I don't think I got it right.Thanks David
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John Moss Member From: Childress, Texas-USA
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posted 04 August 2000 04:41 PM
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Hey Larry, It sounds like you have what we have been looking for. Like to see anything you have worked up for the song. Thanks, JohnMullen SD10 3&5 |
Bill Wilson Member From: Baltimore MD USA
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posted 05 August 2000 09:23 PM
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Here's how I play it; 1------------------------------------------------- 2------------------------------------------------- 3------------------------------------------------- 4------------------------------------------------- 5---------4A~~~8~8~8A--------6~~8~8A~~8----------- 6----1~~4~~~~~~8~8~8B---6L~6~~~~8~8B~~8----------- 7------------------------------------------------- 8------------------------------------------------- 9------------------------------------------------- 10------------------------------------------------ "L" on string 6 refers to the pedal that lowers strings 5 and 6 a whole tone, or as many refer to it the "Paul Franklin" pedal, P4. Or, if you don’t have the P4 change but do have the F#-G# lever on string 7; 1------------------------------------------------- 2------------------------------------------------- 3------------------------------------------------- 4------------------------------------------------- 5---------4A~~~8~8~8A--------6~~8~8A~~8----------- 6----1~~4~~~~~~8~8~8B-----------8~8B~~8----------- 7-----------------------6~6G---------------------- 8------------------------------------------------- 9------------------------------------------------- 10------------------------------------------------ or of course just slide up.. 1------------------------------------------------- 2------------------------------------------------- 3------------------------------------------------- 4------------------------------------------------- 5---------4A~~~8~8~8A--------6~~8~8A~~8----------- 6----1~~4~~~~~~8~8~8B---4~~6~~~~8~8B~~8----------- 7------------------------------------------------- 8------------------------------------------------- 9------------------------------------------------- 10------------------------------------------------
[This message was edited by Bill Wilson on 06 August 2000 at 03:14 PM.] |
Tony Chavez Member From: Belen,New Mexico,USA
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posted 06 August 2000 08:15 AM
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Good Job Bill,sounds right on the money.Tony |
John Moss Member From: Childress, Texas-USA
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posted 06 August 2000 09:44 AM
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Hey Bill, Thanks for the tab good work. John |
Larry R Member From: Navasota, Tx.
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posted 08 August 2000 11:33 AM
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Well it's taken me about 5 hrs to do this but here ya go.Nobody In his Right mind... INTRO 1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 5---------------8-------8>>>>8a---8a--| 6----------8b---8b------8b>>>-----8b--| 7-------------------------------------| 8----6~~8-----------8-----------------| 9-------------------------------------| 0-------------------------------------| 1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5---------------8------8a>>>>------8--| 6----------8b---8b-----8b>>>>8b----8--| 7-------------------------------------| 8---6>>>8-----------8-----------------| 9-------------------------------------| 0-------------------------------------|
1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5--------------8--------8>>>>>8a------| 6---------8b---8b-------8b>>>>--------| 7-------------------------------------| 8--6>>>8------------8-----------------| 9-------------------------------------| 0-------------------------------------|
1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5---------------8a--------8a>>>>----8-| 6----------8b-------8b----8b>>>8b---8-| 7-------------------------------------| 8--6>>>8------------------------------| 9-------------------------------------| 0-------------------------------------|
OUtro #1 8L Lowers 6th strg. 1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5---------------8----8----8>>>>8a---8a| 6----------8b---8b---8b---8b>>>8b---8b| 7-------------------------------------| 8---6>>>8-----------------------------| 9-------------------------------------| 0-------------------------------------| 1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5--------------8----8----8>>>>8----8--| 6---------8b---8b---8b---8b>>>8L---8--| 7-------------------------------------| 8--6>>>8------------------------------| 9-------------------------------------| 0-------------------------------------|
Outro #2 1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5-------------8----8----8>>>>8a---8a--| 6--------8b---8b---8b---8b>>>8b---8b--| 7-------------------------------------| 8--6>>>8------------------------------| 9-------------------------------------| 0-------------------------------------|
1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5--------------8-----8-----8>>>>8a>>>8| 6---------8b---8b----8b----8b>>>8b>>>8| 7-------------------------------------| 8--6>>>8------------------------------| 9-------------------------------------| 0-------------------------------------|
1-------------------------------------| 2-------------------------------------| 3-------------------------------------| 4-------------------------------------| 5----8----6----3a----3a----6----------| 6----8----6----3b----3b----6L---------| 7-------------------------------------| 8-------------------------------------| 9-------------------------------------| 0-------------------------------------|
I just separated the sections for ya Larry, I hope ya don't mind. Dang good work pal; I played through it in my head and sounds like you did your homework to me. Thanks for this and keep'um coming. And Bill; that is mighty fine too man. Ya'll both show exactly how someone can pretty much play the parts with a little variation in position. Good work guys. Ricky[This message was edited by Ricky Davis on 08 August 2000 at 04:50 PM.] [This message was edited by Larry R on 10 August 2000 at 06:51 AM.] |
John Moss Member From: Childress, Texas-USA
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posted 08 August 2000 07:28 PM
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Great work fellows. You guys are the tops. Thanks, John |
Larry R Member From: Navasota, Tx.
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posted 09 August 2000 06:25 AM
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Ricky, thanks for separating the tab for me. I fought that stuff for quite a while. The intro is very basic but takes patience getting the timing down correctly. Paul used subtle variations on each bar (as any good musician would do). Pay particular attn. to the outro's as a knee lever is used to lower the 6th strg. It's tricky at one place where the timing is critical with the "B" pedal and the knee lever. If your playing with no other instruments around, melody licks are the order of the day. Add other instruments and you might get by with playing single notes. The melody- There are so many positions to play the melody, especially with the 6 minor chord change. (BC pedal, A pedal, D lever). The possibilities are endless. Have fun with it guys. |